《剑阁图》轴，清，罗聘作，纸本，设色，纵100.3cm，横27.4cm。

　　剑阁位于今四川省剑阁县东北的大剑山和小剑山之间，是古人自陕入蜀的必经路途，以险峻著称。《剑阁图》取全景式构图，使人顿生亲临其险绝之地的感觉。画面近处一行商贾缓缓走向水畔山岩下的歇脚茅店，店后山冈重叠，曲径盘环，碧树成荫。飞架溪岸的木桥上，三五旅人策蹇而过。危危栈道依山势蜿蜒攀附于绝壁之上，隐隐与山腰浮动的岚气相接。如练飞瀑倒悬崖间，苍松翠柏遍布峰峦，壁立奇峰直逼云霄。雄关居于巍耸的群山之中，更显崔嵬气势。图中布局紧密，山石多是由干墨皴擦而成，墨色凝重，笔法苍逸。雄峰之上轻敷淡赭，间以青翠古木，既丰富了画面层次，又为蜀道奇险之景增添了些许秀色。

　　据罗聘自题可知，此图是他为即将入蜀赴简州任的水屋先生张道渥所绘。罗聘虽未尝亲睹蜀道的峥嵘山色，但他凭借自己丰富的想象力和精湛的笔墨技巧巧妙地将李白《蜀道难》诗中所描写的剑阁“一夫当差，万夫莫开”的雄壮奇绝之景表现得淋漓尽致，着实令人钦佩。本幅左上端有翁方纲诗跋，裱边有吴锡麟、张问陶、赵怀玉、邵晋涵、孙星衍、宋葆淳、江健等人的题跋。

　　张道渥入蜀时为乾隆五十五年(1794年)，由众人题跋推断，此图作于当年八月，时罗聘62岁。

 

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m, horizontal 27.4 cm.

Jiange is located between Dajianshan and Xiaojianshan in the northeast of Jiange County, Sichuan Province. It is the only way for the ancients to enter Shu from Shaanxi and is famous for its steepness. "Sword Pavilion Picture" takes a panoramic composition, which makes people feel like they are in danger. Nearby, a group of businessmen slowly walked to Xie Zuo Mao Dian under the water bank and rocks, overlapping hills and hills behind the shop, winding paths and winding circles, shaded by green trees. On the wooden bridge on the Bank of the river in Feijia, the 35-year-old travelers rushed past. Dangerous Trestle Road is winding and clinging to the cliff according to the mountain situation, which is closely connected with the floating air on the mountainside. Such as practicing flying waterfalls and falling cliffs, pines and cypresses are all over the mountains, and the cliffs stand up to the clouds. Xiongguan dwells in the towering mountains, showing Cui Wei's momentum even more. The layout in the picture is compact. Most of the rocks are rubbed by dry ink, with heavy ink and elegant brushwork. Over Xiongfeng, the light application of light ochre and green ancient wood enrich the level of the picture and add a little beauty to the strange and dangerous scenery of Shudao.

According to Luo Bin's self-title, this picture is drawn by Zhang Daowao, Mr. Shuiwu, who is going to enter Shu and go to Janzhou. Although Luo Bin had never seen the magnificent mountain scenery of Shu Dao, he ingeniously expressed the magnificent and wonderful scenery of Jiange Pavilion described in Li Bai's poem "Shu Dao Difficulty" by virtue of his rich imagination and exquisite pen and ink skills, which is admirable. At the top left of this picture are Weng Fanggang's postscripts and inscriptions by Wu Xilin, Zhang Wentao, Zhao Huaiyu, Shao Jinhan, Sun Xingyan, Song Baochun and Jiang Jian.

When Zhang Daowao entered Shu, he was in the fifty-fifth year of Qianlong (1794). It was deduced by many postscripts that this picture was drawn in August of that year when Luo Bin was 62 years old.