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沈周行书声光帖页-明朝-行书

书法作品欣赏 浏览 李艳霞 美术网

 

《声光帖》页,明,沈周书,纸本,行书,纵23厘米,横40.7厘米。

  释文:

  向自金仲寄至苏合丸,珍佩,珍佩!日来知德与位称,声光向隆,可见德门旧族风致自殊。卫中运士还,极言佩荷,足激乡里近时薄风,健羡,健羡!寒舍饥垫中,又以则户点解,村僮皆愚于料物托揽好耳。所司交纳利害,略不知头绪,尚有核桃一色,知待新方收,因不敢赍价去。缘僮俱非惜家者,凡百事为,恃在故旧之爱,希为指点,帲幪当铭刻不浅也。录尔尊先大夫心耕诗,请须裁教。外有小笔山水一帧,将意而已,未间伏惟为国,自玉不宣。

  署款:“婣生沈周再拜,全卿豸史亲家阁下。三月廿九日,锦帕二方伴缄。”款下钤印:“启南”。鉴藏印:“之赤”、“希曾”、“二谢”、“张珩审定真迹”、“周氏作民”。

  此帖是沈周写给亲家的一封书信,谈论一些日常生活中的琐事及对事物的看法。因是给关系比较密切的人写信,所以具有随意、自然的书写风格。此书师黄庭坚,兼及苏轼,笔力老练劲挺,结体紧凑不拘,笔画全以欹侧取势。

 

--------Introduction in English--------

 

"Sound and Light Tie" page, Ming, Shen Zhou Shu, paper book, running book, 23 cm in length, 40.7 cm in transverse.

Annotations:

Send it from Jinzhong to Suhe Wan, Zhenpei, Zhenpei! In the past few days, virtue and title have been known, and sound and light have been booming, which shows that the old people in Demen have their own unique style. Wei Zhongyun Shi also said that he admired him very much. Foot stimulated the breeze in the countryside. He was envious and envious. Hunger mattress in the cold house, and then the household solution, the village cadres are foolish in material support good ears. The company pays benefits and interests, slightly do not know the clue, there are walnuts uniform, know the new income, because dare not go cheap. Everything we do depends on our love for the past. We hope to be guided by it, and we should be impressed with it. Dr. Lu Zunxian's poems should be edited. Outside, there is a frame of small brush of landscape, which means nothing but the country.

"Shen Zhou" * again, "all the Qing Dynasty", your excellency. On March 29, the two sides of Kampa were silent. Under the section, the stamp "Qinan". "Zhichi", "Xizeng", "Erxie", "Zhang Heng's authentic works" and "Zhou Zuomin".

This post is a letter written by Shen Zhou to his relatives, discussing trivial matters in daily life and his views on things. Writing letters to people who are close to each other has a casual and natural style of writing. Huang Tingjian, a calligrapher, and Su Shi, have a sophisticated and vigorous brushwork, a compact and informal structure, and their strokes are all based on the side.

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