阿尔特Gelder, Aert de（1645年10月26日——1727年8月27日），荷兰画家。
德德出生和死亡多德雷赫特。他是其中之一伦布兰特最后学生在阿姆斯特丹从1661年到1663年,在他的工作室学习。他不仅是伦勃朗最有才华的学生之一,也是他最忠实热情的追随者,因为他是唯一的荷兰画家画伦勃朗的后期风格的传统到18世纪。在伦勃朗的带领下,德德将油漆等艺术品“基督的洗礼”和”。亚希米勒给大卫“歌利亚的刀。讲故事和透明的情感主义,强调人类的元素圣经人物是这种风格的区分元素之一,与其他艺术家的宫廷和遥远的情感和意象,甚至在文艺复兴时期。
圣经场景的作者和他的风格灵感来源于伦勃朗的肖像,用他的艺术思想,到十八世纪,没有受到当代新时尚。从艺术的角度来看他的作品不能被视为被动的模仿大师,事实上它代表创造力的叙述,对人物的戏剧和强大的情感负荷。所有这些特质使他最重要的一个17世纪的荷兰绘画的口译员。
De Gelder was born and died in Dordrecht. He was one of Rembrandt’s last pupils while inAmsterdam, studying in his studio from 1661 to 1663. He was not only one of the most talented of Rembrandt’s pupils, but also one of his most devoted followers, for he was the only Dutch artist to paint in the tradition of Rembrandt's late style into the 18th century. Following Rembrandts lead, De Gelder would paint such artworks as "The Baptism of Christ" and ".Ahimelech Giving the Sword of Goliath to David". Story telling and with transparent emotionalism, and an emphasizing the human element to biblical characters is one of the distinguishing elements of this style, as opposed to the courtly and distant emotions and imagery of other artists, even in the Renaissance period.
As author of biblical scenes and portraits of his style was inspired by Rembrandt's, using his artistic ideas, well into the eighteenth century, without being influenced by contemporary new fashions. From the artistic point of view his work can not be considered as passive imitation of the master, indeed it stands for inventiveness in the narrative, taste for the theatrical and a strong emotional charge of the characters. All these traits made him one of the most important interpreters of Dutch painting of the late seventeenth century.
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