《孤松高士图》轴，明，程嘉燧绘，纸本，设色，纵130.2cm，横31.2cm。

　　图绘高士依孤松远眺、小童携琴相随以及青山与江水相隔之景，颇有晋人陶渊明《归去来辞》中“策扶老以流憩，时矫首而遐观。云无心以出岫，鸟倦飞而知还。景翳翳以将入，抚孤松而盘桓”之诗意。本幅款署：“崇祯四

年秋九月，孟阳画于虞山耦耕堂。”钤“程嘉燧印”白文印。崇祯四年即1631年，作者时年67岁。

　　此幅构图取法倪瓒“一江两岸”式，重点突出孤松与高士，点明了高逸的主题。山体采用疏散的披麻皴，有元人笔意。人物神情凝重，刻画入微，笔法细腻舒朗。设色清雅，以花青入色，山色青翠，古松秀郁，整体画面呈现出儒雅清丽的韵致。

　　鉴藏印有“孙煜峰珍藏印”、“希逸”、“刘氏寒碧庄印”、“虚斋审定”、“韫辉斋印”、“暂得于己快然自足”等诸印。

 

--------Introduction in English--------

 

"Gusong Gaoshitu" axis, Ming Dynasty, Cheng Jiazhao painting, paper, color, 130.2 cm in length, 31.2 cm in horizontal.

The picture shows Gaoshi's view from a distance of solitary pine, accompanied by children carrying piano and the distance between mountains and rivers. Clouds do not intend to make headwaters, birds fly tired and know. The poetry of Jingyi's coming in and caressing Gusong and Panhuan. "Chongzhen IV"

In autumn and September, Mengyang painted in Yushan Coupled Tillage Hall. "Chengjia Seal" in white. Chongzhen was four years old, 1631. The author was 67 years old.

This composition is based on Nizan's "one river, two sides" style, highlighting Gusong and Gao Shi, highlighting Gaoyi's theme. The mountain body is covered with evacuated Maxi chains, with the brushwork of the Yuan Dynasty. The characters are dignified, subtle and delicate. The color is elegant, with blue flowers, green mountains and ancient pine. The overall picture shows the charm of Confucianism, elegance and elegance.

There are "Sun Yufeng Collection Seal", "Xiyi", "Liu's Hanbizhuang Seal", "Xuzhai Verification", "Tao Hui Zhai Seal", "temporary self-sufficiency" and so on.