布莱斯Herri Met de Bles（1510年——1560年），荷兰画家。
很少有人积极地知道关于艺术家。他被认为是等同于谁加入一定亨利德Patenir 安特卫普的圣卢克协会于1535年作为一个画家。他可能已涉及到的风景画家约阿希姆Patinir，虽然他可能不会在他手下训练的，因为年龄的差异。
他可能已经访问了意大利，但没有文件证明这一点。他的作品在意大利，在那里他被称为“Civetta山”，因为经常出现在他的作品（通常在树洞或一些岩石之间的空腔）的小猫头鹰很受欢迎。17世纪传记作家卡雷尔面包车曼德认为这个主题是他的签名。这个名字Herri会见了德统计局从字面翻译荷兰作为Herri的大火，据报道被给他，是因为他特有的白额发研究。
他作出了贡献，与约阿希姆Patinir一起，到北方文艺复兴山水画的独特风格，结合小历史或宗教场景成视角和大气效应定义组成。他们都画从一个高的观点和岩石群众看到的景观。他们并没有打算创建一个写实的手法描绘，但大气的效果。Herri会见德绩优总是包含参与采矿活动，宗教情节或日常活动，如农业贸易或几个小的数字。
他的风景画来自各方面的Patinir的不同：德统计局的工作显示更加前景的风景，更宽松的组成和更多的细节。他选择的颜色一般不富比Patinir的。
随着一组位于安特卫普的追随者波希，包括扬Mandyn，彼得Huys酒店和扬德伦斯屌，德统计局继续梦幻般的图像的传统到北部矫饰。
理查德鲍威尔斯的小说“金虫变奏曲（1991年）”的主要角色之一是工作的一个论文，主题是Herri会见德BLES。画家的默默无闻以及他的图像的古怪作品进入了小说的主题。
Very little is positively known about the artist. He is believed to be identical to a certain Herry de Patenir who joined Antwerp's Guild of St. Luke in 1535 as a painter. He may have been related to the landscape painter Joachim Patinir, although he may not havetrained under him because of the age difference.
He may have visited Italy but there is no documentary evidence for this. His work was popular in Italy, where he was known as ‘Civetta’ because of the little owl that often appears in his paintings (usually in a hollow tree or in a cavity between some rocks). The 17th-century biographer Karel van Mander regarded this motif as his signature.The name Herri met de Bles translates literally from Dutch as Herri with the blaze and was reportedly given him because of his characteristic white forelock.
He contributed, along with Joachim Patinir, to a distinct style of Northern Renaissance landscape painting that combined small history or religious scenes into compositions defined by perspective and atmospheric effects. They both painted landscapes seen from a high viewpoint and rocky masses. They did not aim to create a realistic depiction but an atmospheric effect. Herri met de Bles always included a few small figures involved in mining activities, a religious episode or everyday activities such as agriculture or trade.
His landscapes are different from those of Patinir's in various aspects: de Bles' work shows more foreground landscapes, a looser composition and more detail. His choice of colours is generally less rich than that of Patinir.
Along with a group of Antwerp-based followers of Hieronymus Bosch that included Jan Mandyn,Pieter Huys, and Jan Wellens de Cock, de Bles continued the tradition of fantastic imagery into northern Mannerism.
In Richard Powers's novel, "The Gold Bug Variations (1991)," one of the main characters is working on a dissertation whose subject is Herri met de Bles. The obscurity of the painter as well as the weirdness of his imagery works into the motifs of the novel.
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