他出生于安特卫普的一个艺术家庭，他的祖父谁是风景画家的名字命名。他学会从他的父亲Bartholomeus德Momper谁是画家和印刷出版商作画。 1581年他成为了法师在安特卫普的圣卢克协会的只有17岁。据推测，在16世纪80年代，他前往意大利学习。

德Momper享受高层次的赞助作为由事实证明，大公妃伊莎贝拉克拉拉尤金尼亚，法兰德斯州长，在1616年的一封信送到安特卫普县长要求他从支付的税费借口去Momper。他的作品往往从十七世纪初刊登在收藏的著名的画廊画（真实和想象）。

他注册的瞳孔路易·德·科勒里和他的儿子菲利普德Momper。他的追随者被弗兰斯•Momper和大力神西格斯。

他提到卡雷尔·曼德在他Schilder的-BOECK和他的肖像刻由安东尼·范戴克。

德Momper主要画山水，为此他生前高度重视流派。只有归因于德Momper 500画少数的签署，只是一个日期。大输出点实质性的车间参与。他经常合作过的身影画家如弗兰斯Francken II，彼得Snayers，扬勃鲁盖尔长辈和扬勃鲁盖尔雅戈尔，通常在大，山地景观，从而使其他画家画的staffage和德Momper景观。

他画都幻想的风景，从高新技术的制高点查看和使用常规矫饰的布朗在前台绿色终于在蓝色的背景，更逼真的景观具有较低的观点，更自然的色彩过渡色。他的宽全景还设有小型数字组。
德Momper的作品是由彼得·勃鲁盖尔描绘的长辈的工作崎岖陡峭的斜坡高山和高岩体主要启发。他亲近扬勃鲁盖尔长老会在他接触到的勃鲁盖尔成语都发挥了作用。这也可见于一些德Momper的工作，这回勃鲁盖尔的发明，如冬季景观和粮食丰收的图案。他的一个作品代表的海上风暴以前归因于彼得Brueghel，但现在一般归因于去Momper。在德Momper另一个影响是，景观专家Lodewijk Toeput，谁去，使在意大利的职业生涯。德Momper强调了自然主义的风格化效果和使用深度和氛围，以实现他的空间的建设目标。

德Momper的作品，像当代山水画家的亚伯严峻，经常被解雇的股票主题和展示其公式化的重复，而他的大作品被解释为仅仅是'一刀切'的版本约阿希姆Patinir的世界景观的第一次制定一个世纪之后。他被认为是代表了传统，而不是振兴或山水画，因为是在发生一个创新的最终荷兰共和国于17世纪。在另一方面，他的作品的大尺寸以及他与其他著名艺术家的合作建议进行细化图案和昂贵自尊。
 

He was born in Antwerp to an art family, his grandfather who was named after the landscape painter. He learned to paint from his father Bartholomeus de Momper who was a painter and publisher of print. In 1581 he became a master in the Antwerp guild of St. Luke's only 17 years old. Presumably, in 1580s, he traveled to Italy to study.
De Momper enjoy high levels of sponsorship as proved by the facts, archduchess Isabella Clara Eugenia, governor of Flanders, in a 1616 letter sent to the Antwerp county magistrate asked him to pay the tax from an excuse to Momper. His works are often published in the collection of famous gallery paintings from the early seventeenth Century (real and imagined).
He registered the pupil of Louis de Coleri and his son Philippe de Momper. His followers were Frans Momper and Hercules Seegers.
He mentions Karel Mander in his Schilder -BOECK and his portrait carved by Anthony Dijk.
Germany Momper main landscape painting, for which he attaches great importance to school. Only a few signed by virtue of de Momper 500 draw, just a date. Substantial workshop involvement of large output points. He often worked with artists such as Frans Francken figure II, Peter Snayers, Jan Bruegel, Jan Bruegel elders and YOUNGOR, usually in large, mountainous landscape, so that other painters and landscape staffage de Momper.
His paintings are fantastic scenery, from high vantage point to view and use the regular mannered Brown in front of the green at the blue background, more realistic landscape has a low point of view, the color transition more natural color. His wide panorama also features a small digital group.
De Momper's work is depicted by Peter Brugel as the main inspiration for the elder's work on steep slopes of steep mountains and high rock mass. He was close to the Bruegel Presbyterian church where he came into contact with the idiom of the Bruegel who played a role. This can also be seen in the work of some of the German Momper, this time Bruegel's invention, such as winter landscape and grain harvest patterns. One of his works represents the sea storm previously attributed to Peter Brueghel, but is now generally attributed to Momper. Another influence in de Momper is that landscape expert Lodewijk Toeput, who went to make a career in Italy. De Momper emphasized the naturalistic stylistic effects and the use of depth and atmosphere in order to achieve his goal of building space.
De Momper's works, like the contemporary landscape painters Abel grim, is often dismissed the stock theme and show the formula of repetition, and his works have been interpreted as merely the 'one size fits all' version of Joachim Patinir's world landscape first developed a century later. He was thought to represent the tradition, not the revitalization or landscape painting, as was the case in the last Republic of Holland that took place in an innovation in seventeenth Century. On the other hand, the size of his works as well as his cooperation with other famous artists are suggested to refine the design and the expensive self-esteem.