伯纳德显示人才作为一个男生,但他学习艺术的要求拒绝了。他花了两到三年在办公室工作和商人发现草图和图纸,而不是人物分类帐给了他一个委员会做出一幅他妻子的画像。在商人的鼓励下,伯纳德被送到了一个绘画大师,后来学院。

过去的几年里,作为一名学生被他的成功更加容易获得补贴从荷兰女王,他干了两年。他工作一段时间在一个最伟大的荷兰动物画家,Jan van埃森和复制的许多大师,如Pieter de烈酒和弗朗斯·哈尔斯。他的画从自然使他理解大师。在1886年德这位人才注意到。他的画作约瑟夫以色列和艾伯特Neuhuys。第一个伟大的照片,他表现出了在阿姆斯特丹,题为“在新教堂的布道”。

很快De这位是内饰的画家,因为他住在一个村庄富裕。他画室内四年,然后与家人迁移到其他省份。他有效的人才是充分重视的这个时候,人们理解他的创意。尽管受到以色列的工作,没有人能否认德这位的个性。

德这位海牙学校,主要是运动的现实主义,浪漫主义的先前的情绪反应。 他提倡简单的乡村生活,一个快乐的、无辜的儿童的氛围发挥重大的作用。他画了许多小国家人民的生活的照片,农民的房屋,光着古老的窗户。德这位有发达的头脑和良好的品味。在简单的外观简单生活的荷兰人,他发现了一个美丽的思想决定他的管理的语气,他知道的方式来表达他的情绪。

在这块大陆上他的照片吸引了很多注意力,在荷兰,他很受欢迎,他的受欢迎的场面和出售许多省级和国家画廊展出。他的画也容易出口世界各地,特别是美国、加拿大和英国。

1943年德这位死在海牙。 

Bernard de Hoog (born November 19, 1867 in Amsterdam, died in The Hague, 1943) was a Dutch painter influenced by the Hague School.

Bernard showed talent as a schoolboy, but his request to study art was refused. He spent two or three years working in an office and the merchant who found sketches and drawings instead of figures in the ledgers gave him a commission to make a portrait of his wife. With the merchant's encouragement, Bernard was sent to a drawing master and afterwards to a drawing academy.

The last few years as a student were made easier by his success in gaining the subsidy from the Dutch Queen, which he held for two years. He worked for some time under one of the greatest Dutch animal painters, Jan van Essen, and copied many of the old masters, such as Pieter de Hooch and Frans Hals. His painting from nature enabled him to understand the old masters. During the year 1886 De Hoog's talent became noticed. He had admired the paintings of Jozef Israëls and Albert Neuhuys. The first great picture that he exhibited was shown in Amsterdam, entitled 'During the Sermon in the new Church'.

Soon De Hoog came to be a painter of interiors, because he lived in a village rich in them. He painted interiors for four years, and then migrated to other provinces with his family. His effective talent was by this time fully appreciated, and people understood his originality. Although influenced by the work of Israëls, no one can deny the individuality of De Hoog.

De Hoog followed the Hague School, primarily a movement of realism, a reaction against the previous mood of romanticism. He was advocating the simple country life, a happy and innocent atmosphere where children play a major part. He painted many small pictures of the life of the country people, of the homes of the peasants, with the light shining through the ancient windows. De Hoog had a developed mind and excellent taste. In the simple appearance of the simple life of the Dutch people he discovered a beauty of thought which dictated his management of tone, he knew exactly the way to express the sentiment that was in him.

On the Continent his pictures attracted much attention, and he was well received in the Netherlands, where his popular scenes were exhibited and sold at many provincial and National galleries. His paintings were also readily exported around the world, especially to the US, Canada, and England.

De Hoog died at the Hague in 1943