《芦花双雁图》轴，清，黄慎绘，纸本，设色，纵211厘米，横61厘米。

　　画幅自题：“半山经雨带斜晖，向水芦花映客衣。云外可知君到处，寄书须及雁南飞。”钤“黄慎”白文印、“瘿瓢”朱文印各一方。

　　“半山经雨带斜晖，向水芦花映客衣”，秋雨之后，江面上雾气迷濛，带着雨水的芦叶在风中摇弋。两只大雁棲息在芦叶下，眼睛紧闭，畏缩着身子，头埋藏在羽毛中，透露出山雨过后的丝丝寒意。“云外可知君到处，寄书须及雁南飞”，冬季降临，大雁南飞，它们往来的身影往往会唤起人们相思离别的愁绪，盼望能传去对远方亲友的问候。此画借景抒情，通过芦花秋雁写出对远方亲友的思念。

　　从这件作品可以看出黄慎在文人画家中的独到之处，他善于发现大自然中感人的情景，寓情于景，再辅以诗文，从而点明画外之意。在这方面，他与华嵒意趣相投，两人的作品都具有雅俗共赏的特征，且彼此相互影响。此图在画法上，浩淼的江面以水墨晕染而出，愈远愈淡。芦叶融入草书狂放的笔意，用笔迅疾，个别枝叶用浓墨点醒，营造出风雨迷濛的意境。大雁造型准确，笔简意足，着重神情的刻画，体现出画家深厚的写实造型能力。

 

--------Introduction in English--------

 

"Luhua Shuangyan Tu" axis, Qing Dynasty, Huang Shen Painting, paper, color, 211 cm vertical, 61 cm horizontal.

The title of the painting is: "Half the mountain is inclined by the rain belt, reflecting the guests'clothes to the water, reeds and flowers." Outside the clouds, you can see that you are everywhere, sending books and wild goose flying south. Jun's "Huang Shen" white print and "Ying Po" Zhu Wenyin are on each side.

After autumn rain, the mist on the river surface was misty, and the reed leaves with rainwater swayed in the wind. Two geese inhabit under the leaves of the reed, their eyes closed, their bodies shrank, their heads buried in feathers, revealing the chill after the rain. "Outside the clouds, you can see that the gentleman is everywhere, sending books and wild goose flying south." Winter is coming, wild goose flying south. Their exchanges often arouse people's sorrow of missing and leaving, hoping to send greetings to distant relatives and friends. This painting uses scenery to express feelings, and writes the thoughts of distant relatives and friends through Luhua Qiuyan.

From this work, we can see Huang Shen's uniqueness in literati painters. He is good at discovering moving scenes in nature, embodying feelings in scenes, supplemented by poetry, thus illuminating the meaning beyond painting. In this respect, he shares the same interest with Huayan. Both of their works have the characteristics of both elegance and vulgarity, and interact with each other. In the drawing method, the vast river surface is dyed with ink, and the farther it is, the weaker it is. The reed leaves melt into the wild brushwork of cursive script, with a quick brush, individual branches and leaves with strong ink to wake up, creating a misty mood. The geese are precise in shape, concise in style, and focus on the description of facial expression, reflecting the painter's deep realistic modeling ability.