《三教图》轴，明，丁云鹏作，纸本，设色，纵115.6cm，横55.7cm。

　　图左下款署“善男子丁雲鵬敬寫”。钤“丁雲鵬印”“南羽氏”。画上有陈继儒题记。

　　此图画孔子、老子、红衣罗汉坐于树下共同探究玄理的情景。画中三位智慧长者面目严肃，神情专注，孔子儒雅敦厚，循循善诱，正发表言论；老子道貌岸然，谨慎而善辩，他注视着对方，似乎准备随时发问；红衣罗汉双目低垂，安详而平静，从他紧锁的眉头可以看出他已沉于思索之中。明代，随着儒、道、释三教的融合，宗教题材的绘画也随之有了世俗化的倾向，此画中的宗教人物与作为供养的神仙不同，脱离了程式化的因素，有着鲜明的个性特征和情绪化色彩，同时融入了文人的审美情趣。其人物造型古拙、气质端庄文雅，体现了明后期文人画注重表现个性的风尚。画法上，运用“高古游丝描”，细劲而“笔力伟然”，既有古朴之感，又具有时代气息。设色古妍冷隽，尤其是人物服饰的红色、兰色与赭色，赋色沉稳和谐。山石树木勾勒添色，取法文徵明，小青绿设色，文静典雅，营造了一种静谧清淡的意境，引人入胜。

 

--------Introduction in English--------

 

"Three Religious Maps" axis, Ming Dynasty, Ding Yunpeng's works, paper, color, 115.6 cm vertical, 55.7 cm horizontal.

On the left, the following section is "written by Ding Yunpeng, a good man". Jun "Ding Yunpeng Yin" and "Nanyu Shi". There are inscriptions on Chen Jiru's paintings.

This picture shows Confucius, Laozi and Luohan in red sitting under a tree to explore the metaphysical scene. The three wise elders in the painting are serious in face, attentive in expression, Confucius is elegant and graceful, obedient and seductive, and are making speeches; Lao Tzu is respectful, cautious and eloquent, and he looks at each other as if he is ready to ask questions at any time; Luo Han in red clothes has lowered his eyes, quiet and calm, which can be seen from his locked eyebrows that he has been meditating. In the Ming Dynasty, with the integration of Confucianism, Taoism and Buddhism, religious paintings also tended to be secularized. The religious figures in the paintings, different from the gods who provided for them, broke away from the stylized factors, had distinct personality characteristics and emotional colors, and at the same time integrated the aesthetic taste of literati. His figure modelling is ancient, dignified and elegant, which reflects the trend of literati painting in the late Ming Dynasty that pays attention to the expression of personality. In painting, the use of "ancient traveling silk sketch" and "vigorous and magnificent brushwork" not only has a sense of primitive simplicity, but also has the flavor of the times. The colours are ancient, beautiful and meaningful, especially the red, blue and ochre colours of the characters'clothes. The colours are stable and harmonious. Rocks and trees are characterised by French, small green, quiet and elegant, creating a quiet and light mood, which is fascinating.