生活和事业

奥尔巴赫出生在柏林马克斯•奥尔巴赫的儿子专利律师、和夏洛特诺拉Burchardt训练作为一个艺术家。的影响下,英国作家虹膜起点1939年,他的父母把他送到英国下Kindertransport计划(尽管他表示这是由私人安排),带来了近10000英国主要犹太儿童逃离纳粹迫害。通过七岁的奥尔巴赫离开德国汉堡1939年4月4日到达南安普顿4月7日。留在德国,奥尔巴赫的父母后来死于一场集中营在1942年。

在英国,奥尔巴赫成了学生Bunce法院学校附近的Faversham在肯特,他不仅擅长艺术也是戏剧类。事实上,他几乎成为一个演员,甚至将一个小角色彼得乌斯季诺夫遗憾的过家家统一的剧院在圣潘克拉斯,17岁。但他对艺术的兴趣证明一个更强大的画,他开始研究在伦敦,第一圣马丁艺术学院从1948年到1952年,皇家艺术学院的从1952年到1955年。然而,也许最明显的影响了他的艺术培训来自一系列额外的艺术课在伦敦的区理工,他和他的同伴圣马丁的学生利昂科索夫被教大卫Bomberg从1947年到1953年。

从1955年开始,他开始在中学教书,但很快就进入了来访的导师电路在众多艺术学校,包括Ravensbourne,伊灵Sidcup和艺术的斯莱德学校。然而,他最常发现教学坎伯威尔艺术学院从1958年到1965年,他教。

奥尔巴赫的第一个个展是美术画廊于1956年在伦敦,随后进一步的单独显示在美术画廊1959年,1961年,1962年和1963年,然后在马尔堡美术定期在伦敦1965年之后,在马尔伯勒画廊,纽约,1969年,1982年,1994年,1998年和2006年,并于1990年在马尔伯勒图形。

1978年,他是一个主要的主题回顾展出海沃德画廊英国,伦敦,1986年他代表威尼斯双年展,共享双年展的主要奖,金狮奖,格赶。进一步的展览包括八个具象画家,举行的耶鲁大学英国艺术中心在纽黑文,美国,1981年,与迈克尔•安德鲁斯弗朗西斯•培根威廉•冷溪卢西安·弗洛伊德帕特里克•乔治,利昂科索夫和尤安阿;回顾Kunstverein,汉堡,1986年,包括油画和素描了最初在1977年和1985年之间在第42届威尼斯双年展,1986年也出现过。这个节目然后参观,与一些额外的工作博物馆Folkwang埃森,Centro de雷纳索非亚,马德里,1987年。展览也举行的梵高博物馆1989年在阿姆斯特丹;耶鲁大学英国艺术中心,纽黑文,1991年;伦敦国家美术馆在1995年,。他是包括在展览在画一个新的精神皇家美术学院的个展,伦敦,在1981年和1954年至2001年他的油画和素描,是2001年在这里举行;和举行个展《弗兰克·奥尔巴赫蚀刻版画和铜版画1954 - 2006的菲茨威廉博物馆,剑桥,参观了方丈大厅艺术画廊,肯德尔,在2007 - 08年;而另一个个展考陶尔德学院,伦敦,2009年。

奥尔巴赫的电视电影《弗兰克·奥尔巴赫:由工作室(2001)汉娜•罗斯柴尔德和由杰克奥尔巴赫(杰克Auerbach电影有限公司)。这是第一个广播艺术计划综合2001年11月10日。

大卫·鲍伊购买和拥有奥尔巴赫“惊惶Boehm首脑”是他的一部分私人收藏。后鲍伊的死亡2016年,这首曲子是在许多拍卖2016年11月,在那里售价£380万(合470万美元)。

风格和影响

奥尔巴赫是一个比喻画家,关注肖像和城市场景在伦敦,他生活的区域,卡姆登镇。虽然有时被描述为表现主义的,奥尔巴赫不是一个表现主义画家。他的工作不关心找到一个视觉相当于一个情绪或精神状态特征表现主义运动,而是处理试图解决的经历世界上油漆。在这个世界的经验被视为本质上混乱的艺术家的作用是对订单在混乱和记录订单的绘画。这种野心与绘画结果Auerbach发展中强烈的与特定主题的关系,尤其是他所画的人物,而且他的城市主题的位置。在2001年,他说:“如果你通过每天的东西,它有一个小角色,它开始阴谋你。”这个简单的声明掩盖的强度之间的关系,发展Auerbach和他的臣民,导致惊人的欲望产生一个图像艺术家认为“正确”的。这让奥尔巴赫油漆一个图像,然后刮掉画布的每一天,重复这个过程一次又一次,主要不是创建一个分层图像,而是因为一种不满的形象引领他去漆一遍。

这也表明,厚漆在奥尔巴赫的作品,导致一些奥尔巴赫的作品挂在1950年代被认为是困难,部分原因是他们的体重和一些报纸报道说油漆脱落,不是主要的结果建立大量的油漆。它实际上是应用在很短的时间,很快,很可能是刮掉后的应用程序。这种技术并不总是被认为是积极的,在1956年《曼彻斯特卫报》评论:“技术极其突兀的,一段时间一个穿透的意图应该证明这种奇形怪状的方法。”

这种强度的方法和处理也不总是坐与英国的艺术世界,发达国家从1980年代末开始,用一个评论家,斯图亚特·摩根,谴责Auerbach拥护保守主义,就好像它是一个宗教的基础上,应用油漆没有讽刺的感觉。

