提奥·凡·杜斯堡生于基督教周华健玛丽Küpper于1883年8月30日，在乌得勒支，荷兰，作为儿子的摄影师 威廉Küpper和Henrietta卡特琳娜Margadant。经过短暂的演习和唱歌的训练，他决定成为一个画家。他总是认为他的继父，Theodorus Doesburg，是他的天生的父亲，所以他的第一部作品签署了Theo Doesburg，他后来添加了插入“面包车”。

他的第一次展览是在1908年。从1912年起，他支持他的作品写杂志。他认为自己是一个现代画家，在那个时候，虽然他的早期作品是在阿姆斯特丹印象派线，并通过影响梵高，无论是在风格和题材。这突然改变了1913年读完后康定斯基的Rückblicke中，他回顾了他的生活从1903至1913年画家。它使他意识到，在绘画中有一个更高的，更精神的水平，源于头脑而不是日常生活，抽象是这个的唯一合乎逻辑的结果。它已经在1912年范·杜斯堡是在一个艺术文章批评未来主义Eenheid没有。127，1912年11月9日，因为“速度的模拟表达（无论其形式可能是：飞机，汽车等）与绘画的特征完全相反，其最高的起源在内在生活“。1915年11月6日，他在同一个杂志上写道：“蒙德里安意识到线条的重要性，这条线本身几乎成为一件艺术品;当被感知的物体的表现非常重要时，它不能玩弄它。白色的画布几乎是庄严的，每一条多余的线条，每一条错误的线条，任何颜色放置没有崇拜或照顾，可以破坏一切，即精神“。

这是在审查了阐述的这些杂志，他写了一个，在1915年（中途他两年的服役），他进来时的作品接触蒙德里安，谁是八年年纪比他，并已经得到了一些注意与他的画。Van Doesburg在这些画中看到他的绘画理想：一个完整​​的现实抽象。范·杜斯堡博览会后不久与蒙德里安取得了联系，并与相关艺术家共同巴特范德莱克，安东尼角，维尔莫什Huszar和JJP木霉，他们创办的杂志风格派于1917年。

Theo Van Dusburg was born Christian Emil Chau Marie K pper in August 30, 1883, in Utrecht, Holland, as the son of photographer William K pper and Henrietta Katerina Margadant. After a short training and singing, he decided to become a painter. He always considered his stepfather, Theodorus Doesburg, to be his natural father, so his first work was signed by Theo Doesburg, which he later added into the "van"".
His first exhibition was in 1908. From 1912, he supported his work to write a magazine. He regarded himself as a modern painter, at that time, although his early works were in the Amsterdam Impressionist line and influenced by Van Gogh, both in style and subject matter. This sudden change in the R u ckblicke Kandinsky after 1913, he recalled his life from 1903 to 1913 painter. It made him realize that there was a higher, more spiritual level in the painting, which came from the mind rather than the daily life. It has been in the 1912 van Doesburg is in a state of the art criticism of futurism Eenheid. In November 9, 1271912, because the speed of the analog expression (whether it may be: aircraft, cars, etc.) and the characteristics of the painting is completely contrary to its highest origin in life". In November 6, 1915, he wrote in the Journal: "aware of the importance of Mondrian lines, the line itself has almost become a piece of art; when the perceived object's performance is very important, it cannot play it. The white canvas is almost solemn, every extra line, every wrong line, any color placed without worship or care, can destroy everything, that is, the spirit".
This is a review of the magazine paper, he wrote a, in 1915 (when he served two years), when he came in contact with the works of Mondrian, who is eight years older than he, and has received some attention with his painting. Van Doesburg sees his painting ideal in these paintings: a complete abstraction of reality. Shortly after the Expo Van Dusburg made contact with Mondriaan, and Bart Van Derek, and artist Anthony horn, Huszar and JJP, the Moche Trichoderma, they founded the magazine style in 1917.