传记

早期的生活

Greuze出生在Tournus,勃艮第。通常是说他已经形成了自己的天赋,在早期他的倾向,虽然被他的父亲,被一个名叫Grandon Lyonnese艺术家鼓励,或Grondom享受一生中相当大的肖像画家的美誉。Grandon不仅说服Greuze的父亲给儿子的愿望,并允许男孩陪伴他为他的学生里昂日后,但是当他离开里昂前往巴黎,Grandon年轻Greuze一直追随着他。

定居巴黎,Greuze工作从生活模型在皇家艺术学院的学校,但没有吸引老师的注意,当他的第一部作品,Le Pere de虽然expliquant la圣经ses登峰造极,相当大的怀疑感到示他分享它的生产。同一个类的其他更引人注目的作品Greuze很快建立了他声称除了比赛,并赢得了著名的鉴赏家的注意和支持拉住de朱莉的妹夫d 'Epinay夫人。1755年Greuze表现出他Aveugle错,所提出的Pigalle雕塑家,他立即同意了学院。

结束对同年他离开法国,意大利,与阿贝公司路易Gougenot。Gougenot有一些熟悉艺术,受到学者的高度重视,谁,在他与Greuze旅程,选他身体的荣誉成员的他的研究神话和寓言;他要求在这些方面很大程度上是利用他们,但Greuze他们怀疑的优势,他失去了而不是通过这次访问意大利Gougenot的公司。他可能为了平息那些进行征税他无知的风格的模型,但意大利主题形成了整个1757年沙龙显示他的贡献,他被放在一个错误的轨道,他迅速回到他的第一灵感的来源。

与学院的关系

1759年、1759年和1761年Greuze展出与不断增长的成功;1765年,他达到了权力的顶峰和声誉。那一年他与不少于13代表作品,在这可能是引用“La另一幅作品《年轻少女,pleure儿子oiseau莫特”,“仅仅是好的”,“Le Mauvais儿子puni”(罗浮宫)和“La诅咒paternelle”(罗浮宫)。学院乘机媒体Greuze毕业照片,就拖延了很长时间的执行,禁止他们在墙上展示,直到他遵守他们的规定。说:“我读过这封信狄德罗”,这是诚实和尊敬的典范,我看过Greuze的反应,这是一种虚荣和不恰当的模型:他应该支持它的杰作,这正是他不做的。”

Greuze希望收到作为一个历史画家,和生产工作,他想证明他轻视他的权利资格作为一个流派的艺术家。这个不幸的画布(严重et卡拉卡拉)于1769年展出与Greuze的画像“Jeaurat”和他的令人钦佩的“娇小少女盟黑狗”。院士收到他们的新成员应有的荣誉,但在结束仪式导演解决Greuze这些字:“先生,奥斯卡已经接受了你,但只是作为一个流派的画家,学会尊重你以前的作品,这非常棒,但她已经闭上了眼睛,这是不值得的,她和你自己。”Greuze,大大激怒了,和他的兄弟争吵,和停止,直到1804年革命被打开的门学院所有的世界。

在第二年,1805年3月4日,他死于卢浮宫非常贫困。他已经收到可观的财富,他通过铺张浪费和管理不善(以及挪用公款的妻子),所以他被迫关闭年间征求佣金他衰弱的权力不再使他与成功执行。”长期忽视老人的葬礼上,一名年轻女子深深含蓄和克服情绪清晰可见通过她的面纱,躺在棺材里,只是删除前,一束不凋花,退到她的祈祷。茎周围题写一篇论文:“这些花了最感激他的学生是他的荣耀的象征。这是Mlle梅尔后来Prudhon的朋友。”

Greuze获得的杰出的声誉似乎已经到期,没有他的成就作为一个画家,他的做法显然是当前在他自己的一天——但他治疗的学科的特点。回归自然的灵感卢梭的攻击在人造文明要求表达艺术。

