《临溪水阁图》页，明，仇英绘，绢本，设色，纵41.1cm，横33.8cm。

　　本幅款署：“仇英实父制。”钤 “实父”印。收藏印钤“诚府珍赏”、“庞莱臣珍赏印”2方。

　　仇英“初为漆工，兼为人彩绘栋宇，后徙而业画，工人物楼阁。”或许是出身的关系，其笔下的楼阁多用界笔，刻画精工，但与纯界画不同的是，仇英的绘画技艺同时受到职业画师和文人画家的双重影响。此幅亦是将文人山水与界笔水阁巧妙结合的作品，追求含蓄蕴藉的格调，着意塑造文人高士所欣赏的艺术形象。

 

--------Introduction in English--------

 

"Linxi Water Pavilion Map" page, Ming, Qiu Ying Painting, silk, color, 41.1 cm vertical, 33.8 cm horizontal.

"Qiu Ying-shi patriarchal system." Jun's "real father" seal. Collection Yinjun "Chengfu Treasure" and "Panglaichen Treasure Seal" two sides.

Qiu Ying was a lacquer worker at the beginning, and also a painter. He moved back to work in painting, and worked in character castles. Maybe it's the relationship of origin. The castles in Qiu Ying's paintings are mostly delicate, but unlike pure world paintings, Qiu Ying's painting skills are influenced by both professional painters and literati painters. This painting is also a skillful combination of literati landscapes and Jie Bishui Pavilion, pursuing implicit style and intentionally shaping the artistic image appreciated by literati nobles.