《题画诗帖》页，元，张雨书，纸本，纵29.3厘米，横148.5厘米，行书。

　　释文：

　　清才绝似王摩诘，爱向高堂写雪山。华盖洞中如屋里，赤栏桥外是人间。琼楼只许飞仙住，珠树应留织女攀。莫信寒泉伤玉趾，最宜清暑听潺湲。怪底朝寒云气浓，卷帘金翠出芙蓉。似倾三峡龙门雪，为洗明星玉女峰。玄豹藏来深雾雨，绿阴缺处小房栊。拟求许郭仙人宅，知隔琼华第几重。

　　右题张彦辅画《雪山楼观》、《云林隐居》二图。雨。

　　又书小字:

　　四月廿六日晚，雨试笔，天镜、拙庵此时偃卧清凉室中，小龙了在天年袖中矣。

　　钤“张雨私印”、“句曲外史张天雨印”。

　　卷后有郑元祐题诗，罗天池题名，南郭翁书法。其中南郭翁书法一段与《题画诗帖》没有必然联系。卷前沈曾植隶书引首“诗留画味”。明周天球题诗及画像皆伪。

　　文中“张彦辅”为元至正时人，号六一道士，居北京，善画山水。

　　卷后郑元祐诗题中有“可怜斯人头已白”句，可知是张雨晚年的作品。《题画诗帖》书法清劲流利，舒放而又雍容，多具变化，又颇有些峻厉狂怪。张雨早年书法受赵孟頫影响，后得《茅山碑》，其书遂变，故此题字画清遒，染有唐人风格。 

 

--------Introduction in English--------

 

"Painting Poetry Tie" page, Yuan, Zhang Yushu, paper book, 29.3 cm in length, 148.5 cm in horizontal, line book.

Annotations:

Qingcai is absolutely like Wang Mahei, who likes to write snow mountains to the lobby. The Huagai Cave is like a house, and outside the Chilan Bridge is the world. Qionglou is only allowed to live in Feixian. Pearl trees should be left for Zhinu to climb. Moxin cold spring hurts jade toes, the most appropriate summer to listen to the ripples. Strange bottom facing cold clouds, rolling curtain Jincui out of hibiscus. Like the Three Gorges Longmen snow, to wash the star Yunufeng. Xuanbao hides deep fog and rain, and the green shade is absent in the small room. It is proposed that Guo Xianren's residence be separated from Qionghua.

On the right, Zhang Yanfu draws two pictures of Snow Mountain Tower View and Cloud Forest Hermitage. Rain.

Another small character:

On the evening of April 26, when the rain tried to write, Tian Jing and Zhuo An were lying in the cool room, Xiao Long was in the sleeve of Tiannian.

"Zhang Yu's Private Seal" and "Zhang Tianyu's Seal of History beyond Sentences and Songs".

There are Zheng Yuanyou's poems, Luo Tianchi's poems and Nanguo Weng's calligraphy. Among them, Nanguo Weng's calligraphy section is not necessarily related to Painting Poetry Tie. Shen Zengzhi's preface to Li Shu is "Poetry and Painting Flavor". The celestial poems and paintings of the Ming and Zhou dynasties are false.

"Zhang Yanfu" is a person from Yuan to Zhengshi, who lives in Beijing and is good at painting landscapes.

In Zheng Yuanyou's poems at the end of the volume, there is a sentence "the poor lady's head is white", which can be seen as Zhang Yu's works in his later years. The Calligraphy of Painting Poetry Tie is vigorous and fluent, relaxed and graceful, with many changes and some severe and crazy. Zhang Yu's calligraphy was influenced by Zhao Mengfu in his early years, and later he got Maoshan Stele. His calligraphy changed accordingly. Therefore, the inscriptions and paintings were clear and graceful, with the style of the Tang Dynasty.