魏克友作品

　　厚积薄发，艺术的追寻源于发自内心的热爱。魏克友自幼对中国传统文化有着浓厚的兴趣，尤其对书画艺术情有独钟。年少时子承父业做了一名产业工人，却不曾阻滞他追寻艺术的脚步，天分、潜质、勤奋伴随他一路走来。

　　魏克友的花鸟画用笔率意，生活气息浓郁。他追求八大山人的冷峻高逸、齐白石的娴雅清畅、郑板桥的清雅脱俗、吴昌硕的枯藤篆法，眼观手摹，融汇提炼，将传统手法与现代风格融合得天衣无缝。他注重表现物象的神与气，在构图上，善于以横破纵，如直立的竹竿、顾盼有致的牡丹、悬垂的丝瓜，以鸟雀横飞穿插，处理枝干的疏密浓淡，使画面逸趣横生。

　　在当今国画界，擅画牡丹者为数不少。皆因牡丹本身被赋予美好的象征，民间众多的画师绘之以装点厅堂。于是，也就有了“雅士咏牡丹，民间画牡丹”之说。但以牡丹为题材的画作，通常被认为是“艳俗”之物。而魏克友作为洛阳市廛河区美术家协会常务理事，他画中的牡丹因其花朵硕大、色彩瑰丽、花姿雍容富贵，凸显摄人心魄的美，让得睹其画者莫不惊叹其笔墨，这得益于他年复一年地写生、揣摩、思索。他师法自然，借鉴古人，以传统水墨写意笔法入手，糅入水粉和水彩画的色彩明暗技巧，对牡丹画的创作进行了大胆的突破，所谓大俗大雅、雅俗共赏、皆可寻迹。

　　魏克友喜爱画竹，厅堂、憩园四季翠竹长青，对风雨阴晴中竹的态势美用心揣摩。笔墨技法师从郑板桥、石涛等历代画竹名家，沿着“外师造化，道法自然”之路坚持不懈走到今天。深厚的写实功力，再加上对水墨画多年的探索和实践，形成了自己清逸典雅、意蕴丰厚的艺术风格。他在题款形式上变化多端，不守成规，自然成趣，达到书佳、行款得体，画亦随之增色。《竹石图》中，浓墨写竹枝，焦墨渴笔写竹叶，飞白勾石，用笔豪宕纵逸。他的墨竹作品追摩郑板桥笔墨意蕴，将书法与画融在一起，形成了共同表现形象的特殊手法。用书法的形式，真草隶篆融为一体，代替了画石所需的皴法，产生了节奏美、韵律美，又恰到好处地表现了石头的立体感、肌理美，让人在观画时既享受到画境、诗境的美，又能享受到书法艺术的形式美。

Wei Keyou's works have accumulated a lot, and his pursuit of art stems from his heartfelt love. Wei Keyou has a strong interest in Chinese traditional culture since childhood, especially in the art of calligraphy and painting. When he was young, his son inherited his father's work and became an industrial worker, but he never stopped his pursuit of art. Talent, potential and diligence accompanied him all the way. Wei Keyou's painting has a strong flavor of flower and bird life. He pursues the coldness and elegance of Badashan people, the elegance and smoothness of Qi Baishi, the elegance and refinement of Zheng Banqiao, and Wu Changshuo's dry rattan seal script method. He looks at the hand imitation, integrates and refines, and seamlessly integrates the traditional techniques with the modern style. He pays attention to the expression of the spirit and spirit of the image. In the composition, he is good at breaking the vertical and horizontal, such as upright bamboo poles, looking forward to the peony and hanging loofah, interspersed with birds and birds, and dealing with the density of branches and stems, so as to make the picture interesting. In today's traditional Chinese painting circles, many people are good at painting peonies. Because the peony itself is endowed with a beautiful symbol, many folk painters paint it to decorate the hall. Therefore, there is the saying that "scholars chant peonies and folk painting peonies". However, paintings with peony as the theme are usually regarded as "gaudy". As the executive director of the Artists Association of Chanhe District, Luoyang, Wei Keyou's peony paintings highlight the breathtaking beauty because of its huge flowers, magnificent colors, elegant and rich flowers. All those who see his paintings are amazed at his pen and ink, which benefits from his sketching, speculation and thinking year after year. He imitated nature and drew lessons from the ancients. Starting with the traditional freehand brushwork of ink and wash, he mixed the color shading skills of gouache and watercolor painting, and made a bold breakthrough in the creation of peony painting. The so-called great elegance, elegance and common appreciation can be found. Wei Keyou likes painting bamboo. Green bamboo grows all the year round in the hall and rest garden. He carefully speculates on the beauty of bamboo in rainy and sunny weather. From Zheng Banqiao, Shi Tao and other famous bamboo painters of past dynasties, master of brush and ink technology has persevered along the road of "external division, nature and Taoism". Deep realistic skills, coupled with years of exploration and practice of ink painting, have formed their own elegant and elegant artistic style with rich connotation. He changed in the form of the title, did not abide by the rules, and naturally became interesting. He achieved good calligraphy and appropriate style, and the painting also increased with it. In the painting of bamboo and stone, bamboo branches are written in thick ink, bamboo leaves are written in scorched ink, and white stones are hooked. The pen is bold and elegant. His ink and bamboo works trace the meaning of Zheng Banqiao's pen and ink, integrate calligraphy and painting, and form a special technique of common image expression. In the form of calligraphy, the real grass, Li and seal characters are integrated, which replaces the texturing method required for stone painting, produces the beauty of rhythm and rhythm, and appropriately expresses the three-dimensional feeling and texture beauty of stone, so that people can enjoy the beauty of painting and poetry, as well as the formal beauty of calligraphy art.