《杂诗帖》卷，宋，吴琚书，纸本，手卷，六段，尺寸分别是：1、纵25.6厘米，横20.5厘米； 2、纵22.6厘米，横18.1厘米；3、纵24厘米，横16.2厘米；4、纵25.2厘米，横19.4厘米；5、纵26.1厘米，横24.2厘米；6、纵25.1厘米，横23厘米。行、草书,37行。
此卷以行、草书杂录前人诗句共十则，书于十纸之上，裱为六段，其中数则有缺佚字句。十则释文：
一、“青山自是絕色，無人誰與爲容。說向市朝公子，何殊馬耳東風。”
二、“寄語庵前抱節君，三君到處合相親。寫真雖是文夫子，我亦真堂作記人。”
三、“擇材征南慕，潮落回鯨魚。載感賈生慟，復聞樂（下缺）”
四、“擢天門，費厚坤。直帝閽，鬱孤褰。汙鼇黿，崑崙（缺一字）。一峰蹲，勢雄尊。恍仙村，鵉鶴飜。樓觀掀，金碧紫（此字點去）繁。出（下缺）”
五、“將欲移。芳樹垂綠葉，青雲自逶迤。四時更代謝，日月遞差馳。徘徊空（上下缺）”
六、“回身入空房，託夢通精誠。人欲天不違，何懼不合并。”
七、“扶桑升朝暉，照此高臺端。高臺多妖麗，浚房出清顔。淑貌耀皎口，惠心清且閑。美目揚（下缺）”
八、“一尾追風抹萬蹄，昆侖玄圃謂朝隮。首（此字點去）回看世上無伯樂，卻道鹽車勝月題。”
九、“謁帝承明廬，逝將歸舊疆。清晨發皇邑，日夕過首陽。伊洛廣且深，欲濟川無梁。”
十、“慮澹物自輕，意愜理無違。寄言攝生客，試用此道推。”
此帖点划精意且多变化，风格生动自然，极似米芾书体，故尾纸清人曹溶题跋称此帖乃米芾所书，系误断。吴琚书虽极似米芾，然圆熟婉转，欹正互补，与米芾紧结险峻之风自有不同。本幅钤“默盫”两方，另钤“默盫”半印两方。鉴藏印有“曹溶之印”、“洁躬”、“张伯驹印”、“京兆”等。此帖曾为清代张应甲收藏，后归张伯驹。1956年由张伯驹夫妇捐献故宫博物院。
--------Introduction in English--------
"Miscellaneous Poetry Ties" Volume, Song, Wu Chenshu, Paper, Handbook, Six Sections, Dimensions: 1, 25.6 cm in vertical, 20.5 cm in horizontal; 2, 22.6 cm in vertical, 18.1 cm in horizontal; 3, 24 cm in vertical, 16.2 cm in horizontal; 4, 25.2 cm in vertical, 19.4 cm in horizontal; 5, 26.1 cm in vertical, 24.2 cm in horizontal; 6, 25.1 cm in vertical, 23 cm in horizontal. OK, cursive, 37 lines.
In this volume, ten lines of poetry and sentences of predecessors are miscellaneously recorded in line and cursive scripts. The book is written on ten pieces of paper and is mounted on six paragraphs. Among them, there are some missing words and sentences. Ten explanations:
First, "Castle Peak is so beautiful that nobody can accommodate it. Say to the prince of the city, how different Maltese East wind.
Secondly, "In front of the Sentence Language Ancient, the three gentlemen meet everywhere. Although the portrait is a scholar of letters, I am also a true writer.
3. "Selecting materials for Nanmu, the tide falls back to whales. Feeling Jia Sheng-yi, Rehearsing Music (Deficiency)"
Fourthly, "Drilling the Tianmen Gate, Fei Houkun. Zhidi Yan, Yu Longhua. Dirty Owl, Kunlun (missing a word). Squatting at a peak, dignified. Imagine the fairy village, crane gills. Lou Guan lifts, Jin Bizi (this word goes) complex. (vacancy)"
Fifth, "will want to move. The trees are green, and the clouds are rolling. Four o'clock is more metabolic and the sun and the moon are different. Wandering empty (up and down)
6. "Turn back into the empty room and be good at telling dreams." If a man desires heaven, he should not be afraid of not merging.
Seventh, "Fusang rises to Chaohui, according to this high platform. Gaotai is so gorgeous that the house looks beautiful. Shu Xiangyao, Huixin Qing and leisure. Mei Mu Yang (vacancy)"
Eighth, "One tail chases the wind to wipe ten thousand feet, Kunlun Xuanyuan is called Chaoyu. Looking back at the world, there is no Bole, but the salt car wins the moon.
Ninth, "Addressing Emperor Chengming Lu, the past will return to the old Xinjiang. In the morning, the emperor's residence is set, and the first sun is set at sunset. Iro is broad and deep, and wants to help Sichuan without a beam."
10. "Think of things lightly, and be comfortable and reasonable. Send a message to take pictures of strangers and try this tweet.
This post is delicate and changeable, with vivid and natural style, which is very similar to Mifu's style. Therefore, Cao Rong postscript of Qing Dynasty called this post Mifu's book, which is a mistake. Although Wu Chenshu is very similar to Mifu, it is mature and tactful, and is complementary to Mifu, which is different from Mifu's tight and steep wind. The two sides of this picture are "silent" and the other two sides are "silent" and half-printed. There are "Cao Rong's Seal", "Jie Gong", "Zhang Boju Seal" and "Jing Zhao" in the collection. This post was collected by Zhang Yingjia in Qing Dynasty and later returned to Zhang Boju. In 1956, Mr. and Mrs. Zhang Boju donated the Palace Museum.