《白云红树图》轴，明，蓝瑛作，绢本，设色，纵189.4cm，横48cm。 

　　本幅左上自识：“白雲紅樹。張僧繇沒骨畫法，時順治戊戌清和畫於聽鶴軒。西湖外民藍瑛。”钤“蓝瑛之印”。顺治戊戌为1658年，时蓝瑛74岁。

　　此幅用没骨法以石青、石绿色画山石，用朱砂画小草，树叶也用浓艳的红、黄、青、绿没骨点出，云用白粉渲染。画面色彩浓重丰富，却又典雅清新。自识“张僧繇没骨法”，实为画家自己独创的画风，此幅为蓝瑛青绿重彩画的代表作。

 

--------Introduction in English--------

 

"Baiyun Mangrove Map" axis, Ming, Lanying, silk, color, vertical 189.4 cm, horizontal 48cm.

The top left self-awareness: "Baiyun Mangrove. Zhang Seng's painting method of removing bones, Shi Shunzhi Wuxu Qing and Yin Hexuan. Lanying, a foreigner from West Lake. "Blue Ying Seal" of Jun. Shunzhi Wuxu was 1658, when Lanying was 74 years old.

This picture uses no bone method to paint rocks with stone blue and stone green, grass with cinnabar, leaves with rich red, yellow, blue and green boneless point out, clouds with white powder rendering. The picture is rich in color, but elegant and fresh. Self-awareness of "Zhang Seng-yi's method of removing bones" is the artist's own original style of painting. This painting is a representative work of blue-green double-color painting.