《江山放牧图》卷，宋，祁序绘，绢本，设色，纵47.3cm，横115.6cm。

　　本幅无款，上有清高宗弘历御题五律诗一首。前隔水有金章宗完颜璟瘦金体书题签：“祁序江山放牧图”。清梁清标书签：“北宋祁序江山放牧图蕉林珍藏”。鉴藏印有金章宗“内殿珍玩”、“明昌”、“明昌宝玩”、“御府宝绘”；清耿昭忠“耿昭忠信公氏一字在良别号长白山长收藏书画印记”，梁清标“蕉林”、“观其大略”以及乾隆、嘉庆、宣统诸帝之玺。

　　此图为平远式构图，取景开阔。图绘初春时节，牧童们在湖泽坡岸间牧牛的情景，是典型的宋代风俗小品画。作品表现了各种情态的牛，或低头饮水，或昂首举目，或扭身顾盼，或侧身前行，皆神态生动，富有情趣，显示出作者娴熟的笔墨技法和准确的造型能力。图中点景的树木具有宋人李唐刻画粗简的遗风，树干以粗线条勾勒轮廓，润墨皴擦，显现出苍健之态、虬曲之美；树叶用笔致细腻的夹叶法表现，中锋行笔，线条圆润工整，展现出树木丰润华滋之美。堤岸坡石的表现别具匠心，以曲折弯转的墨线勾边，再以石绿色晕染坡面，亮丽的色彩不仅丰富了画面的色调，也为全幅增添了万物复苏的春之气息。作者将悠闲惬意的牛与风和日丽的环境有机地融为一体，画面中洋溢着浓郁的乡土风情。

　　此幅是祁序流存至今的唯一一件作品，原藏清宫内府，宣统年间为溥仪运出宫，存于长春的小白楼内，后为周觉民获得。1983年9月由周觉民之妻李倩玉捐献给故宫博物院。

　　著录于清内府《石渠宝笈初编》。

 

--------Introduction in English--------

 

Jiangshan Grazing Map Volume, Song Dynasty, Qixu Painting, Silk Text, Coloring, 47.3 cm in length and 115.6 cm in breadth.

There is no money in this picture. There is a five-rhythm poem written by Emperor Gaozong Hongli of Qing Dynasty. In front of the water barrier, there is a thin gold bookmark of Jinzhang Zongwan Yan Jing: "Grazing Map of Qixujiang Mountain". Qingliang Bid Clearing Bookmark: "Collection of Banana Forest Grazing in Qixujiang Mountain of Northern Song Dynasty". There are Jin Zhangzong's "Inner Hall Treasure Play", "Mingchang", "Mingchang Treasure Play", "Imperial Palace Treasure Painting"; Geng Zhaozhong's "Geng Zhaozhong Xin Gong's" in Changbai Mountain Collection, Liang Qingbiao's "Jiaolin", "Viewing its General Plan" and the seals of Emperors Qianlong, Jiaqing and Xuantong.

This picture is a far-reaching composition with a wide view. The picture shows the herdsmen herding cattle on the Bank of Huze Slope in early spring. It is a typical folk sketch of Song Dynasty. The works show the cattle of various modes, or bow their heads to drink water, or raise their eyes, or turn around and look forward, or move forward sideways, all with vivid and interesting manner, showing the author's skilled pen and ink techniques and accurate modeling ability. The trees in the pictures have the style of rough and simple depiction by Li Tang of Song Dynasty. The trunks are outlined with thick lines and rubbed with moist ink, showing the beauty of vigor and vigor and curl. The leaves are shown by the delicate leaf clipping method with pens. The center writes with rounded and neat lines, showing the beauty of the trees. The embankment slopes and stones show ingenuity. They are delineated with tortuous ink lines and stained with stone green. The bright color not only enriches the tone of the picture, but also adds the spring breath of the recovery of all things to the whole picture. The author combines the leisurely and comfortable cattle with the beautiful environment, and the pictures are full of rich local customs.

This painting is Qi Xuliu's only work that has survived to this day. It was originally collected in the Palace Palace of Qing Dynasty. During Xuantong Period, it was transported out of the Palace for Puyi and stored in the Xiaobailou of Changchun. It was later acquired by Zhou Juemin. In September 1983, Li Qianyu, Zhou Juemin's wife, donated it to the Palace Museum.

It is recorded in the Preliminary Edition of Shiqu Baotu, Neifu, Qing Dynasty.