卡尔.施皮茨韦格Carl Spitzweg(1808年2月5日—1885年9月23日),德国画家、诗人、艺术家
Dirndln auf der Alm,c。1870年代
在太Wendelstein高山高谷中,c。1871
Jugendfreunde,c.1855
Begegnung im Walde,林地会议,c。1860
他出生在Unterpfaffenhofen的三个儿子,第二个Franziska(nee污物)和西蒙Spitzweg。他的父亲,一个富有的商人,卡尔是训练药剂师。他获得资格的慕尼黑大学但是,尽管从疾病中恢复,他也开始画画。Spitzweg是自学的作为一个艺术家,开始通过复制的作品佛兰德的主人。他贡献了他的第一个讽刺杂志工作。在接收一个继承1833年,他能够投身绘画。
后来,Spitzweg访问了欧洲艺术中心布拉格,威尼斯、巴黎、伦敦、和比利时研究不同艺术家的作品和精炼他的技术和风格。他后期的油画和素描往往是幽默的体裁的作品。他的许多画作描绘大幅怪人特征,例如书呆子(1850)和强迫症(c。1865年莱纳Pinakothek,慕尼黑).
他的画了音乐喜剧Das kleine Hofkonzert通过埃德蒙尼克.
弹钢琴,一个蚀刻Spitzweg,被发现的一部分2012年纳粹掠夺的发现.
Spitzweg埋在改变Sudfriedhof在慕尼黑。
在1930年代末在德国艺术伪造案件涉及54画作曾冒充Spitzweg原件。他们已经画特劳恩施泰因县抄写员名叫托尼曾从复制品和图画明信片。托尼签署了作品以自己的名字为“Spitzweg”之后,但是骗子后删除他的名字和人为岁画为了出售他们。在斯图加特刑事法庭巡回审判阴谋被诈骗入狱十年。
He was born in Unterpfaffenhofen, the second of three sons of Franziska (née Schmutzer) and Simon Spitzweg.[1] His father, a wealthy merchant, had Carl trained as a pharmacist. He attained his qualification from the University of Munich but, while recovering from an illness, he also took up painting. Spitzweg was self-taught as an artist, starting out by copying the works ofFlemish masters. He contributed his first work to satiric magazines. Upon receiving an inheritance in 1833, he was able to dedicate himself to painting.
Later, Spitzweg visited European art centers in Prague, Venice, Paris, London, andBelgium studying the works of various artists and refining his technique and style. His later paintings and drawings are often humorous genre works. Many of his paintings depict sharply characterized eccentrics, for example The Bookworm (1850) and The Hypochondriac(c. 1865, in the Neue Pinakothek, Munich).
His paintings inspired the musical comedy Das kleine Hofkonzert by Edmund Nick.
Playing Piano, an etching by Spitzweg, was found as part of the 2012 Nazi loot discovery.
Spitzweg is buried in the Alter Südfriedhof in Munich.
In the late 1930s an art forgery case in Germany involved 54 paintings which had been passed off as Spitzweg originals. They had been painted by a Traunstein copyist named Toni who worked from reproductions and picture postcards. Toni signed the works with his own name as "after Spitzweg", but fraudsters later removed his name and artificially aged the paintings in order to sell them as originals. At the Stuttgart Criminal Court Assizes the conspirators were jailed for up to ten years for the swindle.
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