《日长山静图》轴，清，绫本，查士标绘，墨笔，纵179.3cm，横50.4cm。

　　自题：“日长山静净无尘，风下松花满葛巾。自是人间清回处，辋川盘谷总天真。丙辰九月画。请象老道年翁教正。弟查士标。”钤“士标私印”白文印、“查二瞻”朱文印。

　　款识中的“丙辰”为清康熙十五年（1676年），查士标时年62岁。

　　图绘远景山峦高耸如壁。近水岸边，长松杂树。一高士携童子踱桥而至。布局以高远法取势，笔法轻快疏秀，墨气华润蕴藉，意境荒寒清旷，是作者在仿倪瓒的基础上的变体画，堪称其艺术成熟期的代表作。

 

--------Introduction in English--------

 

Richangshan Static Map" axis, Qing Dynasty, Weiben, Charles plotting, ink, 179.3 cm vertical, 50.4 cm horizontal.

Self-titled: "Richangshan is quiet and dustless, with pine blossoms covered with Ge towels in the wind. Wanchuan Pangu is always naive, since it is the place of human clearance. September painting. Please teach like the old Taoist. Judge Biao." Jun's "Shibiao Private Seal" in white and Zhu's "Cheerzhan" in Zhu.

Qian Zhizhong's "C Chen" was in the fifteenth year of Emperor Kangxi (1676) of Qing Dynasty, and was 62 years old at the time of inspector's bidding.

Picture the prospect of mountains rising like walls. Near the shore, long pine miscellaneous trees. A Gaoshi came to the bridge with a boy. The layout takes the momentum with lofty method, the brushwork is light and elegant, the ink is rich and moist, the mood is barren and clear. It is the author's variant painting on the basis of imitating Nizan, which can be regarded as the representative work of his mature art.