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王鉴四家灵气图轴-清朝-山水-中国古代山水绘画作品

 

《四家灵气图》轴,清,王鉴绘,纸本,墨笔,纵130cm,横53.5cm。

  本幅右上自题:“己丑冬十月余浪游武林,承登子张公祖渡江相访,出其同乡朱相国家所藏元四大家真迹鉴赏。俗眼为之一清扫,如渔父出桃源不复记忆,然笔端灵气于梦寐中仿佛见之,闲窗图此,不识能得其万一否?东海王鉴。”

  钤“王鉴印”朱文印、“玄照氏”白文印,引首钤“弇山堂”朱文印。收藏印钤有“洪洞董氏家藏”朱文印、“仲麟鉴藏”白文印、“陆润之藏”朱文印等三方。

  “己丑”为清顺治六年(1649年),王鉴时年52岁。

  据款题而知此图是王鉴出游武林期间观“朱相国家所藏元四大家真迹”后挥毫所作。从中可见作者对“元四家”黄公望吴镇倪瓒王蒙笔墨的潜心摹学以及他融会贯通后的综合运用能力。作品疏朗恬然的构图,秀逸遒劲的山石线条,交叠厚重的墨点,均表现出元代山水淡泊怡情的文人画格调。此图堪称作者仿元四家笔墨之集大成者。

 

--------Introduction in English--------

 

"Four Families Reiki Pictures" axis, Qing Dynasty, Wang Jianpi, paper, ink, 130 cm vertical, 53.5 cm horizontal.

On the right, the title of this picture is: "I traveled to Wulin in October, and Chengdeng's son, Zhang Gongzu, visited the Yangtze River to appreciate the four masterpieces of the Yuan Dynasty collected by his fellow countryman Zhu Xiangguo. Cleaning is one of the common eyes, such as the fisherman out of the Peach Source no longer remembers, but the pen tip of the spiritual spirit in his sleep as if to see, the idle window map, do not know if it can be in case? Wang Jian of the East China Sea."

Jun's "Wang Jianyin" Zhu Wenyin and "Xuanzhao Shi" Bai Wenyin lead Jun's "Jishan Tang" Zhu Wenyin. There are three kinds of stamps in the collection: Zhu Wenyin, Zhonglin Jianzhai, Lu Runzhi Zanzhai and Zhu Wenyin.

He was ugly for six years (1649) in Shunzhi, Qing Dynasty, and Wang Jianshi was 52 years old.

According to the title, this picture was made by Wang Jianquan after he visited Wulin and watched the four masterpieces of the Yuan Dynasty collected by Zhuxiang State. From this we can see the author's meticulous imitation of Huang Gongwang, Wuzhen, Ni Zan, Wang Meng's brush and ink as well as his comprehensive ability to use them after he has mastered them. The clear and tranquil composition of the works, the elegant and vigorous lines of mountains and stones, and the overlapping thick ink dots all show the style of literati paintings in Yuan Dynasty with indifferent and pleasant scenery. This picture can be regarded as a masterpiece of the four schools of pen and ink in imitation of Yuan Dynasty.

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