朱利斯·巴斯蒂昂·勒帕热（Jules Bastien-Lepage ），法国自然主义画家，生于1848年11月1日，卒于1884年12月1日，朱利斯·巴斯蒂昂·勒帕热的作品风格的形成受到了当时的发生的现实主义运动的影响。
朱利斯·巴斯蒂昂·勒帕热后来来到了瓦尔登，跟随著名的画家进行了系统的学习，专业，全面。在1867年的时候，怀着对艺术的热爱和崇高的理想，朱利斯·巴斯蒂昂·勒帕热来到了法国巴黎这座富有艺术氛围城市。在那里受到了艺术的熏陶，并由此有了自己的风格上的独特的特点。他的一生中创作出了很多的作品。影响了后来的很多的画家。
朱利斯·巴斯蒂昂·勒帕热的代表作有：《男子画像》等等。
Bastien-Lepage出生在的村庄Damvillers,默兹,度过了自己的童年。Bastien的父亲在葡萄园的葡萄生长支持家庭。爷爷还住在这个村庄;他的花园有果树的苹果,梨,桃子高墙。Bastien早期喜欢画画,他的父母培养他的创造力通过购买打印为他画的复制。
奥古斯特·罗丹Jules Bastien-Lepage,展出虹膜& b杰拉尔德·坎特视觉艺术中心在斯坦福大学校园中斯坦福大学,加州
朱尔斯Bastien-Lepage的第一个老师是他的父亲,一个艺术家。他的第一次正式的培训凡尔登,并促使他去爱的艺术巴黎1867年,他考入了美术学院下,工作Cabanel。他被授予第一名绘图,但大部分时间单独工作,只是偶尔出现在课堂上。然而,他在学院完成了三年。在一封给他的父母,他抱怨生活构成的模型是一个中世纪的琵琶演奏者1870年普法战争期间,Bastien战斗和受伤。战争结束后,他回到了油漆的村民和从他的伤口恢复。1873年他画他的爷爷在花园里,工作将使艺术家首次成功在巴黎沙龙。
在沙龙展出作品后的1870年和1872年也没引起注意,1874年,他的祖父的肖像获得好评,收到一个三等勋章。他还展示了春天的歌,一个学术研究的农村生活,代表一个农民女孩坐在一个村庄上方的一个小山上,四周木仙女。
的画像莎拉·伯恩哈特1879年
他最初的成功证实了1875年的第一次交流,一个小女孩的照片相比,详细的工作方式汉斯•荷尔]和m . Hayern的肖像。1875年,他的第二竞争的Prix de罗马牧羊人和他的天使出现,又在1878年的世界博览会展出。他的下一个试图赢得Prix de罗马在1876年普里阿摩斯阿基里斯的脚再次失败(在里尔画廊),画家决定回到乡村生活。1877年沙龙打发一个全身肖像l .女士和我父母;1878年m . Theuriet和干草的肖像(Les刺穿)。最后一张照片,现在奥赛博物馆,被评论家和公众的广泛赞誉。它获得了他的第一个画家地位的博物学家。
万灵节,c。1882
成功后的干草,Bastien-Lepage被认为在法国的领袖新兴学校博物学家。到1883年,一个评论家宣称“整个世界油漆太多今天像m . m . Bastien-Lepage Bastien-Lepage似乎油漆像整个世界。”这名声给他著名的佣金。他的的画像Mlle莎拉·伯恩哈特(1879),画在一个光键,赢得他的十字架荣誉军团勋章。1879年,他被指定为威尔士亲王绘制。1880年,他表现出一个小的画像m . Andrieux和圣女贞德听声音(现在在大都会艺术博物馆);同年,皇家学院,威尔士王子的画像。1881年他画肖像的乞丐和阿尔伯特狼;1882年勒Pere雅克;1885年爱一个村庄里,我们找到的痕迹古斯塔夫·及库尔贝的影响力。约会的时间计算,他最后一部作品是伪造(1884)。
自画像画在他去世的前几天。
1880年至1883年间,他在意大利旅行。艺术家,境况不佳的,徒劳地试图重建他的健康阿尔及尔。他于1884年死于巴黎,当计划一个新系列的农村主题。他的朋友,王子Bojidar Karageorgevitch,与他在最后写道:
1885年3月和4月,超过1885名美术学院展出了他的照片。他的一些最著名的作品是1889年在巴黎博览会Universelle显示。
在他的工作更重要,也可能提到的居里夫人的肖像j·杜洛埃(1883);甘贝塔在他临终时,一些风景,年份(1880),泰晤士河在伦敦(1882)。小烟囱清理从未完成。是一个博物馆,专门展示他Montmedy。Bastien-Lepage的像罗丹在Damvillers竖立。讣告王子Bojidar Karageorgevitch,出现在艺术的杂志(卡塞尔)在1890年。
Bastien-Lepage was born in the village of Damvillers, Meuse, and spent his childhood there. Bastien's father grew grapes in a vineyard to support the family. His grandfather also lived in the village; his garden had fruit trees of apple, pear, and peach up against the high walls. Bastien took an early liking to drawing, and his parents fostered his creativity by buying prints of paintings for him to copy.
