《张好好诗》卷，唐，杜牧书，纸本，行书，纵28.2厘米，横162厘米。
释文：
张好好诗并序。 牧大和三年佐故吏部沈公江西幕。好好年十三，始以善歌舞来乐藉中。后一岁，公镇宣城，复置好好于宣城藉中。后二年，沈著作述师以双鬟纳之。又二岁，余于洛阳东城重睹好好，感旧伤怀，故题诗赠之。 君为豫章姝，十三才有余。翠茁凤生尾，丹脸莲含跗。高阁倚天半，晴江连碧虚。此地试君唱，特使华筵铺。主公顾四座，始讶来踟蹰。吴娃起引赞，低徊暎长裾。双鬟可高下，才过青罗襦。盼盼下无袖，一声离凤呼。繁弦迸关纽，塞管引圆芦。众音不能逐，袅袅穿云衢。主公再三叹，谓之天下殊。赠之天马锦，副以水犀梳。龙沙看秋浪，明月游东湖。自此每相见，三日以为疏。玉质随月满，艳态逐春舒。绛唇渐轻巧，云步转虚徐。旌旆忽东下，笙歌随舳舻。霜凋小（此字点去）谢楼树，沙暖句溪蒲。身外任尘土，尊前且欢娱。飘然集仙客（著作任集贤校理），讽赋期相如。聘之碧玉佩，载以紫云车。洞闲水声远，月高蟾影孤。尔来未几岁，散尽高阳徒。洛阳重相见，绰绰为当炉。怪我苦何事，少年生白须。朋游今在否，落拓更能无。门馆恸哭后，水云愁景初。斜日挂衰柳，凉风生座偶。□□□襟泪，短章聊（下残）
此卷鉴藏印有“弘文之印”、“宣和”、“政和”（连珠）、“宣和”、“政和”、“内府图书之印”、“秋壑图书”、“张氏珍玩”、“北燕张氏珍藏”、“项子京家珍藏”、“张则之”、“蕉林居士”、“宋荦审定”、“张伯驹珍藏印”等，以及清代乾隆、嘉庆、宣统三帝御览及清内府鉴藏印11方，朱文）等张伯驹鉴藏印。
此卷是唐代诗人、书法家的仅存墨迹，也是稀见的唐代名人书法作品之一。张好好是一名歌妓，容颜娇美，才华出众。杜牧的这首五言长诗，就是为她而作。诗中描写了作为少年歌妓的张好好始得高官沈传师宠遇，终因沈的去世而流落市井的不幸身世，寄托了对她的无限同情，是杜牧诗作名篇。诗载杜牧《樊川集》中，墨迹的末二句，因伤残缺“洒尽满”、“一书”五字，然不伤书诗的整体精神。
该卷书用麻纸，制作相当精细。书用硬笔，笔法劲健，颇多叉笔。这些都是唐代书法的用纸、笔法的特点。《宣和书谱》一书评杜牧书法：“气格雄健，与文章相表里”，是说作者诗文、书法有统一的风格。卷前有宋徽宗赵佶书签“唐杜牧张好好诗”，并钤有宋徽宗的诸玺印，保存着北宋内府装潢式样。兹后曾递藏于宋贾似道、明项元汴、张孝思、清梁清标等人，乾隆年间入藏内府。据《式古堂书画记考·卷七》所记，该卷后元人诸跋，是从唐赵模《千字文》后移来。《宣和书谱》、《悦生所藏书画别录》、《平生壮观》、《大观录》、《吴越所见书画录》、《石渠宝笈·初编》等书著录。
该卷曾被清逊帝溥仪携出宫外，流散民间后归张伯驹所有。1956年张伯驹先生将其捐赠政府，此珍贵文物重为故宫博物院收藏。
--------Introduction in English--------
"Zhang Hao Shi" Volume, Tang Dynasty, Du Mu Shu, Paper Book, Traveling Book, 28.2 cm in length and 162 cm in breadth.
