《汉宫秋月图》轴，清，袁耀绘，绢本，设色，纵129厘米，横61.3厘米。

　　本幅自题：“汉宫秋月，壬申初冬邗上袁耀画。”钤“袁耀”、“昭道”印2方。

　　袁江和袁耀父子的绘画艺术，从题材到绘画风格完全一脉相承。“汉宫秋月”是袁氏父子经常画的一个题材，内容以昭君出塞的历史故事为背景。王昭君是汉元帝时的宫女，貌美且有志气，自愿远嫁匈奴和亲。在她的影响下，匈奴与中原之间得以和平相处，“三世无犬吠之警，黎庶无干戈之役”。袁耀曾多次选此题材，其主要兴趣在于描绘华美的宫殿建筑。此幅中殿宇宫门紧闭，月光似水，将庭院笼罩在一片苍茫的夜色中，淡淡的凄凉情调正符合王昭君即将远离故乡和亲人的离愁别绪，这使得原本精工华丽的楼阁也带上了一丝哀婉的色彩。

 

--------Introduction in English--------

 

"Autumn Moon Map of the Han Palace" axis, Qing Dynasty, Yuan Yao Painting, silk, color, 129 cm vertical, 61.3 cm horizontal.

The title of this painting is: "The autumn moon of the Han Palace, the painting of Yuan Yao on Hao in the early winter of Renshen." Jun "Yuan Yao" and "Zhaodao" India.

Yuan Jiang and Yuan Yao's father and son's painting art, from the subject matter to the painting style, completely inherited. "Autumn Moon of the Han Palace" is a theme often painted by Yuan's father and son, which is based on the historical story of Zhaojun's fortress. Wang Zhaojun was a palace girl in the Han and Yuan Dynasties. She was beautiful and ambitious, and voluntarily married the Huns and their relatives. Under her influence, Xiongnu and the Central Plains were able to live in peace. "The third generation had no barking police, and the common people had no fighting." Yuan Yao has chosen this theme many times. His main interest is to depict the beautiful palace buildings. In this picture, the gate of the palace is closed, the moonlight is like water, and the courtyard is shrouded in a vast night. The bleak mood is in line with Wang Zhaojun's sad departure from his hometown and relatives, which makes the original exquisite pavilion with a trace of sadness.