遗产

狄德罗,在勒儿子和父亲德虽然试图将国内戏剧的静脉账户在舞台上;他尝试和失败,Greuze,绘画,取得了非凡的成功,尽管他的作品,如狄德罗的戏剧,都受到影响,很不自然,他们抗议道。戏剧性的夸张的触摸,然而,这贯穿他们发现道歉的公司和出色的发挥,在肉体的新鲜和活力的色调,诱人的柔软的表情,迷人的空气的健康和青春,由感官吸引力,简而言之,Greuze投资他的教训资产阶级道德。

获取“拉另一幅作品《年轻少女l 'agneau”,的确,在Pourtal出售1865年,不少于一百万法郎。Greuze之一的学生来说,夫人甜香槟,模仿成功的方式她的主人,他的女儿和孙女,de Valory夫人,也继承了一些传统的人才。夫人de Valory comedie-vaudeville于1813年出版,Greuze,ou l 'accorde德村,她前缀通知她的祖父的生活和工作,和狄德罗的沙龙也包含,除了其他事项,完整的故事Greuze与学院的争吵。四个最著名的雕刻的日期,Massard里展现变换父亲,Flipart,盖拉德Levasseur,是专门委托Greuze与臣民的繁殖,但也有优秀的打印其他雕刻,尤其是汽车和Le Bas。

文化

第二章亚瑟柯南道尔的福尔摩斯故事恐惧的山谷,福尔摩斯的讨论他的敌人莫里亚蒂教授涉及Greuze绘画,旨在说明莫里亚蒂的财富尽管他小收入。1946集的广播剧福尔摩斯的新冒险题为“瞪羚”的女孩围绕着一个虚构的Greuze被盗画作的同名,策划的莫里亚蒂教授.

在第六部分豹由意大利作家,小说的朱塞佩预迪兰佩杜萨,王子的盐沼手表Greuze绘画、杜拉莫特的字眼,他开始思考死亡(“安全退出”,缓解焦虑的老年男性)和法官,垂死的人周围的漂亮女孩和他们的衣服建议性的“障碍多悲伤……这幅画的真正主题。”

在16章的e·m·福斯特小说的莫里斯,克莱夫提到,他发现自己无法方法Greuze的“主题”从任何超过纯粹的审美角度来看,对比Greuze与希腊雕塑家的作品。

中国作家Xiao Yi提到Greuze破碎的投手在整个上半年的工作她的小说《蓝色的指甲。破碎的投手也提到在第一现让·保罗·萨特玩,恭敬的妓女.

Greuze在歌曲中提到“(我们都穿绿色康乃馨”),诺埃尔•科沃德营的庆祝和不快,从他1929年的轻歌剧苦甜:“我们相信术/虽然我们截然相反的傻瓜被Greuze激动。/我们喜欢比尔兹利和绿色黄绿色。/(…)褪了色的男孩,疲惫的男孩,不管发生什么,/艺术是我们的灵感,我们的原因“年代”的同性恋,/我们都穿绿色康乃馨。”

展览

埃德加Munhall组织了第一次重大展览致力于艺术家:“让-巴蒂斯特·Greuze,1725 - 1805”(1976 - 1977)。的展览沃兹沃思艺术学院在哈特福德,然后前往加州荣誉勋章在旧金山美术博物馆在第戎。2002年,第一个展览Greuze的图纸举行弗里克收集在纽约。它也是由Munhall,谁写的目录。

biography

Early life

Greuze was born in Tournus, Burgundy. Generally speaking, he has developed his own talent. In the early stage, his tendency, though, was encouraged by his father, by an artist named Grandon lyonnese, or by grondom, enjoyed a considerable reputation as a portrait painter in his life. Grandon not only persuaded greuze's father to give his son's wishes, but also allowed the boy to accompany him for his student Lyon in the future. But when he left Lyon for Paris, Grandon's young greuze followed him all the time.

