此卷包括元代5位画家的5件绘画作品，作品尺幅相近，后人将其合裱为一卷。
其一《松溪钓艇图》，元，赵雍作，纸本，墨笔，纵30cm，横52.8cm。
款署：“至正二十年二月既望仲穆画。”钤“仲穆”、“魏国世家”。另有清乾隆皇帝御题诗及鉴藏印。至正二十年为1360年，赵雍时年72岁。图绘近岸坡石双松，孤舟钓叟，隔水平峦远岫，意境清幽，笔墨苍润。
（二）《墨梅图》，元，王冕作，纸本，墨笔，纵31.9cm，横50.9cm。
自题：“吾家洗研池头树，个个花开淡墨痕。不要人夸好颜色，只流清气满乾坤。王冕元章为良佐作。”钤“元章”、“文王子孙”。另有清乾隆皇帝御题诗及鉴藏印。画面中一枝梅花横出，枝干秀挺，花朵疏朗。以淡墨点染花瓣，再以浓墨勾点萼蕊，墨色清润，高情逸趣溢于笔端，表达了作者藉墨梅标榜清高孤洁的思想情感。
曾经清人梁清标和清内府收藏，《石渠宝笈·续编》著录。
（三）《松溪放艇图》，元，朱德润作，纸本，墨笔，纵31.5cm，横52.6cm。
自题：“丑石半蹲山下虎，长松倒卧水中龙。试君眼力知多少，数到云峰第几重。朱泽民。”钤“朱泽民氏”。另有清乾隆皇帝御题诗及鉴藏印。
图绘巨石怪松，孤舟徐行。画松枝用笔爽利迅捷，坡石皴法温润，人物用白描法，笔简意浓。
曾经明沈周、清安岐收藏。
（四）《疏林茅屋图》，元，张观作，纸本，墨笔，纵25.8cm，横59.6cm。
款署：“至正戊戌八月，张观制。”另有清乾隆皇帝御题诗及安岐鉴藏印。至正戊戌为元至正十八年（1358年）。
图画平坡老树，茅舍掩映，水阔山远，清雅控幽。树木勾点结合，错落有致，坡石用墨湿润，画风承北宋李成、郭熙一脉。
（五）《山水图》，元，方从义作，纸本，墨笔，纵26.5cm，横45.3cm。
款署：“方方壶作。” 另有清乾隆皇帝御题诗及明项元汴等多家鉴藏印。
图画密林茅舍，小桥流水。画面景物丰满，墨色浓淡相间，笔法灵活潇洒。
--------Introduction in English--------
"Five Paintings of the Yuan Dynasty" Volume, Yuan, Zhao Yong, Wang Mian, Zhu Derun, Zhang Guan and Fang Congyi.
This volume includes five paintings by five painters of the Yuan Dynasty. The scale of the works is similar. Later generations have combined them into one volume.
First, Songxi Fishing Boat Map, Yuan, Zhao Yongzuo, paper, ink, vertical 30 cm, horizontal 52.8 cm.
Department of Finance: "In February of the twentieth year, we look forward to Zhongmu's paintings." Jun "Zhongmu" and "Wei family". There were also poems on emperor Qianlong's imperial inscriptions and seal collections in the Qing Dynasty. The twentieth year to Zhengzheng was 1360, and Zhao Yongshi was 72 years old. The picture shows the near-shore slope of Shishuangsong, the fisherman in a lone boat, and the remote headlands separated by horizons. The artistic conception is quiet and the pen and ink are graceful.
(2) Mo Mei Tu, Yuan, Wang Mian Zuo, paper, ink, 31.9 cm in length and 50.9 cm in breadth.
Self-titled: "My family washes and grinds pool head trees, each flower blossoms light ink marks. Don't praise the colour, just flow clean air all over the world. Wang Mian Yuanzhang is a good assistant. Jun "Yuanzhang", "Prince Wen Sun". There were also poems on emperor Qianlong's imperial inscriptions and seal collections in the Qing Dynasty. In the picture, a plum blossom spreads horizontally, with beautiful branches and sparse flowers. The petals are dyed with light ink, and calyx stamens are dotted with thick ink. The ink is clear and moist, with high sentiment and interest overflowing at the end of the pen, which expresses the author's thoughts and feelings about the purity and purity of Meimei.
Liang Qingbiao and Qingneifu Collection of the Qing Dynasty, "Shiqu Baodu Continuation" catalogue.
(3) Songxi Boat Drawing, Yuan, Zhu Derun, paper, ink, 31.5 cm in length and 52.6 cm in breadth.
Self-titled: "Ugly Stone half squat down the tiger, Changsong lying in the water dragon. How many eyes do you know? Count to the number of clouds. Zhu Zemin." Jun "Zhu Zemin's family". There were also poems on emperor Qianlong's imperial inscriptions and seal collections in the Qing Dynasty.
Picture giant rocks, strange pine, lone boat creeping. Painting pine branches with a crisp and swift brush, gentle and moist slope and stone chains, characters with white sketch, concise and strong brush.
It used to be collected in Ming, Shen, Zhou and Qing Anqi.
(4) Shulin Maowu Tu, Yuan, Zhang Guanzuo, paper, ink, 25.8cm in length and 59.6cm in breadth.
Securities Department: "By August of Zhengwuxu, Zhang Guan-system." In addition, Emperor Qianlong's poems on imperial inscriptions and Anqi's Tibetan Seals in the Qing Dynasty. The year of Zhengwuxu was from Yuan Dynasty to Zhengzheng 18th (1358).
Pictures of old trees on flat slopes, cottages, vast waters and mountains, elegant and quiet. The combination of tree points, scattered, moist slope stone with ink, painting style inherited the Northern Song Dynasty Li Cheng, Guo Xi.
(5) Landscape Map, Yuan, Fang Congyi's works, paper, ink, vertical 26.5 cm, horizontal 45.3 cm.
Section Department: "Fangfang pot work." In addition, there are Qing Emperor Qianlong's imperial poems and Ming Xiang Yuanbian and many other collections and seals.
Picture a cottage in dense woods, a small bridge running water. The picture is full of scenery, dark and shade, and the brushwork is flexible and unrestrained.
