《陈容自书诗》卷,宋,陈容书,纸本,手卷,纵31.1厘米,横382.8厘米,行草书,44行,168字。
《陈容自书诗》卷释文:
潘公海夜飲書樓。陳容。夫君美無度,視世一鼠肝。□夫失意時,不知樞在環。雲氣上罍樽,渠作瓦缶看。八暝同眼精,我眼雙劍寒。潘江字□海,陸海無波瀾。文章有戰勝,此道難躋攀。向來聞歌商,政以靜體觀。收心學潛聖,吾身重丘山。豈必獵衆智,茫茫芡走盤。誡身與教子,戶內天壤寬。苜蓿上朝盤,道人齋入關。土田非蒺藜,莫問歲事艱。夫君不長貧,身在世轉難。戊戌前四月書。公海執此爲曆。此紙得之臨川故人家,借此言久交耳。詩不足道。
本幅鉴藏印钤“双清”、“是为双氏在山泉馆藏物”、“双清长寿”及叶恭绰诸印。卷后有叶恭绰题跋一则。文中纪年“戊戌前四月书”,为宋嘉熙二年(1238年)。
此书放笔恣纵,有颜真卿遗意,圆中带方,又不尽颜法。行字大小错落,线条粗细变化明显,跌宕有致,自成一格。
--------Introduction in English--------
"Chen Rong's Self-written Poems" Volume, Song Dynasty, Chen Rong's Book, Paper, Handbook, 31.1 cm in length, 382.8 cm in horizontal, cursive, 44 lines, 168 words.
Volume Interpretation of Chen Rong's Self-written Poems:
Pan Gonghai Night Drink Bookstore. Chen Rong. Husband and gentleman are so beautiful that he sees the world as a rat's liver. When the husband is frustrated, he does not know the pivot is in the ring. Clouds are cloudy and canals are tiled. My eyes are cold with swords. Panjiang word sea, land and sea without waves. The article has been defeated, which is difficult to climb up. Song merchants have always been heard of, and their politics is based on a quiet outlook. I am a man of hills and hills. Do you have to hunt for wisdom and walk away? Admonish oneself and teach the son, the world is wide inside the house. The alfalfa goes up to the Chaotic Plate and the Taoists enter the Pass. The earth is not a tribulus, so don't ask about the hardships of the year. The husband is not impoverished, he is in trouble. April Book before 1898. The high seas hold this as a calendar. This paper comes from the old family of Sichuan, so that we can talk for a long time. Poetry is insignificant.
In this picture, the seal "Shuangqing" is collected for Shuangshi's collection in Shanquan Museum, Shuangqing's longevity and Ye Gongchuo's seal. There is a postscript by Ye Gongchuo after the roll. The year of the article "April Book before the 18th Movement" is the second year of Song Jiaxi (1238).
This book has Yan Zhenqing's willingness to write freely, with square in the circle, but not full of facial expression. The size of the lines is scattered, the thickness of the lines changes obviously, and the ups and downs are consistent.