利赫佛斯是在高声望由野生动物画家举行，是公认的影响，例如，由美国野生动物艺术家迈克尔·科尔曼。他所有的生命利赫佛斯是一个猎人，他经常画捕食行动，狐狸和野兔，海雕和羽绒服，和苍鹰和黑琴鸡作为最好的例子之间从事的狩猎。然而，他从来没有夸张凶猛捕食者或猎物的悲怆，和他的照片都免不了多愁善感。

的影响印象派可以在他的注意力被视为环境光的影响，后来知道的新艺术风格在他的野鸭，晚报 1901年，其中的低阳光在水面上的图案看起来像leopardskin，因此，瑞典昵称Panterfällen。布鲁诺被迷住的模式在自然界中被发现，他经常做艺术走出动物和鸟类的迷彩图案。他特别爱画画capercaillies对林地，和他这个问题的最成功的画是大规模松鸡沥，1888年，他在其中捕捉在黎明森林的气息。他也被日本艺术在他的影响，例如金翅雀 19世纪80年代后期。

在过去的几年十九世纪，一个育雏元素进入了他的工作，也许在他的私生活混乱的结果，因为他离开了他的妻子，安娜和她的妹妹，SIGNE了起来，经常缺钱。在他的画本较深质量逐步开始引起人们的兴趣，他曾在巴黎沙龙展出的画作。
 

LiH Voss is held by the wild animal painter in high prestige, is recognized by the United States, for example, wild animal artist Michael Coleman. All his life he LiH is a hunter, he often painted the predation action, Fox and hare, eagles and jacket, and the goshawk and black grouse as engaged in hunting between the best example. [1], however, he never exaggerated ferocious predators or prey pathos, and his pictures are not always melancholy and moody.
The influence of Impressionism in his attention is regarded as the influence of the ambient light, then you know the new artistic style in his wild duck, evening news 1901, the low sun on the surface of the pattern looks like Leopardskin, therefore, the Swedish nickname Panterf by llen. Bruno was fascinated by the pattern is found in nature, he often makes art out of the animal and bird camouflage patterns. He especially loved to draw capercaillies of woodland, and the most successful picture of him this problem is the massive grouse Lek, 1888, in which he captured in the dawn of the forest atmosphere. He also influenced by Japanese art in his late 1880s, for example, goldfinch.
In the past few years in nineteenth Century, a brood of elements into his work, perhaps in his private life is the result of confusion, because he left his wife, Anna and her sister, SIGNE, often lack of money. Arouse people's interest in his painting of deep quality gradually, he has exhibited at the Paris salon paintings.