- 契马布耶 Cimabue Alias Bencivieni Di Pepo
- 1280 - 83
- 350 x 320 cm
- 壁画 Fresco
契马布耶以透视法在边框上画出一些具有近代空间幻觉的榈板；画面中央.悬挂着三盏吊灯.是依照雅克伯．达．瓦拉吉内原着所述而描绘。空间以极为对称的形式布局.然后再画入充满活力的人物群像.他们从右下至左上方倾斜排列.也就是说.从站立着、正宣告圣母即将逝世的圣约翰形象开始.然后转向躺卧着、被使徒们团团围住的圣母马利亚形象为终结。此外.使徒群像的构图更是意味深长.它并不是单一的环形图式.而是两个弧形.那条较低、较宽大的弧形.围绕着上方；而较短、较小的弧形.则在圣约翰垂直的形体前.接合着圣约翰的手势.指出了构图的走向.将观者的目光导向圣母。契马布耶的这幅作品.比其他作品更雄浑有力.似乎使观者产生了参与感.并能将自已的情绪融入其中。馆 藏 处义大利 亚西西圣方济各圣殿Basilica Papale di San Francesco di Assisi
Chemabuye used perspective to draw some palm boards with modern spatial illusion on the frame; The center of the picture There are three chandeliers hanging It is depicted according to the original work of Jacob Da varajine. The space is arranged in an extremely symmetrical form Then draw a group of energetic figures They are arranged obliquely from the bottom right to the top left in other words. Start with the image of St. John standing and announcing the imminent death of the virgin Then turn to the image of the lying Virgin Mary surrounded by apostles. In addition The composition of the apostles is even more meaningful It is not a single circular schema It's two arcs The lower, wider arc Around the top; And shorter, smaller arcs Before the vertical form of St. John With the gesture of St. John The trend of composition is pointed out Direct the viewer's eyes to the virgin. This work by chemabuye More powerful than other works It seems to give the viewer a sense of participation And can integrate their own emotions into it. Museum & ENSP; Tibetan & ENSP; Basilica Papale di San Francesco Di Assisi