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董其昌真草行书临淳化阁帖册-明朝-多书体

书法作品欣赏 浏览 李艳霞 美术网

 

《临淳化阁帖》册,明,董其昌书,纸本,真草行书,10册,每开纵26.6厘米,横28.9厘米。

  《淳化阁帖》释文略。

  每册后分别有自题款并钤印。

  第一册:“壬申正月上元后一日。董其昌临。”钤“宗伯学士”、“董氏玄宰”印。

  第二册:“泊舟清江浦临。其昌。”钤“宗伯学士”、“董氏玄宰”印。

  第三册:“壬申正月廿四舟次新荘临。其昌。”钤“宗伯学士”、“董氏玄宰”印。

  第四册:“舟次古城。其昌临。”钤“董其昌印”、“董氏玄宰”印。

  第五册:“舟行荆门道中,蓬窗多晦,奥到欲书,拈笔临仿,遂竟此册,觉平日所书更胜一筹。其昌识。”钤“宗伯学士”、“董氏玄宰”印。

  第六册:“舟行清源驿。其昌临。”钤“董其昌印”。

  第七册:“临于桃花口。其昌。”钤“董其昌印”。

  第八册:“其昌舟次杨邨守风临之。”钤“宗伯学士”、“董氏玄宰”印。

  第九册:“舟次禾合驿。其昌临。”钤“宗伯学士”、“董氏玄宰”印。

  第十册:“二十九日晨起作楷书心经数行,觉笔法、墨法似有所会,因临此《淳化帖》末卷。限制书,心手俱畅,所谓张长史《郎官壁记》,迺狂草之筑基也。其昌识。”钤“宗伯学士”、“董氏玄宰”印。

  每册前有鉴藏印“宝蕴楼藏”,每册后有鉴藏印“宝蕴楼藏”、“□山”各一。另在第一册首有“乾隆御览之宝”、“石渠宝笈”印。题跋鉴藏印有:“乾隆鉴赏”、“三希堂精鉴玺”、“宜子孙”、“宝蕴楼”。

  此帖临于明崇祯五年(1632年),所临各卷的帖数与明代肃府本《淳化阁帖》有出入。

  董其昌的书法初师颜真卿《多宝塔》,后又改学钟、王、虞、禇诸家。临此帖时他已届78岁高龄,为其耄耋之年的作品。其时书艺已达到成熟的顶峰。通过本帖不同书体的用笔,可以了解和掌握其书法特点的全貌。此书虽为临帖,但并不是僵硬地照本摹临,而是以己意为之,故仍体现自身的自然舒展,秀拙相生的书法特色。

 

--------Introduction in English--------

 

Linchunhua Pavilion Tie, Ming Dynasty, Dong Qichang's book, paper book, real cursive running book, 10 volumes, each opening 26.6 cm, 28.9 cm across.

Interpretation of Chunhuage Tie.

Each volume has its own title and stamp.

Volume 1: "One day after the first lunar month of Renshen. Dong Qichanglin." Jun "Zongbo Bachelor" and "Dong Xuanzai" seals.

Volume 2: "Boat boat Qingjiang Pulin. Qichang." Jun "Zongbo Bachelor" and "Dong Xuanzai" seals.

Volume 3: "Ren Shen's 24 boats of the first month of the lunar calendar are coming. Qichang." Jun "Zongbo Bachelor" and "Dong Xuanzai" seals.

Book 4: "Zhouzi Ancient City". Qichanglin." Jun's "Dong Qichang Seal" and "Dong Xuanzai Seal" seals.

Volume 5: "In the Jingmen Road of Zhouhang, there are many obscure windows. If you want to write a book, you will copy it with your pen. Then you will find this book better than others, which Jue usually wrote. Qi Changshi. Jun "Zongbo Bachelor" and "Dong Xuanzai" seals.

Volume 6: "Zhouhang Qingyuan Yi". Qichanglin." Jun "Dong Qichang Yin".

Book 7: "Facing the Peach Blossom Mouth. Qichang." Jun "Dong Qichang Yin".

Volume 8: "His Changzhou Second Yang Wu is coming to guard the wind." Jun "Zongbo Bachelor" and "Dong Xuanzai" seals.

Volume 9: "Zhouzihe Heyi. Qichanglin." Jun "Zongbo Bachelor" and "Dong Xuanzai" seals.

Volume 10: "From the morning of the 29th, I began to write several lines of Xinjing in regular script. I feel that I have some experience in writing and ink, because this is the last volume of Chunhua Tie." Restriction books, heart and hands are smooth, so-called Zhang Changshi "Lang Guanbi Ji", the building of the foundation of rash. Qi Changshi. Jun "Zongbo Bachelor" and "Dong Xuanzai" seals.

In front of each book, there is a seal of "Baoyun Building". After each book, there is a seal of "Baoyun Building", "Mount" each. In the first volume, there are "Qianlong Royal View Treasure" and "Shiqu Treasure". The inscriptions and postscripts are printed with "Qianlong Appreciation", "Sanxitang Exquisite Appreciation Seal", "Yizisun", "Baoyun Building".

This post was published in 1632 in Chongzhen, Ming Dynasty. The number of posts in each volume is different from that in Chunhua Pavilion, the Sufu edition of the Ming Dynasty.

Dong Qichang's initial calligraphy teacher Yan Zhenqing's "Doubao Pagoda" later changed to Zhong, Wang, Yu and other schools. At the time of this post, he was 78 years old and his works were in his prime. At that time, the art of calligraphy had reached the peak of maturity. Through the use of pens in different styles of this post, we can understand and grasp the whole picture of its calligraphic characteristics. Although this book is an affiliated post, it is not a rigid copy, but a self-conscious one, so it still reflects its own natural stretching, graceful and clumsy calligraphy characteristics.

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