《邗江胜览图》横轴，清，袁耀作，绢本，设色，纵165.2厘米，横262.8厘米。

　　作者自题：“邗江勝覽，時丁卯，清冬袁耀畫。”钤“袁耀之印”、“昭道氏”。另有藏印“近居”、“孙阜昌印”。时丁卯为乾隆十二年（1747年）。

　　这是一幅描绘写实景色的作品，属袁耀早期作品。在清代中期，扬州作为江南地区的交通枢纽和商业重镇，其繁华发达称冠一时，同时也是当时的文化艺术中心之一。画家采用俯视的角度，将古扬州城北郊的景物尽收眼底。画面中扬州城为群山河流环绕，近景、中景、远景层层展现，气势宏大。袁耀素以描绘富丽堂皇的宫室楼阁著称，在这幅纪实作品中，却表现出了一种朴素的风貌。但用笔技巧绝无松懈，每一处细节都刻画入微，房屋、树木、舟船、桥梁、人物、车马等具体逼真，情趣生动。

 

--------Introduction in English--------

 

The horizontal axis, Qing Dynasty, Yuan Yaozuo, silk, color, vertical 165.2 cm, horizontal 262.8 cm.

Author's title: "Haojiang Scenic View, Shiding Mao, Yuan Yao Painting in the Winter of Qing Dynasty." Jun's "Yuan Yao's Seal" and "Zhao Dao's". There are also Tibetan seal "living in close quarters" and "Sun Fuchang seal". Shi Dingmao was the twelfth year of Qianlong (1747).

This is a realistic painting, which belongs to Yuan Yao's early works. In the mid-Qing Dynasty, Yangzhou, as a transportation hub and a major commercial town in the south of the Yangtze River, was crowned prosperous and developed for a time, and was also one of the cultural and artistic centers at that time. The painter uses the perspective of overlooking to get a full view of the northern suburbs of the ancient Yangzhou city. In the picture, Yangzhou City is surrounded by mountains and rivers, showing in close, medium and long-term layers with great momentum. Yuan Yaosu is famous for depicting magnificent palaces and pavilions, but in this documentary work, he shows a simple style. But there is no slack pen technique. Every detail is depicted in detail. The houses, trees, boats, bridges, characters, carriages and horses are vivid and vivid.