《晚风》绢本设色，纵180厘米，横160厘米，作于1991年。
从整体的构图、造型、造境到具体的色、墨、线的运用都染上了一层浓重的抒情性气质。他不刻意向传统古意寻津问道，但以古典意境的含蓄静逸之美为指向，我们可以领略到作品沉厚中的清澈和典雅气质。无疑，这得益于作品简洁的造型与单纯的色彩处理。画家追求的不是作为语言的表层法则与结构，而是一种精神内涵的深厚。晚风为他的代表作品之一，作品描绘的是中国改革开放的总设计师邓小平先生，作品中邓小平先生坐在藤椅之上，前面的桌子上摆放这茶杯，报纸和眼镜。仿佛刚刚看完报纸正在小憩。作者极为准确地刻画了伟人邓小平的精神风
一件被历史记住的优秀绘画作品，无一不是通过画面一瞬间的定格，诉说着时空的现在、过去、未来。
在改革开放又出发的今天，我们用历史的眼光，重新识读刘大为先生在上个世纪九十年代所创作的中国画作品《晚风》时，对老一辈无产阶级革命家的崇敬之情，不禁油然而生。
无疑，《晚风》是一件里程碑式的优秀绘画作品。它用概括化、个性化的绘画语言，通过对改革开放总设计师小平同志晚年精神风彩的入微刻画，诉说着国家的过去、现在和未来。
《晚风》采用清新、典雅的中国工笔画形式，简易、扑素的画面构成语言来表现主题。画面只有前景和背景。画面前景是悠闲坐在藤椅上的小平同志，近前方是摆放着《人民日报》、眼镜、香烟、烟缸、茶杯的藤编茶几和一支刚吸了一半的香烟，旁边摆放着一把空座藤椅；画面背景是几颗树干硕大、支叶繁茂的大树。当我们的目光触及画面时，首先会被改革开放总设计师小平同志惟妙惟肖平民化近乎完美的生动形象所吸引，会被领袖风雨人生后，仍在风口浪尖紧握住日月旋转的淡定从容所感动，会被小平同志引领我们进入新时代后，退居二线、高风亮节的情怀所动容。作者是用绘画语言，通过对小平同志日常生活场景的瞬间摄取，来表现改革开放总设计师的晚年风采，进而反映老一辈革命家对祖国未来充满信心的晚年生活，最后深情地诉说着总设计师的过去和现在。作者用绚烂后的平易色彩、纷繁后的简约线条、清楚明白的置陈布势来构成各种形式语言组成简洁、安静的画面，不正是在表现当时震动后的国家的平静、安定，不正是在表现祖国的蓝图绘就好后，总设计师对国家大势了然于胸后的伟人情怀，不正是在告诉人们新的大时代到来时静静的东方破晓吗？
读罢刘大为先生的《晚风》这幅绘画作品，心中不自觉地也升起了许多的从容和淡定之情！画中老一辈无产阶级革命家奋斗的一生，对世界大势的理解、对时代要求的认识、对生命的认知、对祖国的热爱和对祖国未来的期许以及作者对中国共产党领导下的改革开放的伟大事业必将后继有人、勇往直前的认同，都一一地展现在了画里，好似时代风云收眼底，又恰似哲人无声说环宇。《晚风》感动了我！
就不同时代而言，每一个时代都面临着具体的生活境遇，都有自己时代占主导地位的最迫切的愿望和要求。上个世纪九十年代，刘大为先生是幸运的。改革开放的火热气息给他创造了充分发挥才智的机会，他也以满怀感激的心性感受着时代最迫切的愿望和要求，用绘画语言定格了《晚风》这件不朽作品。在改革开放又出发的今天、在文化大发展的新时代，重读《晚风》，我辈欢欣鼓舞，亦将奋勇前行！
--------Introduction in English--------
The silk edition of "Evening Wind" was colored, 180 cm in length and 160 cm in transverse direction. It was made in 1991.
