《题兰亭序》卷，宋，米芾书，纸本，行书，纵24厘米，横47.5厘米。

　　释文：右米姓秘玩，天下法书第一。唐太宗既获此书，使冯承素、韩道政、赵模、诸葛贞之流，摹赐王公。褚遂良时为起居郎，盖检校而已。此轴在苏氏，命为褚摹。观意易改误数字，真是褚笔，落笔直书。余皆双钩，清润有秀气，转摺芒锷备尽，与真无异，非知书者所不能到。世俗所收，或肥或瘦，乃是工人所作，正以此本为定。

　　熠熠客星，岂晋所得。卷器泉石，流腴翰墨。戏著谈标，书存马式(戎)。郁郁昭陵，玉椀已出。戎温无类，谁宝真物。水月何殊，志专乃一。绣缫金鐍，瑶机绵绰。猗欤元章，守之勿失。

　　元祐戊辰获此书。崇宁壬午六月，大江济川亭舟对紫金避暑手装。米芾。

　　此卷为米芾所书褚遂良摹《兰亭序》的跋赞之文，跋前的《兰亭序》已非米芾所见之摹本，其在前代安岐《墨缘汇观》著录时已被换掉，但米芾跋文仍是真迹，跋的内容与《宝晋山林集拾遗》中的记载稍有出入。此跋书于北宋崇宁元年（1102），米芾时年52岁，其小行书点画精致，书姿峭丽，是他自诩“跋尾书”的典型笔法。

　　此卷后有多家明人题识，以及明清时陈缉熙、项元汴、卞永誉、永瑆等人的鉴藏印。 

 

--------Introduction in English--------

 

Preface to Tiaolan Pavilion Volume, Song Dynasty, Mifu Book, Paper Book, Traveling Book, 24 cm in length and 47.5 cm in breadth.

Interpretation: You Mi, surnamed Mi Yong, is the first calligrapher in the world. Tang Taizong not only acquired this book, but also made Feng Chengsu, Han Daozheng, Zhao Mou and Zhuge Zheng imitate Wang Gong. Chu Sui-liang was the Living Lang in good time, covering the check-up. This axis is in Su's family, and its destiny is to imitate. It's easy to correct the numbers when you look at them. It's really a good pen and a straight book. All of them are double hooks. They are clean and elegant. They are full of twists and turns. They are the same as the truth. They can't be reached by those who don't know how to read. Worldly income, fat or thin, is the work of workers, which is based on this.

If you shine the stars, you will get nothing. Coiler spring stone, flowing ink. Dramatists talk about bids, books save horse style (Rong). Yuyu Zhaoling, the Jade Flower has come out. Rong Wen has no class, who treasures the real thing? What is the difference between water and moon? Embroidered gold coffin, Yao machine Mian Chuo. Keep the Yuanzhang and do not lose it.

Yuanyou Wuchen was awarded this book. Chongning Renwu in June, Dajiang Jichuan Tingzhou to Zijin summer costume. Mifu.

This volume is Mi Fu's copy of the preface to Lanting. The preface to Lanting before Mi Fu's postscript is not a copy of Mi Fu's. It was replaced in the previous Anqi's Moyuan Huiguan, but Mi Fu's postscript is still a genuine work. The content of the postscript is slightly different from that in Baojin Mountain Forest Collection. This postscript was written in the first year of Chongning in the Northern Song Dynasty (1102). Mi Fu was 52 years old. His small lines were delicate and handsome. It was his typical style of postscript.

After this volume, there are many Ming people's inscriptions, as well as the inscriptions of Chen Muxi, Xiang Yuanbian, Bian Yongyu and Yongbao in Ming and Qing Dynasties.