展览海报
山鸣谷应 王梓人个展
2022.4.2—4.12
策展人:王茂
Curator：Wang Mao
北京市朝阳区798艺术区三度半艺术空间
SAINTPEN ART SPACE, 798 Art Zone, Chaoyang District, Beijing
诗人里尔克说：“美不是什么，而是我们刚好可以承受的恐怖的开始。”
王梓人的油画如时空之门，使我们进入危险、神圣、宏大甚至诡异的画面；探寻千年之前ˎ万里之外ˎ或仅存于想象的世界。
任何人心中意象皆非无源之水。本次展出的23幅作品，表达了他对唐宋时期旷达豪迈的边塞诗词的联想。生于斯长于斯，这或许是因其自身本就暗合着中华民族传统文化基因。
自幼游历长城内外山川河谷，内蒙乌拉盖草原与牧民同住ˎ滇西南边陲深入少数民族秘境ˎ祖国宝岛环台骑行，尤爱雄伟辽阔之西北，雪山露营、徒步莽原。得以使他的作品，显露出一种“小画面，大气魄”的格局，一种“方寸之间天地宽”的意境。
尽管是采用了油画材料和工具，部分作品也强烈呈现出一层表面的“现代ˎ西方ˎ抽象”，但是其作品的精神属性却极其隐晦地展现出“中国内核”。因为，他这些风景题材的作品显然不是以西方式“写生”为创作方式，更不是以表现“光影”为目的，倒颇有几分云山墨戏之意，“山水之志，烟霞之侣”。个别浓重魔幻现实主义风格作品的内里，竟隐现出“大漠孤烟直”的意蕴。
他笔下的“异境”，即为“意境”，即为心灵世界的表达，这也正是中国文人画的一个特征和功能。
绘画的理想境界是物我两忘，对象、画作和自己融为一体，一切都来自我们对世界对宇宙的纯净感受。中国古人以“返璞归真”一词来形容这一创作理想。“真”是至高无上的词，是只有在“天人合一”的状态里才能发现那个“真”。
而海德格尔则说，“真”、“真理”要到诗歌绘画中去寻找。东西方绘画差异巨大，但实则殊途同归，万物归宗。
王梓人，正走在寻求“真”的艺术之路上……
这位非常年轻的画家，听从内心呼唤，探索比周遭世俗更宏大的辽远世界，希冀用不寻常的目光及方式将其描绘，也试图探寻你我内心所期待的隐秘画面。
即便身处现实的方寸之地，我们不是依然能透过窗户，闪躲雾霾，遇见繁星隐现的天空？
干云蔽日，始于葱青，我们期待王梓人更多不同风格和心境的优秀作品问世，祝他在艺术的世界里循梦而行，向阳而生！
所以，请你与我，一起为这位少年舞动双手。在2022年的春天，听山鸣谷应，看他风起水涌！
部分展出作品欣赏
山鸣谷应 Echoing Valley 80x60cm 布面油画 oil on canvas 2020
云程发轫 Beginning of Long Journey 90x60cm 布面油画 oil on canvas 2022
胡关绕风沙 Wind and sand bypassed the frontier fortress 80x60cm 布面油画 oil on canvas 2020
高岸为谷 The high bank is the valley 50x60cm 布面油画 oil on canvas 2019
绿雪奇峰 Green Trees & Snow Peaks 80x60cm 布面油画 oil on canvas 2021
回清倒影 Water Reflection 80x60cm 布面油画 oil on canvas 2022
潜行 Walking in the water 60x50cm布面油画 oil on canvas 2019
飞渡寒崖 Leap over the cold cliff 60x80cm 布面油画 oil on canvas 2020
流虹潜渊 Flowing rainbow 60x80cm 布面油画 oil on canvas 2020
烟波湮土 Smoke flooded the land 60x50cm 布面油画 oil on canvas 2019
荒火 Fire on the wilderness 40x50cm 布面油画 oil on canvas 2019
Exhibition Poster Shan Minggu Ying Wang Ziren's solo exhibition 2022.4.2-4.12 curator: Wang Mao three and a half degree art space in 798 Art District, Chaoyang District, Beijing Saint pen art space, 798 Art Zone, Chaoyang District, Beijing poet Rilke said: "beauty is not something, but the beginning of terror we can just bear." Wang Ziren's oil paintings are like the gate of time and space, which makes us enter dangerous, sacred, grand and even strange pictures; Explore the millennium ago ˎ Thousands of miles away ˎ Or only exist in the imaginary world. The image in anyone's heart is not passive water. The 23 works exhibited in this exhibition express his association with the broad-minded and heroic frontier fortress poems in the Tang and Song dynasties. Born and raised in Sri Lanka, this may be because it is inherent in the gene of the traditional culture of the Chinese nation. Since childhood, I have traveled to the mountains and rivers and valleys inside and outside the Great Wall, and lived with herdsmen on the Ulagai grassland in Inner Mongolia ˎ The southwest border of Yunnan goes deep into the secret territory of ethnic minorities ˎ Cycling around Taiwan on the motherland's Treasure Island, especially in the vast northwest, snowy mountains, camping and hiking in the wilderness. So that his works can reveal a pattern of "small picture, atmosphere and soul", and an artistic conception of "wide heaven and earth between square inches". Despite the use of oil painting materials and tools, some works also strongly show a layer of "modern" appearance ˎ occident ˎ Abstract ", but the spiritual attribute of his works shows the" Chinese core "very vaguely. Because his works with these landscape themes obviously do not take the Western way "sketching" as the creative method, let alone the purpose of expressing "light and shadow", but rather have the meaning of Yunshan ink opera, "the ambition of landscape and the companion of haze". In some works with strong magic realism style, the meaning of "lonely smoke in the desert" is hidden. His "exotic land" is "artistic conception", that is, the expression of the spiritual world, which is also a feature and function of Chinese literati painting. The ideal state of painting is to forget things and me. The object, painting and ourselves are integrated. Everything comes from our pure feeling of the world and the universe. The ancient Chinese used the word "return to nature" to describe this creative ideal. "Truth" is the supreme word, which can be found only in the state of "unity of heaven and man". Heidegger said that "truth" and "truth" should be found in poetry and painting. There are great differences between eastern and Western paintings, but in fact, all things belong to the same family. Wang Ziren is on the road of seeking "truth" art... This very young painter listens to the call of his heart, explores the distant world larger than the secular world around him, hopes to depict it with unusual eyes and ways, and also tries to explore the secret picture expected by you and me. Even in an inch of reality, can't we still dodge the haze through the window and meet the starry sky? Dry clouds cover the sun and start with green onions. We look forward to the publication of more excellent works of Wang Zi people in different styles and moods. I wish him a dream and a sunny life in the world of art! So, please join me in dancing your hands for this young man. In the spring of 2022, listen to the response of mountains and valleys and see his ups and downs! Some of the works on display enjoy the echo valley80x60cm oil on canvas 2020, beginning of long journey 90X60CM oil on canvas 2022 wind and sand bypass the frontier fortress 80x60cm oil on canvas 2020, the high bank is the valley50x60cm oil on canvas 2019, green trees & amp; Snow peaks 80x60cm oil on canvas 2021 water reflection 80x60cm oil on canvas 2022 sneaking in the water 60x50cm oil on canvas 2019 flying over the cold cliff On the wilderness 40x50cm oil on canvas 2019