约瑟夫·以色列Jozef Israels（1824年1月27日——1911年8月12日），荷兰画家。
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他出生于格罗宁根的犹太父母。他的父亲，亚伯拉罕哈尔托赫以色列，意为他是一个商人，而且只有经过坚决的斗争，他被允许走上艺术生涯。他在密涅瓦学院在家乡格罗宁根初步研究1835年至1842年。
随后，他继续他的研究在阿姆斯特丹，在皇家学院美术后来成为研究国家美术学院在阿姆斯特丹。他的学生扬Kruseman并出席了绘画班在学院。从1845年9月至1847年5月他在巴黎，在历史画家工作皮科特的工作室，并采取下在Ecole des Beaux艺术类詹姆斯PRADIER，霍勒斯·韦尔内和保罗·德拉罗什。他回到了阿姆斯特丹在1845年9月，他恢复了他在该学院的研究，直到1847年五月[3]以色列留在阿姆斯特丹直到1870年，当他搬到海牙，成为领导成员海牙学院风景画家。
他娶了阿莱达Schaap并且夫妇有两个孩子，一个女儿玛蒂尔德安娜以色列和一个儿子，以撒拉撒路以色列，阿姆斯特丹出生3 Febr。1865年，谁也变成了一种艺术的画家。
以色列经常被比作让-弗朗索瓦·米勒。作为艺人，不是在这个词的严格意义上的画家就更多了，他们俩的，其实，在贫穷和卑微动机的生命看到了奇特的强度及其广泛的同情，表达; 但小米是波澜不惊农村生活的诗人，而在几乎所有的以色列“图片有一些刺耳的音符荣辱与共的。爱德蒙Duranty说他们的，他们被刷上了忧愁和痛苦。
他开始在一天的浪漫风格的历史和戏剧的主题。一次偶然的机会，一个病后，他又在赞德沃特的渔镇附近的哈勒姆招募他的实力，他在那里被日常生活的悲剧发生了。从那时起，他被艺术表现，真诚的现实，充满情感和怜悯的新的静脉附身。
在他的更重要的后续作品是在赞德沃特渔夫（在阿姆斯特丹画廊），沉默的房子（这在获得了金牌布鲁塞尔沙龙和，1858年）贫困村（曼彻斯特奖金）。
1862年，他在伦敦与他取得了巨大的成功船难，由杨先生购买的，摇篮，两个画面雅典娜杂志形容为展览的最动人的画面。约瑟夫·以色列的画像是由苏格兰画画家乔治·钱莫斯保罗。
He was born in Groningen, of Jewish parents. His father, Hartog Abraham Israëls, intended for him to be a businessman, and it was only after a determined struggle that he was allowed to embark on an artistic career. He studied initially from 1835 to 1842 at the Minerva Academy in his home town Groningen.
He continued his studies subsequently in Amsterdam, studying at the Royal Academy for Fine Arts which later became the State Academy for Fine Arts in Amsterdam. He was a pupil of Jan Kruseman and attended the drawing class at the academy. From September 1845 until May 1847 he was in Paris, working in the history painter Picot's studio and taking classes at the Ecole des Beaux-Arts under James Pradier, Horace Vernet and Paul Delaroche. He returned to Amsterdam in September 1845 where he resumed his studies at the Academy until May 1847.Israels remained in Amsterdam until 1870, when he moved to The Hague and became a leading member of the Hague School of landscape painters.
He married Aleida Schaap and the couple had two children, a daughter Mathilde Anna Israëls and a son, Isaac Lazarus Israëls, born Amsterdam 3 Febr. 1865, who also became a fine art painter.
Israëls has often been compared to Jean-François Millet. As artists, even more than as painters in the strict sense of the word, they both, in fact, saw in the life of the poor and humble a motive for expressing with peculiar intensity their wide human sympathy; but Millet was the poet of placid rural life, while in almost all Israëls' pictures there is some piercing note of woe. Edmond Duranty said of them that they were painted with gloom and suffering.[4]
He began with historical and dramatic subjects in the romantic style of the day. By chance, after an illness, he went to recruit his strength at the fishing-town of Zandvoort near Haarlem, and there he was struck by the daily tragedy of life. Thenceforth he was possessed by a new vein of artistic expression, sincerely realistic, full of emotion and pity.
Among his more important subsequent works are The Zandvoort Fisherman (in the Amsterdam gallery), The Silent House (which gained a gold medal at the Brussels Salon, 1858) and Village Poor (a prize at Manchester).
In 1862 he achieved great success in London with his Shipwrecked, purchased by Mr Young, and The Cradle, two pictures that the Athenaeummagazine described as the most touching pictures of the exhibition. A portrait of Jozef Israëls was painted by the Scottish painterGeorge Paul Chalmers .
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