《友松图》卷，明，杜琼作，纸本，设色，纵28.8cm，横92.5cm。
此图无款，钤“東原齋”、“杜用嘉”、“一丘一壑”三印。后有文伯仁跋，说明为杜琼之作。据张丑《清河书画舫》著录：“东原先生为其姊丈魏友松写号图，当时有题诗，不知何时脱落，尚赖刘完庵长句具存，足称艺林双璧。”又据杜琼文集中有关魏友松的诗文可知，杜琼姊丈魏本成，号友松，魏氏一家都是仕宦文人。此图的创作背景是魏友松到杜琼的“东原斋”做客，两人兴致极高，交谈十分投机。事后，杜琼便乘兴作画题诗纪之，并送与魏友松。
《友松图》以魏本成的别号为题作画，开吴门画派同类题材之先河，这类“别号图”主要流行于早期的吴门画家之中，而止于吴门画派衰落之时，在此前后则较为罕见。《友松图》是一幅典型的庭院小景画，描绘了庭院内的景物和人物的活动。卷首坡石上古松挺立，房屋隐露，树木丛围。正房内二人促膝而谈，身着红色官服、头戴官帽者为魏友松；身着蓝色布衣、手持书卷者是杜琼本人。此外还有两名书童侍茶。画卷中段为园内比较开阔之处，设有盆景、棋案，绘有两组文人活动，一为伏案作画，一为赏景漫游。卷尾面假山数峰，错落有秩，结构密而不塞。假山上建有小亭，当是杜琼文集中所言的延绿亭。图中，杜琼有意突出魏友松的形象，以体现主题。值得注意的是，《友松图》的创作目的不同于一般的文人画，它在寄乐于画的同时，又是为纪念友人相访而创作的，具有很强的针对性和纪念性，其中的人物及景物都有所指，同时还配有诗文说明或友人的题跋。这种创作方式在后世吴门画派的作品中普遍流行，如沈周的《京江送别图》卷、文徵明的《惠山茶会图》卷等。在画法上，此图继承了元代黄公望、王蒙的传统，青绿淡着色，笔法于严谨缜密中见苍健劲逸，设色秀润雅致，从中可见画家温文尔雅的风范。
清张丑《清河书画舫》收录。
--------Introduction in English--------
"You Song Tu" Volume, Ming Dynasty, Du Qiong, Paper, Colour Setting, Vertical 28.8cm, Transverse 92.5cm.
There is no money in this picture. There are three seals in Jun: Dongyuan Zhai, Du Yongjia and Yiqiu Yiqi. Later, there was Wen Borenba, explaining that it was Du Qiong's work. According to Zhang Chou's "Qinghe Calligraphy and Painting Fang" description: "Dongyuan was born to write a number map for his sister-in-law Wei Yousong. At that time, there was an inscription poem, I do not know when it fell off. Liu Wanan's long sentence still exists, which is called Yilin Shuangbi." According to Du Qiongwen's poems and essays on Wei Yousong, we can see that Du Qiong's sister-in-law Wei Bencheng, Nuo Yousong and the Wei family are all officials and scholars. The background of this picture is Wei Yousong's visit to Duqiong's "Dongyuan Zhai". They are very interested and have a very speculative conversation. After that, Du Qiong took advantage of Xing to write poems on paintings and sent them to Wei Yousong.
"Yousong Tu" takes Wei Bencheng's nickname as the theme of painting, which is the first of its kind in Wumen Painting School. This kind of nickname Tu was mainly popular among early Wumen painters, but it was rare before and after the decline of Wumen Painting School. "Yousong Tu" is a typical courtyard landscape, which depicts the scenery and the activities of people in the courtyard. The ancient pine stands upright on the rolling head slope, the houses are hidden and the trees are surrounded. The two men in the main room talked on their knees, wearing red official clothes and official hats for Wei Yousong, and wearing blue clothes and holding books for Du Qiong himself. In addition, there are two bookboys serving tea. In the middle of the picture scroll, there are bonsai and chess cases in the garden. There are two groups of literati activities, one is to draw for the ambush case, the other is to enjoy the scenery. There are several peaks on the rolling-tail rockery, which are scattered with ranks, and the structure is dense but not blocked. There is a small pavilion on the rockery, which should be the Yanlu Pavilion in Du Qiongwen's collection. In the picture, Du Qiong intentionally highlights the image of Wei Yousong to reflect the theme. It is worth noting that the purpose of the creation of Yousong Tu is different from that of ordinary literati paintings. It is created for the commemoration of friends'visits while enjoying painting. It has a strong pertinence and commemoration. The characters and scenery in Yousong Tu are all meaningful, and it is also accompanied by poetry notes or friends' inscriptions and postscripts. This kind of creative method is popular in the works of Wumen School in later generations, such as Shen Zhou's "Goodbye Map of Jingjiang" and the "Huishan Tea Fair Map" which is illustrated in the article. In painting, this picture inherits the traditions of Huang Gongwang and Wang Meng in Yuan Dynasty. It is green and light-colored. In meticulous brushwork, it shows vigor and vitality, elegant and elegant colors, from which we can see the gentle and elegant style of the painter.
Qing Zhang Chou's "Qinghe Painting and Calligraphy Fang" is included.