From the overall composition, shape, setting to the use of specific colors, ink and lines, a strong Lyric temperament has been dyed. He does not intentionally seek for the traditional classical ideas, but with the implicit and quiet beauty of classical artistic conception as the point, we can appreciate the clarity and elegance in the thick of the works. Undoubtedly, this is due to the concise shape and simple color processing of the works. The painter pursues not the surface rules and structures of language, but a profound spiritual connotation. The evening breeze is one of his representative works. The work depicts Mr. Deng Xiaoping, the chief designer of China's reform and opening up. In the work, Mr. Deng Xiaoping sits on a cane chair, and the tea cup, newspaper and glasses are placed on the table in front of him. It's as if I've just finished reading the newspaper and I'm taking a nap. The author depicts the spiritual style of the great man Deng Xiaoping very accurately.
An excellent painting that is remembered by history tells the present, the past and the future of time and space through the instantaneous fixing of the picture.
Today, with the reform and opening up, we can't help but reread Liu Dawei's Chinese painting "Evening Wind" created in the 1990s with a historical perspective and show our respect for the older generation of proletarian revolutionaries
Undoubtedly, Evening Wind is a landmark excellent painting. It uses generalized and individualized painting language to describe the past, present and future of the country through describing the spirit of Comrade Xiaoping, the chief designer of reform and opening up in his later years.
"Evening Wind" uses fresh and elegant Chinese Meticulous Brushwork form, simple and plain pictures constitute language to express the theme. The picture only has foreground and background. The foreground of the picture is Comrade Xiaoping sitting idly in a rattan chair. Near the front is a rattan table with People's Daily, glasses, cigarettes, ashtrays, tea cups and a half-smoked cigarette, beside which is an empty rattan chair. The background of the picture is several big trees with huge trunks and luxuriant branches. When our eyes touch the picture, we will first be attracted by the vivid image of Comrade Xiaoping, the chief designer of reform and opening-up, which is vividly popular and almost perfect. After the Leaders'stormy life, we will be moved by the calm and leisurely place where the sun and the moon rotate in the tips of the wind and waves, and Comrade Xiaoping will lead us into a new era and retreat. Second-line, high-spirited plot emotions touched. The author uses painting language, through the instantaneous intake of Comrade Xiaoping's daily life scene, to show the late demeanor of the chief architect of reform and opening up, and then to reflect the old generation of revolutionaries who are full of confidence in the future of the motherland. Finally, he heartily talks about the past and present of the chief architect. The author uses colorful simple colors, complicated simple lines, clear and clear display to form a simple and quiet picture of various forms of language. It is not just to show the calm and stability of the country after the shock at that time, but also to show the blueprint of the motherland. The chief designer is well aware of the general situation of the country. Isn't the feeling of the great man behind his chest telling people the quiet break of the Oriental dawn when the new era arrives?
After reading Mr. Liu Dawei's painting "Evening Wind", a lot of calm and calm feelings have arisen unconsciously in my heart. The life struggle of the older generation of proletarian revolutionists in the painting, their understanding of the general situation of the world, the requirements of the times, their understanding of life, their love for the motherland and their expectations for the future of the motherland, as well as the author's recognition of the great cause of reform and opening up under the leadership of the Communist Party of China, will surely be followed up by some people and courageous forward. The ground is displayed in the painting, as if the times were in full view, and as if the philosopher said silently around the world. Evening Wind touched me!
In terms of different times, each era is faced with specific living conditions, and has its own era-dominated most urgent aspirations and requirements. In the 1990s, Mr. Liu Dawei was fortunate. The fervent atmosphere of reform and opening-up has created opportunities for him to give full play to his talents. He also feels the most urgent desire and requirement of the times with gratitude and uses painting language to fix the immortal work "The Evening Wind". In the new era of reform and opening up and cultural development, we will reread "The Evening Wind", and we will go forward bravely with joy and encouragement.
