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谢彬项圣谟朱葵石像轴-清朝顺治-人物

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朱葵石像》轴,清顺治十年(1653年),谢彬项圣谟合作绘制,绢本,淡设色,纵69.5cm,横49.5cm。

  本幅项圣谟款题:“松林般薄。癸巳八月,文侯谢彬为葵石先生写照,孔彰项圣谟补图。”钤“痴子业”白文印、“所作为师古人”朱文印。据此可知图绘于清顺治十年(1653年),谢彬时年52岁。

  图绘朱葵石坐于松间石上,右临溪水,石桥横架,水清山远,一派清幽景致。

  “葵石”是清初金石学家朱彝尊的叔父朱茂时的字。图中葵石先生倚石而坐,这种形象设计在其师曾鲸的作品中也较常见。谢彬注重人物面部的处理,但在用笔、用色上却与曾鲸有所不同。在这幅作品中,朱氏面部以淡墨勾形,再以淡墨晕染,并未像谢彬其它作品一样在人物面部罩以脂赭色,因而产生了一种近似于白描的肖像画特色。项圣谟的补景画法精致,基本上以墨为主,略施色彩,使画面透出一股清新之气,衬托出主人公寄情于山水、悠闲高逸的性格特征。这种将人物置于山水之间的肖像画在明末清初极为流行。

 

--------Introduction in English--------

 

"Zhukui Stone Statue" axis, 10 years of Qing Shunzhi (1653), Xie Bin, Xiang Shengmo co-painted, silk, light color, 69.5 cm vertical, 49.5 cm horizontal.

Saint Moore's title: "Pine forest is thin. In August, Wen Hou Xiebin portrayed Mr. Kwai Shi and Kong Zhangxiang completed the map. Jun's "idiot industry" in white and Zhu's "as a teacher of the ancients" in Zhu Wenyin. According to this, Xie Bin was 52 years old when he was painted in 1653, the 10th year of Shunzhi in Qing Dynasty.

Picture Zhukuishi sits on the Songjian Stone, facing the stream on the right, the stone bridge crossframe, the water is clear and the mountains are far away, a secluded scenery.

"Sunflower Stone" is the character of Zhu Maoshi, uncle of Zhu Yizun, a philosopher of epigraphy in the early Qing Dynasty. In the picture, Mr. Kwai Shi sits on a rock. This image design is also common in the works of his master Zeng whale. Xie Bin pays attention to facial treatment, but he is different from Zengwhale in pen and color. In this work, Zhu's face is outlined with light ink, and then dyed with light ink. It is not the same as Xie Bin's other works in the face mask with fat ochre, so it produces a portrait feature similar to white sketch. Xiang Shengmo's painting method of complementing scenery is exquisite, basically based on ink, with a little color, which gives the picture a fresh air and sets off the character characteristics of the protagonist, who is fond of mountains and rivers and is leisurely and elegant. This kind of portrait, which placed characters between mountains and rivers, was very popular in the late Ming and early Qing Dynasties.

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