米希尔·史维特斯出生在布鲁塞尔，在那里他是在圣尼古拉斯教堂受洗于1618年9月29日大卫Sweerts，亚麻布商人，和Martina Ballu的儿子。鲜为人知的是艺术家的早期生活并没有什么关于他的训练。
 吃水球员他抵达罗马在1646年他保持活动状态，直到1656年。 在罗马，他很快就成为了链接到相关联的佛兰德和荷兰画家的圈子彼得面包车剌耳，谁被认为是的创始人Bamboccianti。通过史维特斯抵达罗马面包车剌耳的时候自己已经离开了这座城市。[5]的Bamboccianti带来从他们十六世纪荷兰艺术描绘意大利农民主体的现有的传统。他们创造了小柜油画或罗马和农村下层阶级的日常生活的铜版画。罗马，Sweerts画风俗画在Bamboccianti的方式以及对活动和他们的工作室画家的训练一系列的画布，上课或真人模特的工作。[6]他居住附近的Santa Maria del Popolo广场。在1647年，史维特斯成为联营（aggregato的）的Accademia di圣·卢卡，著名艺术家在罗马著名的关联。Sweerts也被记录作为与成员的连接Congregazione ARTISTICA代名家人先贤祠。[3]的Congregazione是谁在万神殿门前的金属栏杆组织了自己的画作每年展览的艺术家的公司。 有没有证据表明Sweerts成为自己的会员名家。Sweerts从1646年在Margutta大道，许多外国艺术家居住活到1651年。最后[3]而在罗马，史维特斯是老师威廉·罗伊特，来自布鲁塞尔的另一佛兰芒画家谁花了在罗马的时候，他被Bamboccianti的影响。

肖像，年轻女子幸存的作品大多Sweerts日他在罗马居留期间。由于归因作品很少谁签署了他的作品给予艺术家的油画数量艺术家的难度不同，从40到100有些Sweerts的作品在他的时间非常流行，当代的副本进行了改造，一些由Sweerts自己，其他由学生或追随者。它并不总是容易判断的Sweerts'参与这些复制品的水平（如果有的话）。举例来说，至少存在四早拷贝，质量参差不齐，他的艺术家的同一个女人缝纫工作室（在收集RAU一个副本-基金会联合国儿童基金会，科隆）。 他离开欧洲后产生他的画都不是已知的生存。

他的大部分输出分为两类：“ 风俗的国家和街道生活的低生活主题和肖像或” tronies第三类是寓言作品，这被认为是神秘的，并通过艺术不断演绎的主题。历史学家。  Sweerts据说画宗教成分，但这些都没有存活下来，尽管有几个在当代库存提及。他的一个宗教画，一个怨从打印，这Sweerts自己自己的绘画后揭晓，该组合物是不寻常的圣母的对伤心欲绝的马利亚安慰的手势。

Sweerts是一个神秘的，难以艺术家归类，因为他吸收了各种影响，创造一个不拘一格的风格，适应荷兰风俗画早期tenebrist风格以及混合巴洛克和古典主义倾向。

Mihir Schwitters was born in Brussels, where he was baptized in the Church of San Nicolas in September 29, 1618, David Sweerts, linen merchant, the son of Ballu and Martina. Little is known about the artist's early life and nothing about his training.
He arrived in Rome he had water polo remain active in 1646, until 1656. [4] in Rome, he quickly became a link to the associated circle of Flanders and Holland painter Peter van laer, who is considered the founder of Bamboccianti. The shiweitesi arrived Rome van laer you have left the city. [5]'s Bamboccianti brings the traditional tradition of depicting Italy farmers from their sixteenth Century Holland art. They created a painting or Rome and rural underclass daily life mezzotints. Rome, Sweerts draws a series of canvases on the genre painting in Bamboccianti's way as well as a series of canvases on the activities and training of their studio artists, class or live models. [6] he lives near Santa Maria del square in Popolo. In 1647, a joint venture shiweitesi (aggregato) Accademia Di of St. Luca, the famous artist in Rome famous association. Sweerts was also recorded as a connected Congregazione ARTISTICA generation family members and members of the pantheon. [3]'s Congregazione is an artist who works in the front of the Pantheon gate every year to organize the annual exhibition of their own paintings. [7] there is no evidence that Sweerts has become a member of its own famous. Sweerts from Margutta Avenue in 1646, many foreign artists lived until 1651. The last [3] in Rome, shiweitesi teacher William Rohit, who spent time in Rome from Brussels, a Flemish painter, he was the influence of Bamboccianti.Portrait, the young woman survived most of his works in Sweerts, Rome during his stay. Due to the different number of oil painting artists who signed his works rarely attributed works give artists the difficulty, from 40 to 100 some Sweerts works in his time very popular, contemporary copy of Sweerts by themselves, the other by students or followers. It is not always easy to determine the level of Sweerts'involvement in these reproductions (if any). For example, there are at least four early copies, the quality of which is uneven, and his artist's same woman sewing studio (a copy of the RAU Collection - UNICEF UNICEF, Cologne). [16] after he left Europe, his paintings were not known to exist.
Most of his output is divided into two categories: "the national customs and street life of the poor life theme and portrait or" tronies third is allegories, which is considered to be mysterious, and through the continuous interpretation of the theme of art. Historian。 [17] Sweerts is said to draw religious elements, but none of these survived, although there are several references in contemporary inventory. One of his religious paintings, a complaint from print, this Sweerts their own painting after announced, the composition is unusual for Mary heartbroken Maria comforting gesture.
Sweerts is a mystery, it is difficult to classify the artist, because he absorbed various effects, creating a style suitable for Holland not sticking to formalities, early tenebrist custom painting style and mixed Baroque and classicism.