传记

早期的生活

费尔南多·波特罗出生第二的三个儿子大卫·波特罗(1895 - 1936)和植物Angulo(1898 - 1972)。一个推销员大卫·波特罗旅行到马背上,费尔南多四岁时死于心脏病发作。他的母亲做裁缝。一个叔叔在他的生活中重要的角色。虽然独立于艺术提出了博物馆和其他文化机构,波特罗的影响巴洛克式的殖民风格的教堂和麦德林而成长的城市生活。 

他收到了他的小学教育在安蒂奥基亚省Ateneo,多亏了奖学金,他继续他的中等教育在玻利瓦尔的耶稣会学校。1944年,波特罗的叔叔把他送到学校斗牛士两年了。 1948年,波特罗16岁的他第一次插图的周日增刊发表El接受在麦德林,最重要的报纸。他使用的钱支付给参加高中Liceo de Marinilla de安蒂奥基亚省。

职业生涯

波特罗的工作在1948年首次展出,在一组显示来自其他地区的艺术家。

从1949年到1950年,波特罗作为一组设计师,工作之前波哥大在1951年。他的首次个人画展举行“狮子座Matiz在波哥大,几个月后他的到来。1952年,波特罗旅行与一群艺术家巴塞罗那,下榻在继续之前马德里.

在马德里,波特罗在学习学术界德圣费尔南多.1952年,他前往波哥大,他狮子座Matiz画廊的个展。

1953年,波特罗搬到巴黎,在那里他花了他的大部分时间罗浮宫,研究工作。他住在意大利的佛罗伦萨从1953年到1954年,研究文艺复兴时期的大师的作品。在最近的几十年里,大部分时间他一直住在巴黎,但每年花费一个月在他的家乡城市麦德林。他已经有超过50个展览在全球主要城市,和他的工作命令数百万美元的销售价格。1958年,他获得了第九版的沙龙de Artistas接受.

风格

他的工作包括静物和风景,波特罗集中态势肖像画。他的绘画和雕塑是统一的按比例夸张,或“脂肪”,因为他曾提到他们。

波特罗解释了他使用这些“人”,因为他们经常被批评,以下列方式:

“艺术家是吸引某些类型的形式不知道为什么。你采取一个位置直观地;你试图合理化,甚至后来证明它。”

波特罗是一个文摘艺术家从最基本的意义上说,选择颜色,形状和比例基于直观审美思考。虽然他只花一个月一年在哥伦比亚,他认为自己“最哥伦比亚艺术家生活”由于他隔离从艺术世界的国际趋势。^[12]

2004年波特罗展出一系列的图纸和27日23画处理暴力在哥伦比亚的贩毒集团。他捐赠的作品哥伦比亚国家博物馆,第一次展出。

在2005年为他波特罗获得相当大的关注阿布格莱布监狱系列中,这是第一次在欧洲展出。他的作品基于报告的美国军队虐待囚犯阿布格莱布监狱监狱中伊拉克战争。一个想法开始他在飞机上旅行,波特罗生产超过85幅画作和85图纸在探索这个概念和“画出毒药”。该系列于2007年展出两个美国位置,包括华盛顿特区。波特罗说他不会出售任何作品,但将捐赠给博物馆。

之后在2006年,只关注在14个月的阿布格莱布监狱级数,波特罗回到他的早期生活的主题,如家庭、生育。在他一次^[18]哥伦比亚的家庭,一个subject代表波特罗经常在七八十年代的画。在他的孕妇,^[19]波特罗重复一篇作文他已经创作于2003年,能够唤起感官柔软光滑的质地,给它一个特殊的吸引力,证明个人参与的艺术家。孩子在2006年的绘画有一个伤口在他的右胸,好像作者想确定他与耶稣基督,因此使它具有宗教意义,没有2003年的艺术品。

2008年,他作品表现出他的马戏团集合,以20在石油和水彩工作。在2010年的一次采访中,波特罗说他准备其他科目:“这一切后,我总是回到最简单的东西:静物画。”

biography

Early life

Fernando portro was born to his second three sons, David portro (1895 - 1936) and plant Angulo (1898 - 1972). A salesman, David portro, traveled to the horse and Fernando died of a heart attack when he was four. His mother is a tailor. An uncle plays an important role in his life. Although independent of the art presented by museums and other cultural institutions, portro influenced the Baroque colonial style of church and Medellin and grew up in urban life.

He received his primary education in Ateneo, Antioquia Province, and thanks to the scholarship, he continued his secondary education at the Jesuit school in Bolivar. In 1944, portro's uncle sent him to school as a bullfighter for two years. In 1948, portro, 16, published his first illustrated Sunday supplement at El acceptance in Medellin, the most important newspaper. He used the money to pay for attending high school in the province of Liceo de marinilla de Antioquia.

Career

Portrow's work was first exhibited in 1948, in a group showing artists from other regions.

From 1949 to 1950, portro worked as a group of designers before Bogota in 1951. His first solo exhibition, "Leo Matiz in Bogota, a few months after his arrival.". In 1952, portro traveled with a group of artists Barcelona, staying in Madrid before continuing

In Madrid, portro is studying academia in San Fernando. In 1952, he went to Bogota for a solo exhibition at his Matiz Gallery in Leo.

In 1953, portro moved to Paris, where he spent most of his time studying the Louvre. He lived in Florence, Italy, from 1953 to 1954, studying the works of Renaissance masters. In recent decades, he has lived in Paris most of the time, but every year he spends a month in his hometown city of Medellin. He has more than 50 exhibitions in major cities around the world, and his work orders millions of dollars in sales prices. In 1958, he received the ninth edition of Salon De artistas

style

His work includes still life and landscape, and portrow's concentration of situational portraits. His paintings and sculptures are unified by scale exaggeration, or "fat," as he has mentioned them.

Portro explains his use of these "people" because they are often criticized in the following ways:

"Artists are attracted to certain types of forms and don't know why. You take a position intuitively; you try to rationalize and even later prove it. "

Portrow is an abstract artist who, in the most basic sense, chooses colors, shapes and proportions based on intuitive aesthetic thinking. Although he only spent a month and a year in Colombia, he believes his "most Colombian artist life" is due to his isolation from the international trend of the art world. 

In 2004, portro showed a series of drawings and 23 paintings on 27 dealing with violence in Colombia's drug cartels. His donation to the National Museum of Colombia is on display for the first time.

This is the first time in Europe that he has received considerable attention for portro in 2005 in the Abu Ghraib prison series. His work is based on reports of U.S. military abuse of prisoners in Abu Ghraib prison during the Iraq war. An idea began for him to travel on airplanes, and portrow produced more than 85 paintings and 85 drawings to explore the concept and "draw poison.". The series featured two U.S. locations in 2007, including Washington, D.C. Portro said he would not sell any works, but would donate them to the museum.

Then in 2006, focusing only on the 14 months of Abu Ghraib prison progression, portro returned to the themes of his early life, such as family, childbirth. At one time in his Colombian family, a subject represented portro's paintings often in the 1970s and 1980s. In his pregnant woman, [19] portro repeats a composition he has written in 2003, which can evoke the soft and smooth texture of the senses, give it a special attraction and prove the artist's personal participation. The child's painting in 2006 had a cut in his right chest, as if the author wanted to identify him with Jesus Christ, so making it religious without 2003 artwork.

In 2008, his work shows his circus collection to 20 working in oil and watercolor. In an interview in 2010, portro said he prepared for other subjects: "after all this, I always go back to the simplest thing: still life painting."