他出生于贝尔赫姆，比利时，靠近安特卫普，在那里他成为了成员圣卢克协会在1620年他搬到了哈勒姆在1620年，他的儿子，风景画家Nicolaes Pieterszoon贝尔赫姆出生（10月1日）。他和威廉Claeszoon荷达，谁在哈勒姆也工作，是在“ontbijt”或晚餐片的最重要指数。他们涂上柔和，几乎单色的调色板，光线的微妙处理和纹理作为表达的主要手段。Claesz普遍选择了更有亲切感实物比荷达的对象，虽然他后来的工作变得更加丰富多彩和装饰。Claesz的静物常提示寓意宗旨，用头骨作为人类的死亡率提醒。这两名男子在哈勒姆成立静物画的优良传统。彼得Claesz是由艺术家运动“VANITAS”的影响。
遗产
Claesz注册在圣卢克哈勒姆协会作为他的儿子，Nicolaes贝尔赫姆的老师，在1634年，但Nicolaes首选风景到静物画又一趟他的才华在音乐后来经过。Claesz了，除了他的儿子，小学生埃弗特面包车阿尔斯特，弗洛里斯·凡·戴克，基督教Berentz，弗洛里斯面包车Schooten和扬Jansz Treck技术。

He was born in Hubele Herm, Belgium, near Antwerp, where he became a member of the guild of St. Luke in 1620 he moved to Haarlem in 1620, his son Bell Herm was born, a landscape painter Nicolaes Pieterszoon (October 1st). He and William Claeszoon by [1], who work in Haarlem, is the "most important" index ontbijt or dinner plate. They are painted with a soft, almost monochromatic palette, the delicate handling of light and texture as the primary means of expression. Claesz generally choose the more intimate kind of an object, although his later work has become more rich and colorful and decorative. Claesz still often prompts the moral purpose, with a skull as a reminder of human mortality. The two men set up excellent still life paintings in Haarlem. Peter Claesz is influenced by the artist movement "VANITAS".
heritage
Claesz registered in the Haarlem guild of St. Luke as his son, Nicolaes Bell Herm's teacher, in 1634, but the Nicolaes preferred landscapes to still lifes and a trip after his talent in music. Claesz, in addition to his son, schoolboy Eft van Ulster, Floris Van Dyke, Christian Berentz, Flores van Schooten and Yang Jansz Treck.