《去国帖》，宋，辛弃疾书，纸本，册页，纵33.5厘米，横21.5厘米，行楷书，10行，110字。
《去国帖》释文：
弃疾自秋初去國，悠忽見冬，詹詠之誠，朝夕不替。第缘驅馳到官，即專意督捕，日從事於兵車羽檄間，坐是倥傯，略無少暇。起居之問，缺然不講，非敢懈怠，當蒙情亮也。指吳會雲間，未龜合并。心旌所向，坐以神馳。右謹具呈。宣教郎新除秘閣修撰，權江南西路提點刑獄公事，辛弃疾劄子。
本幅鉴藏印钤“杨氏家藏”、“原素斋”、“松雪斋”、“琳印”、“海印居士”、“黄琳美之”、“休伯”、“项元汴”诸印，以及“皇十一子成亲王诒晋斋图书印”、“南韵斋印”、“莲樵成勋鉴赏书画印”、“莲樵曾观”等印。
此帖是《宋人手简册》中一页，内容为酬应类。文中“秋初去国，……日从事于兵车羽檄间”，是指在江西提刑任平“茶寇”赖文政事。据《孝宗本纪》：“淳熙二年六月，以仓部郎中辛弃疾为江西提刑，节制诸军讨捕茶寇。”另据《宋会要》记：“淳熙二年润九月二十四日，上谓辅臣曰：江西茶寇已剿除尽。……辛弃疾已有成功，当议优与职名，以示激劝。”辛弃疾平茶寇后，诏江西提刑除秘阁修撰，故此帖当书于淳熙二年十月间，时年36岁。
此帖书法中锋用笔，点画尽合法度，书写流畅自如，浑厚沉婉，笔意略显苏黄遗规。虽无豪纵恣肆之态，亦不失方正挺拔之气，为辛弃疾仅见的墨迹珍品。
明李日华《六研斋三笔》、李佐贤《书画鉴影》著录，文物出版社《宋人书翰》册影印，刻《海山仙馆藏真帖》。
--------Introduction in English--------
Guotie, Song Dynasty, Xin Qiji's Book, Paper Book, Pages, 33.5 cm in length, 21.5 cm in horizontal, 10 lines in regular script, 110 words.
Explanation of Going to the Country Title:
Qiji went to China in the early autumn and saw winter in a hurry. Zhan Yongcheng never stopped. The first reason is to drive to the officers, that is, to supervise and arrest, and to engage in military vehicle feathers everyday, sitting in close proximity, with little spare time. The question of living, if you don't talk about it, you dare not slack off, when you are in a good mood. Refers to Wu Huiyun, no turtle merged. My heart is full of joy. The right one is presented. The missionary Lang Xin Chu-ji wrote the cabinet of removing secretaries, and Quan Jiangnan West Road put forward some sentencing and prison official affairs, Xin Qiji's notes.
In this picture, we collect the seals of "Yang's family collection", "Yuan Su Zhai", "Song Xue Zhai", "Lin Yin", "Hai Yin Jushi", "Huang Linmei", "Huber", "Xiang Yuanbao", and the seals of "Emperor XI Cheng Prince Zhao Jinzhai Book Seal", "Nan Yun Zhai Seal", "Lian Qiao Chengxun Appreciation Book and Painting Seal", "Lian Qiao Zengguan ” Wait for printing.
This post is one of the pages of the Handbook of Song Dynasty, and its content is rewarding. In the article, "Going to China in the early autumn,..." Japan is engaged in military affairs, referring to the political affairs of Lai Wen, a "tea aggressor" who was sentenced in Jiangxi Province. According to Xiaozong Benji, "In June of Chunxi 2002, Xin Qiji of Langzhong of Cangbu was sentenced in Jiangxi Province to restrain the army from hunting tea pirates." According to Song Huiyao, "On September 24, the second year of Chunxi Run, the so-called assistant minister said: Jiangxi tea aggressors have been eliminated... Xin Qiji has succeeded in discussing merits and titles to show his encouragement. After Xin Qijiping's tea aggressors, he ordered Jiangxi Province to put the punishment in order to get rid of the secret cabinet. Therefore, the book was published in October, 2002, when he was 36 years old.
In this post, the Chinese calligrapher uses his pen, points and draws as legally as possible, writes smoothly and smoothly, thick and graceful, with a slightly obvious meaning of Su Huang's legacy. Although not bold and unconstrained, it also has the spirit of being upright and upright, which is Xin Qiji's only ink treasure.
Li Rihua of Ming Dynasty recorded "Three Brushes of Six Research Studios" and Li Zuoxian's "Calligraphy and Painting Review". The book "Shuhan of Song Dynasty" was photocopied by the Cultural Relics Publishing House, and the real collection of "Haishan Immortal Museum" was engraved.