米希尔 · 范Coxie,Coxie也拼写Coxcie或Coxien,译成拉丁语名字Coxius(1499 - 1592年3月3日),是一个佛兰德的画家研究下伯纳德·范·Orley,他可能诱导他参观意大利半岛.

Coxie出生于1499年梅赫伦在布拉班特公爵。在罗马1532年,他画的小教堂红衣主教Enckenvoirt在教堂的圣玛丽亚戴尔'Anima;Giorgio Vasari谁知道他说,真理,他收购了一家意大利的方式。但Coxie的主要职业是设计雕刻;的寓言普赛克在32张阿戈斯蒂诺•维纳齐亚诺和“大师死的优惠标本的技能。他属于米开朗基罗的内部圈子,不仅学会了文艺复兴时期的大师的风格,他还研究了古代哲学艺术理论和罗马复兴。

回到荷兰,Coxie大大延长他在这个分支的艺术实践。但他的作品直到最近藏在一个交错字母组合在1539年M.C.O.K.X.I.N. Coxie回到梅赫伦,录取入学和彩绘的翅膀一个祭坛的装饰品^[1]的教堂公会的圣路加福音。这altar-piece的中心Jan Mabuse顾客代表圣路加福音传道者,画家,描绘处女;侧块包含的殉难圣维达斯和帕特莫斯的传教士圣约翰的愿景。

1541年在范Orley死Coxie成功的办公室宫廷画师到丽晶奥地利的玛丽亚他布置的城堡班什。他随后被光顾的查理五世,神圣罗马帝国的皇帝,他经常耦合与工作提香;西班牙国王菲利普二世支付他地的一个副本Jan范艾克羔羊经,并委托两份Van der Weyden的从十字架上降落从Coxie;费尔南多·阿尔瓦雷斯de托莱多,阿尔瓦公爵,曾经保护他在梅赫伦从西班牙军队的侮辱。

当时,Coxie也设计布鲁塞尔织机的挂毯。许多的盖隆挂毯“被卖给西吉斯蒙德二世奥古斯都他的城堡Wawel。Coxie也可能设计为菲利普二世的挂毯马德里皇宫描绘的生活居鲁士二世根据写作的希罗多德.^[2]

有大杰作中的他从(1587 - 1588)圣鲁姆伯特大教堂梅赫伦的圣迈克尔和Gudula大教堂的布鲁塞尔,在博物馆的鲁汶、布鲁塞尔和安特卫普。他的风格是一个独特的弗兰德和意大利艺术传统的合成。深受米开朗基罗、达芬奇、拉斐尔,他从来没有忘记他的佛兰德培训和背景。他被称为“佛兰德拉斐尔”。^[3]他死于梅赫伦1592年3月5日,享年92岁,从楼梯后下降。

在他死后,他仍然影响了17世纪上半年的画家,但是他忘记了。

Michiel Coxie, Coxie also spelled Coxcie or Coxien, Latinised name Coxius (1499 – 3 March 1592), was a Flemish painter who studied under Bernard van Orley, who probably induced him to visit the Italian peninsula.

Coxie was born in 1499 in Mechelen in the Duchy of Brabant. At Rome in 1532 he painted the chapel of Cardinal Enckenvoirt in the church of Santa Maria dell'Anima; and Giorgio Vasari, who knew him, says with truth that he fairly acquired the manner of an Italian. But Coxie's principal occupation was designing for engravers; and the fable of Psyche in thirty-two sheets by Agostino Veneziano and the 'Master of the Die' are favorable specimens of his skill. He belonged to the inner circle of Michelangelo and not only learned the style of the renaissance master, he also studied the philosophy and art theory of the antiquity and Roman renaissance.

Returning to the Netherlands, Coxie greatly extended his practice in this branch of art. But his productions were till lately concealed under an interlaced monogram M.C.O.K.X.I.N. In 1539, Coxie returned to Mechelen, where he matriculated and painted the wings of an altarpiece^[1] for the chapel of the guild of St Luke. The centre of this altar-piece, by Jan Mabuse, represents Saint Luke the Evangelist, patron of painters, portraying the Virgin; the side pieces contain the Martyrdom of Saint Vitus and the Vision of St John the Evangelist in Patmos.

At van Orley's death in 1541 Coxie succeeded to the office of court painter to the Regent Maria of Austria, for whom he decorated the castle of Binche. He was subsequently patronized byCharles V, Holy Roman Emperor, who often coupled his works with those of Titian; by Philip II of Spain, who paid him royally for a copy of Jan van Eyck's Agnus Dei, and also commissioned two copies of Van der Weyden's Descent from the Cross from Coxie; and by Fernando Álvarez de Toledo, Duke of Alva, who once protected him from the insults of Spanish soldiery at Mechelen.

At that time, Coxie also designed tapestries for the Brussels looms. Many of the 'Jagiellonian tapestries' were sold to Sigismund II Augustus for his castle on the Wawel. Coxie may also have designed the tapestries for Phillip II's Royal Palace of Madrid depicting episodes of the life of Cyrus II, based on the writing of Herodotus.^[2]

There are large masterworks of his from (1587-1588) in the St. Rumbolds Cathedral of Mechelen, in the St. Michael and Gudula Cathedral of Brussels, and in the museums of Leuven, Brussels and Antwerp. His style is a unique synthesis of the Flemish and Italian artistic traditions. Influenced by Michelangelo, Da Vinci and Raphaël, he never forgot his Flemish training and background. He was known as the 'Flemish Raphael'.^[3] He died at Mechelen on 5 March 1592 at the age of 92, after falling from a flight of stairs.

After his death, he still influenced the painters of the first half of the seventeenth century, but he was forgotten afterwards.