Annotations:
Zhang Hao's poems and prefaces. Muda and three years old officials Shen Gong Jiangxi curtain. On the thirteenth day of the New Year, we begin to enjoy ourselves by singing and dancing. In the latter year, Xuancheng, the town of Gongzhen, was better replaced than Xuancheng. In the next two years, Shen Shushu was accepted by his writers. Another two years old, Yu Yucheng in Luoyang East City to see a good, nostalgic and sad, the title of the poem presented. Jun is Yuzhangshu, thirteen is more than enough. Cui Tuo Feng has a tail and a red face lotus has a tarsus. Gaoge relies on the sky for half a day, and Qingjiang is even green and empty. Here you try to sing, special envoy banquet. Four patrons were surprised to hesitate. Wu Wa began to praise and lingered low and long. Double servant girls can be high and low before they pass Qingluo. Looking forward to sleeveless, a cry from the phoenix. Threads break through, plugs lead to a round reed. Many voices can not be chased, curling through the clouds. The protagonist repeatedly sighed that the world was different. The gift of Tianma Jin is accompanied by a water rhino comb. Longsha watches the autumn waves and the moon visits the East Lake. Since then, every time we meet, three days feel strange. Jade with the full moon, gorgeous spring Shu. Quilt lips are becoming lighter and lighter, and clouds are slower and weaker. The song is accompanied by the song. Frost withering small (this word goes) Xie Lou Shu, Sha Nuangju Xipu. Outside the body, let the dust, respect and entertain. Piaoran collects fairies (works by Jixian School) and satirizes the same period. The Jasper was hired to carry the Ziyun Car. The sound of idle water in the cave is far away, and the shadow of the toad is lonely in the moon. Erlai was only a few years old and scattered all of Gao Yang's followers. Luoyang meets again, which is more than a stove. Blame me me for my misery. Teenagers have white beards. Whether friends are traveling today or not, Lao Tuo is even more indispensable. After the door and hall cried, the water clouds began to melancholy. The declining willow hangs on the inclined sun and the cool wind generates a couple. Tears, Chapters (Disabled)
This volume contains the seal of "Hongwen", "Xuanhe", "Zhenghe" (Lianzhu), "Xuanhe", "Zhenghe", "Neifu Books", "Qiuqi Books", "Zhang Shizhen", "Beiyan Zhang's Collection", "Xiangzi Jingjia Collection", "Zhang Zezhi", "Banana Lin Jushi", "Song Shen Verification", "Zhang Boju's Collection Seal" and so on, as well as Qianlong and Jiajia in the Qing Dynasty. Qing, Xuantong three emperors Royal View and Qingneifu Tibetan Seal 11 sides, Zhu Wen) and other Zhang Boju Tibetan Seal.
This volume is the only ink mark left by poets and calligraphers in Tang Dynasty. It is also one of the rare calligraphy works of celebrities in Tang Dynasty. Zhang Hao is a Geisha with a beautiful face and outstanding talent. Du Mu wrote this five-character poem for her. The poem describes the unfortunate life of Zhang Hao, a teenage singer, who was favored by Shen Chuan-shi, a senior official, and eventually drifted into the city due to Shen's death. It is Du Mu's masterpiece of poetry that expresses his infinite sympathy for her. In Du Mu's Fanchuan Collection, the last two sentences of the ink mark do not hurt the whole spirit of the poems because of the incomplete characters of "sprinkle full" and "one book".
The volume is made of hemp paper, which is quite elaborate. Hard pen, strong strokes, a lot of fork pens. These are the characteristics of paper and brushwork in Tang Dynasty calligraphy. Du Mu's calligraphy is commented on in Xuanhe Shupu, which means that the author's poetry and calligraphy have a unified style. In front of the volume, there is Zhao You's bookmark "Tang Du Mu Zhang Jiao Shi", and the seal of Song Huizong, which preserves the decorative style of the Neifu in the Northern Song Dynasty. Later, they were deposited in Jia Xiandao of Song Dynasty, Xiang Yuanbian of Ming Dynasty, Zhang Xiaosi of Qing Dynasty, Liang Qingbiao of Qing Dynasty and so on. They entered the Tibetan government during the reign of Qianlong. According to Volume 7 of the Book of Calligraphy and Painting in the Style Ancient Hall, the postscripts of the later Yuan Dynasty were transferred from Tang Zhaomo's Thousand-Character Wen. Xuanhe Shupu, Yuesheng Bibliographic Catalogue, Grand View Record, Wuyue Bibliographic Catalogue, Shiqu Baodu Preliminary Edition, etc.
The volume was once taken out of the palace by Emperor Puyi of Qingxun, and was owned by Zhang Boju after being dispersed among the people. In 1956, Mr. Zhang Boju donated it to the government. This precious cultural relic is in the collection of the Palace Museum.