Jules Bastien-Lepage's first teacher was his father, himself an artist.[1] His first formal training was at Verdun, and prompted by a love of art he went to Paris in 1867, where he was admitted to the École des Beaux-arts, working under Cabanel. He was awarded first place for drawing but spent most of his time working alone, only occasionally appearing in class. Nevertheless, he completed three years at the école. In a letter to his parents, he complained that the life model was a man in the pose of a mediaeval lutanist. During the Franco-Prussian war in 1870, Bastien fought and was wounded. After the war, he returned home to paint the villagers and recover from his wound. In 1873 he painted his grandfather in the garden, a work that would bring the artist his first success at the Paris Salon.
After exhibiting works in the Salons of 1870 and 1872 which attracted no attention, in 1874 hisPortrait of my Grandfather garnered critical acclaim and received a third-class medal. He also showed Song of Spring, an academically-oriented study of rural life, representing a peasant girl sitting on a knoll above a village, surrounded by wood nymphs.
His initial success was confirmed in 1875 by the First Communion, a picture of a little girl minutely worked up in manner that was compared to Hans Holbein[disambiguation needed], and a Portrait of M. Hayern. In 1875 he took second place in the competition for the Prix de Rome with his Angels appearing to the Shepherds, exhibited again at the Exposition Universelle in 1878. His next attempt to win the Prix de Rome in 1876 with Priam at the Feet of Achilles was again unsuccessful (it is in theLille gallery), and the painter determined to return to country life. [Note 1] To the Salon of 1877 he sent a full-length Portrait of Lady L. and My Parents; and in 1878 a Portrait of M. Theuriet and Haymaking (Les Foins). The last picture, now in the Musée d'Orsay, was widely praised by critics and the public alike. It secured his status as one of the first painters in the Naturalist school.
After the success of Haymaking, Bastien-Lepage was recognized in France as the leader of the emerging Naturalist school. By 1883, a critic could proclaim that "The whole world paints so much today like M. Bastien-Lepage that M. Bastien-Lepage seems to paint like the whole world."[3] This fame brought him prominent commissions. His Portrait of Mlle Sarah Bernhardt (1879), painted in a light key, won him the cross of the Legion of Honour. In 1879 he was commissioned to paint the Prince of Wales. In 1880 he exhibited a small portrait of M. Andrieux and Joan of Arc listening to the Voices (now in the Metropolitan Museum of Art); and in the same year, at the Royal Academy, the little portrait of the Prince of Wales. In 1881 he painted The Beggar and the Portrait of Albert Wolf; in 1882 Le Père Jacques; in 1885 Love in a Village, in which we find some trace of Gustave Courbet's influence. His last dated work is The Forge (1884).
Between 1880 and 1883 he traveled in Italy. The artist, long ailing, had tried in vain to re-establish his health in Algiers. He died in Paris in 1884, when planning a new series of rural subjects. His friend, Prince Bojidar Karageorgevitch, was with him at the end and wrote,
In March and April 1885, more than 200 of his pictures were exhibited at the Ecole des Beaux-Arts. In 1889 some of his best-known work was shown at the Paris Exposition Universelle.
Among his more important works, may also be mentioned the portrait of Mme J. Drouet (1883); Gambetta on his death-bed, and some landscapes; The Vintage (1880), and The Thames at London (1882). The Little Chimney-Sweep was never finished. A museum is devoted to him at Montmédy. A statue of Bastien-Lepage by Rodin was erected in Damvillers.[1] An obituary by Prince Bojidar Karageorgevitch, appeared in the Magazine of Art (Cassell) in 1890.
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