《乾隆皇帝松荫挥笔》横轴，清乾隆，张宗苍等绘，纸本，水墨，纵96.2厘米，横156厘米。

　　款识：“乾隆十八年四月臣张宗苍奉勅恭绘。”下钤二朱文方印“张”、“宗苍”。“乾隆十八年”即1753年，乾隆皇帝时年43岁。画幅右上乾隆皇帝御题五言诗：“松石流泉间，阴森夏亦寒。构思坐盘陀，飘然衫带宽。能者尽其技，劳者趁此闲。谓宜入图画，匪慕竹皮冠。癸酉夏日题。”下钤“即事多所欣”白文方印、“乾隆御笔”朱文方印。该诗文与张宗苍于同一年奉勅绘的《乾隆皇帝抚琴图》轴所题内容相同。

　　图绘乾隆皇帝一身文士装扮，提笔创作的形象。乾隆皇帝作为清王朝盛世期的统治者，闲暇之余广学博览，不仅孜孜不倦地学习汉文化，并且积极地参与文学创作，其诗文绝大部分是其从政、巡幸、筵宴、读书、玩赏等活动中的即兴之作，诗意多平淡，缺少文学艺术性，但具有一定的史料价值。目前统计，其仅御制诗就达4万余首，尚不包括他即位之前的《乐善堂全集》700余首和其他零星作品，虽然其中有的诗是经翰林词臣们润色或代笔，并为之作注的，但是，其作品数量之大，仍然冠历朝作者之首。乾隆皇帝出于对写诗作文的喜爱，常谕令宫廷画家们绘制他在创作时的儒雅形象，此图便是其中之一。

　　图中乾隆皇帝的画像写实逼真，其冥思苦想的表情传神生动。山石连皴带染，以无规则的墨点作苔点，既得厚重之力，又得灵动之美。挺拔的松树以劲键有力、娴熟的笔法表现，营造出满目苍翠的神仙之境，与乾隆皇帝洒脱高逸的文人形象相契合。

 

--------Introduction in English--------

 

"Emperor Qianlong Songyin Swing Brush" horizontal axis, Qianlong, Zhang Zongcang and other paintings, paper, ink, 96.2 cm vertical, 156 cm horizontal.

Qian Zhi: "In April of the eighteenth year of Qianlong Emperor Zhang Zongcang painted with honor." "Zhang" and "Zongcang" are printed in Xiajun Erzhu Wenfang. "Eighteen years of Qianlong" is 1753. Emperor Qianlong was 43 years old. On the right side of the picture, the Emperor Qianlong's five-character poem with imperial inscriptions reads: "Between pine and stone streaming springs, it's gloomy in summer and cold in winter." The idea of sitting on Pantuo, the bandwidth of Piaoran shirt. The skilled do their best, the laborers take advantage of this leisure. It is appropriate to enter the picture. Bandits admire bamboo crowns. Summer Question." Xiajun's Baiwen square seal and Zhuwen square seal of Qianlong Imperial Pen. This poem is the same as Zhang Zongcang's Picture of Emperor Qianlong's Fuqin, which was painted in the same year.

Draw the image of Emperor Qianlong dressed up as a scholar and created with pen. Emperor Qianlong, as the ruler of the prosperous period of Qing Dynasty, studied extensively in his spare time. He not only assiduously studied the Chinese culture, but also actively participated in literary creation. Most of his poems and essays were improvised works in his political activities, traveling, feasting, reading and appreciating activities. Their poems were dull and lacked literary artistry quality. It has certain historical value. At present, there are more than 40,000 imperial poems, not including more than 700 pieces of Le Shan Tang Complete Works and other sporadic works before he took office. Although some poems were polished or proclaimed by Hanlin Ci officials, they still ranked first among the writers of the dynasty because of their large number of poems. Emperor Qianlong, out of his love for writing poems and compositions, often ordered court painters to draw his Confucian and elegant image in his creation. This picture is one of them.

In the picture, the portrait of Emperor Qianlong is realistic and vivid, and the expression of his meditation is vivid. The mountains and stones are dyed and covered with irregular ink dots, which not only have great strength, but also have the beauty of agility. The tall pine trees, with their powerful and skillful brushwork, create a green fairyland, which matches the free and elegant literati image of Emperor Qianlong.