《观潮图》轴，清，袁江绘，绢本，设色，纵97厘米，横131厘米。

　　本幅自题：“丙申三月邗上袁江画。”钤“袁江之印”、“邗上袁文涛”印2方。

　　此图为袁江的早期作品，描绘钱塘大潮的壮阔景色。浙江钱塘江因其特殊的地理形势形成异常壮观的大潮汛，观潮成为一年一度的盛大活动。此图采用了对角式构图，颇受南宋马远、夏圭边角式构图的影响，山石楼阁集中在左下角，而大半画面用以表现滔滔潮水和淡淡的远山，充分显示了江潮的汹涌壮阔。山石皴法多借鉴北宋李成、郭熙的用笔，江水画法细密严谨，亦有宋人余韵。

 

--------Introduction in English--------

 

"Tide View Map" axis, Qing Dynasty, Yuan Jiang Painting, silk, color, 97 cm vertical, 131 cm horizontal.

This self-titled painting: "Binshen Hao Shang Yuan Jiang Painting in March." Jun's "Seal of Yuan Jiang" and "Haoshang Yuan Wentao" seals are two sides.

This picture is Yuan Jiang's early works, depicting the magnificent scenery of Qiantang tide. Qiantang River in Zhejiang Province has formed a spectacular flood season due to its special geographical situation, and tide watching has become an annual grand event. The diagonal composition is adopted in this picture. Influenced by the side-corner composition of Ma Yuan and Xiagui in the Southern Song Dynasty, the stone pavilions are concentrated in the lower left corner, while most of the pictures are used to show the surging tide and the faint distant mountains, which fully shows the magnificence of the river tide. The method of mountainous stone chains mostly borrows the brush of Li Cheng and Guo Xi in the Northern Song Dynasty. The method of river and water painting is meticulous and rigorous, and also has the lingering charm of Song people.