Settled in Paris, greuze worked from a life model school at the Royal Academy of art, but failed to attract the attention of his teachers. When his first work, Le Pere De, although expliquant La Bible SES reached its peak, there was considerable doubt that he shared its production. Greuze, another more eye-catching work of the same category, soon established his claim that in addition to the competition, he won the attention and support of famous connoisseurs to hold de Julie's brother-in-law, Mrs. d'Epinay. In 1755 greuze showed that he was aveugel wrong, the proposed Pigalle sculptor, and he immediately agreed to the Academy.

The end of the same year he left France, Italy, and Abbey company Louis gougenot. Gougenot is familiar with art and highly valued by scholars, who, on his journey with greuze, chose his body's honorary members for his research myths and fables; he asked to make use of them to a great extent in these aspects, but greuze and their suspected advantages, he lost the company rather than through this visit to gougenot, Italy. He may have tried to appease models of his ignorant style of taxing, but the Italian theme formed throughout 1757 when salon showed his contribution, he was put on a wrong track and he quickly returned to his first source of inspiration.

Relationship with the College

In 1759, 1759 and 1761, greuze exhibited with growing success; in 1765, he reached the peak of power and reputation. In that year, he and no less than 13 representative works, which may be quoted as "another La work" young girl, please son oiseau Mott "," just good "," Le mauvais son puni "(Louvre) and" La curse paternelle "(Louvre). The college took advantage of greuze's graduation photos and delayed the implementation for a long time, forbidding them to display on the wall until he complied with their regulations. "I've read this letter Diderot," he said. "It's a model of honesty and respect. I've seen greuze's reaction. It's a model of vanity and inappropriateness: he should support his masterpiece, and that's what he doesn't do."

Greuze wants to receive work as a historical painter, and as a production artist, he wants to prove that he despises his right as a school of artists. This unfortunate canvas (serious et karakala) was exhibited in 1769 with greuze's portrait "jeaurat" and his admirable "little girl black dog.". The academicians received the due honor from their new members, but at the end of the ceremony the director solved the words greuze: "Sir, Oscar has accepted you, but just as a painter of a school, learn to respect your previous works, which is great, but she has closed her eyes, which is not worth it, she and yourself." Greuze, greatly enraged, quarreled with his brother, and stopped all the world until the 1804 revolution was opened by the door college.

In the following year, on March 4, 1805, he died of extreme poverty in the Louvre. He has received considerable wealth through extravagance and mismanagement (as well as misappropriation of his wife), so he was forced to close his weak power to solicit commissions during his years of forced execution no longer makes him successful. " At the funeral of the long neglected old man, a young woman was deeply implicit and overcome her emotions clearly. Through her veil, she lay in the coffin, just before deleting, a bunch of flowers did not wither, and retreated to her prayer. Around the stem wrote a paper: "these flowers are the most grateful to his students as a symbol of his glory. This is a friend of MLE Meyer's later prudhon. "

Greuze's reputation for excellence seems to have expired, and without his achievements as a painter, his approach is clearly current on his own day - but he treats the discipline's characteristics. The return to nature inspired Rousseau's attack on man-made civilization requires expression of art.

heritage

Diderot, his son and father, although trying to account for the vein of domestic drama on the stage; his attempts and failures, greuze, painting, have achieved extraordinary success, although his works, such as Diderot's drama, are affected, very unnatural, they protest. Dramatic exaggeration of touch, however, runs through the company they find apologizing and the brilliant play in the flesh's fresh and vibrant hues, seductive softness of expression, fascinating air of health and youth, by sensual appeal, in short, greuze invests in his teaching of bourgeois morality.

It is true that in the year 1865 at pourtal, no less than one million francs were sold. For one of the greuze students, Madame sweet champagne, mimics the successful way her host, his daughter and granddaughter, Madame de valory, also inherited some traditional talents. Madame de valory Comedia vaudeville, published in 1813, greuze, ou l'accorde de village, prefixed her grandfather's life and work, and Diderot's Salon also contains, among other things, a complete story of greuze's quarrel with the Academy. Four of the most famous sculptures date, Massard shows the transformation father, flipart, galad Levasseur, who is specially entrusted with the reproduction of greuze and his subjects, but there are also excellent printings of other sculptures, especially cars and Le bas