以及绘画街景接近伦敦的家中,奥尔巴赫往往反复油漆一小部分人,包括埃斯特拉橄榄西(绘画冠军EOW)表示,朱丽叶Yardley米尔斯(或JYM)和奥尔巴赫的妻子茱莉亚•奥尔巴赫(nee五星行)。类似的对特定的对象,又渴望回到他们“再试一次”是明显的在这个使用相同的模型。

一个强大的重点在奥尔巴赫的作品是艺术的历史关系。显示在国家美术馆1994年,他在伦敦直接引用美术馆收藏的画作伦布兰特,提香和鲁本斯。与国家美术馆的“副艺术家计划”,然而,奥尔巴赫的作品在历史艺术家并不是短期居住的结果在国家美术馆,它有着悠久的历史,在这个展览他展示出了在提香的画酒神巴库斯和阿里阿德涅从1970年代到鲁本斯的参孙和大利拉在1993年。

奥尔巴赫的个人历史,和他的绘画风格,人物“马克斯·费伯”的基础w·g·泽尔的获奖小说,移民们(1992年的德国,1996年英国)

Life and career

Auerbach was born in Berlin as a patent lawyer for max Auerbach's son and trained as an artist with Charlotte Nora burchardt. Under the influence of iris, a British writer, his parents sent him to the kindertransport project in 1939 (although he said it was arranged privately), bringing nearly 10000 British Jewish children to escape from Nazi persecution. He left Hamburg, Germany, at the age of seven and arrived in Southampton on April 7, 1939. Staying in Germany, Auerbach's parents later died in a concentration camp in 1942.

In the UK, Auerbach became a student of Bunce court school near Faversham in Kent, where he was not only good at art but also drama. In fact, he almost became an actor, and even a minor character, Peter ustynov, was regretfully reunited with the theatre in St Pancras, 17. But his interest in art proved a stronger painting, and he began to study it in London, the first St. Martin School of art from 1948 to 1952, the Royal Academy of art from 1952 to 1955. However, perhaps the most obvious impact of his art training came from a series of additional art classes in London's district Polytechnic, where he and his fellow St. Martin student Leon Kosov were taught by David Bomberg from 1947 to 1953.

From 1955, he began to teach in middle school, but soon entered the visiting tutor circuit in many art schools, including ravensbourne, iling Sidcup and Slade School of art. However, he most often found teaching at the Cumberland College of art from 1958 to 1965, when he taught.

Auerbach's first exhibitions were art galleries in London in 1956, followed by further solo displays in art galleries 1959, 1961, 1962 and 1963, and then in Marburg art regularly after 1965 in London, in marbler Gallery, New York, 1969, 1982, 1994, 1998 and 2006, and in marbler graphics in 1990.

In 1978, he was a major theme retrospective exhibition of Hayward Gallery in London, England. In 1986, he represented Venice Biennale, sharing the main award of Biennale, Golden Lion Award and Gertrude. Further exhibitions include eight figurative painters, the Yale University British Art Center in New Haven, the United States, 1981, and Michael Andrews Francis Bacon, William Lengxi, Lucian Freud, Patrick George, Leon Kosov and Juana; a review of kunstverein, Hamburg, 1986, including oil painting and sketching, originally held between 1977 and 1985 in the 42nd Wimbley Nice Biennale, also appeared in 1986. This program then visits, with some additional work at the museum Folkwang Essen, Centro de Rena Sofia, Madrid, 1987. The exhibition was also held at the van Gogh Museum in Amsterdam in 1989; the British Art Center at Yale University in New Haven in 1991; and the National Gallery in London in 1995,. He was included in the exhibition in painting a new spirit of the Royal Academy of fine arts solo exhibition, London, in 1981 and 1954-2001 his paintings and sketches, which was held here in 2001; and in the exhibition Frank olbach etching and copperplate 1954-2006 fitzwellian Museum, Cambridge, visited the Abbot's Hall Art Gallery, Kendall, in 2007-08; and in the other exhibitions Tauld college, London, 2009.

Olbach's TV movie "frank olbach: by studio (2001) Hannah Rothschild and by Jack Auerbach Film Co., Ltd.". This is the first broadcast art project to synthesize November 10, 2001.

David Bowie's purchase and ownership of Auerbach's "terrified Boehm head" is part of his private collection. After Bowie's death in 2016, the song was sold at many auctions in November 2016, where it sold for £ 3.8 million (US $4.7 million).

Style and impact

Auerbach is a figurative painter who focuses on portraits and urban scenes in London, the area where he lives, Camden Town. Although sometimes described as Expressionist, Auerbach is not an expressionist painter. His job is not to find a visual equivalent to an emotional or mental state characteristic of expressionist movement, but to deal with the experience of trying to solve the world's paint. Experience in this world is seen as essentially chaotic by artists whose role is to order paintings in chaos and record orders. This ambition and the result of Auerbach's development have a strong relationship with specific themes, especially the characters he painted, and the location of his urban themes. In 2001, he said, "if you go through everyday things, it has a small role and it begins to plot against you." This simple statement masks the strength of the relationship between the development of Auerbach and his subjects, resulting in an astonishing desire to produce an image that the artist considers "right.". This allowed Auerbach to paint an image, and then scrape off the canvas every day, repeating the process again and again, mainly not to create a layered image, but because a dissatisfied image led him to paint again.

It also shows that thick paint in the works of Auerbach, which led some of Auerbach's works to hang in the 1950s, was considered difficult, in part because of their weight and some newspaper reports that paint peeling off was not the main result of building a large amount of paint. It's actually applied in a very short time, very quickly, probably after scraping off the application. This technology is not always considered positive. In the 1956 Manchester guardian, commented: "technology is extremely abrupt, and a penetrating intention for a period of time should prove this strange way."