生活
记录显示，胡贝尔出生于
费尔德基希福拉尔贝格，
，但1515他住在
帕绍
。他与这名生活在费尔德基希的其他画家的关系是未知的，但人们普遍认为他是相关的
汉斯·胡贝尔
。胡贝尔的生日已经大约有1485对几部作品的基础上，1510-1515日期之间，这表明他是一个完善的、成熟的艺术家的那一天。
没有人知道胡贝尔的训练，虽然他可能在家工作
车间
出发前为
熟练工
画家.他可能去北
意大利
他的作品，多表现在意大利的文体技巧的透彻
文艺复兴
。当地人透露，他访问了图纸
萨尔茨卡默古特
至少一次。
他搬迁到帕绍后，胡贝尔成为1517
宫廷画家
公爵
巴伐利亚
谁administered，恩斯特，the local
教区
直到1540。1529另一个地方
贵族
，计数
NiklasⅡvon SALM
，委托他重建
纽伯格的宫殿
上
因河
，离城镇不远，只有碎片，生存。这表明在意大利文艺复兴风格的翅膀，完整的绘画装饰丰富。胡贝尔可能还设计了
浮雕
上
坟墓
伯爵的父亲，
Niklas我冯SALM
现在，位于
感恩教堂
进入
维也纳
。他在宫胡贝尔被授予
退休金
和一个
庄园
，Neufels。
当计数
沃尔夫冈冯SALM
成为帕绍
主教
在1542，他证实了胡贝尔的宫廷画家的地位，进一步的记录，他不服从的法律
公会的画家
。艺术家死于他在帕绍的庄园1553。
工作
胡贝尔的建筑作品无一幸存，和他的一些画作现存。仍然存在的那些绘画作品展示工作的一个重的影响
丢勒
有的还明显；
风格主义
倾向。几乎没有胡贝尔的
肖像
生存，除了吊坠
造币厂厂长
安东hundertpfund
和他的妻子（约1526）和不寻常的图像
雅各布齐格勒
（约1550），其中学者提出正面，前
全景
的
宇宙
。胡贝尔的生存
绘画
建议多花纹组成，现在失去了；他称图形输出限制为十三
木刻
。
胡贝尔的画是从早期的数据复制；他的
风景
特别是有许多相似的类似作品
Albrecht阿尔特多夫
。他影响了他的当代，绘图员
奥古斯丁德西福格
。
Life
Records show that Huber was born in
Feldkirch, Vorarlberg
, but that by 1515 he was living in
Passau
. His relationship with other painters of that name living in Feldkirch is unknown, although it is widely believed that he was related to
Hans Huber
. Huber's birthdate has been estimated at around 1485 on the basis of several works, dated between 1510-1515, which show him to have been a well-established and mature artist by that date.
Nothing is known of Huber's training, although he likely worked in a family
workshop
before setting out as a
journeyman
painter. He likely visited northern
Italy
, as much of his work shows a thorough grounding in the stylistic techniques of the Italian
Renaissance
. Drawings of local subjects reveal that he visited the
Salzkammergut
at least once.
After his relocation to Passau, Huber in 1517 became
court painter
to the Duke of
Bavaria
, Ernst, who administered the local
diocese
until 1540. In 1529 another local
nobleman
, Count
Niklas II von Salm
, commissioned him to rebuild
Neuberg Palace
on the
Inn River
, not far from the town, only fragments of which survive. These indicate the addition of wings in the style of the Italian Renaissance, complete with rich decorative paintings. Huber probably also designed the
reliefs
on the
tomb
of the Count's father,
Niklas I von Salm
, now located in the
Votivkirche
in
Vienna
. For his work on the palace Huber was awarded a
pension
and a
manor house
, Neufels.
[1]
When Count
Wolfgang von Salm
became Passau's
bishop
in 1542, he confirmed Huber's status as court painter, further recording that he was not subject to the laws of the
guild of painters
. The artist died in his manor house in Passau in 1553.
Work
None of Huber's architectural work has survived, and few of his paintings are extant. Those paintings still in existence show a heavy influence from the work of
Albrecht Dürer
; some also show distinct
Mannerist
tendencies. Almost none of Huber's
portraits
survive, save for the pendants of
mintmaster
Anton Hundertpfund
and his wife (dated 1526) and the unusual image of
Jakob Ziegler
(dated 1550), in which the scholar is presented frontally, before a
panorama
of the
cosmos
. Huber's surviving
drawings
suggest a number of multi-figured compositions, now lost; his known graphic output is limited to thirteen
woodcuts
.
Huber's drawings were copied from an early date; his
landscapes
in particular bear a deal of resemblance to similar works by
Albrecht Altdorfer
. He influenced his contemporary, the draughtsman
Augustin Hirschvogel
.
