里多尔福Ghirlandaio, Ridolfo（1483年2月14日——1561年6月6日），意大利画家。
他出生在佛罗伦萨。在不到11岁父亲去世时,Ridolfo是他叔叔把他抚养成人大卫。是基尔兰达约温和的人才,一个画家。瓦萨里州Ridolfo训练联邦铁路局巴特.
他的作品1504年和1508年之间的日期显示从桑巴特鲁姆联邦铁路局和显著的影响拉斐尔与他的朋友。从1508年的罗马,拉斐尔问Ridolfo加入他,但是佛罗伦萨画家止住了。在佛罗伦萨,他成为了一个著名的画家圣坛雕刻、壁画和肖像。
他杰出的执行大量风景油画在各种公共场合,如婚礼朱利亚诺·德·美第奇的条目利奥十世1515年在佛罗伦萨。在他'他是诚实和有责任心的作为一个艺术家,但从1527年,他拒绝了,已经积累了一个英俊的财产,足够维持在富裕大家庭十五岁的孩子,和他的作品变得比较礼貌的和重复的。他的儿子在法国和交易费拉拉;他自己参与商业事务,并开始一些关注马赛克工作,但似乎,在完成一个马赛克,报喜的门Annunziata教堂、耐心分钟这样失败的他继续工作。在他年老的时候Ridolfo非常禁用痛风。他似乎是一个善良的,随和的性格,被他的朋友和顾客。
在他的杰作,主要是oil-pictures是:基督还是丝毫不懂加略山的道路上,现在宫殿Antinori。的通告修道院的Montoliveto在佛罗伦萨附近,达芬奇的风格。1504年,他完成了加冕的处女。他画了一个基督诞生和一个祭坛的台演讲的Bigallo佛罗伦萨,5板,代表基督诞生和其他科目。1514年,天花板上教堂的圣伯纳德在宫殿市政厅,佛罗伦萨是基尔兰达约三位一体的描绘了一幅壁画,十二使徒的头和其他配件,和报喜。他还画了一个假设的处女,赐予她的腰带在圣托马斯,唱诗班的阁楼普拉托大教堂.
大约在同一时间,他画了一幅显示最高的技能,充斥着表情,充满活力的生活,和坚定的图示方法,完成圣Zenobius重振一个孩子和一个翻译圣Zenobius的残骸。他也描绘了一幅圣母和各种圣人的圣皮特皮斯托亚。1521年,圣母怜子图,在桑特达,考勒迪Val d 'Elsa真人大小的。到1526年,假设 包含一个自画像。是基尔兰达约描绘了一个年轻的画像关于柯西莫•德•美第奇,未来的大公。1543年,一系列的寺院的壁画圣玛丽亚degli天使。在伦敦国家美术馆是还是丝毫不懂加略山的队伍。他的肖像的一个粉红色的但尼丁公共艺术画廊。显示一个牧羊人归因于崇拜的是基尔兰达约的Snite艺术博物馆印第安纳州的南本德圣母大学。
大量的祭坛画被处死,是基尔兰达约,他最喜欢的学生的协助下,米歇尔Tosini(由于他的导师获得名称米歇尔·迪Ridolfo)。其他的学生马里亚诺·Grazidei的Pescia,[5]卡洛杨祥银的洛罗在瓦尔达诺Baccio Gotti他搬到法国。
He was born in Florence. Being less than eleven years old when his father died, Ridolfo was brought up by his uncle Davide Ghirlandaio, a painter of moderate talents. Vasaristates that Ridolfo trained under Fra Bartolomeo.
His works between the dates 1504 and 1508 show a marked influence from Fra Bartolomeo andRaphael, with whom he was friends. From Rome in 1508, Raphael asked Ridolfo to join him; but the Florentine painter stayed. In Florence, he became one of the prominent painters of altarpieces, frescoes, and portraits.
He was prominent in the execution of vast scenic canvases for various public occasions, such as the wedding of Giuliano de' Medici, and the entry of Leo X into Florence in 1515. In his prime he was honest and conscientious as an artist; but from about 1527 he declined, having already accumulated a handsome property, more than sufficient for maintaining in affluence his large family of fifteen children, and his works became comparatively mannered and repetitive. His sons traded in France and in Ferrara; he himself took a part in commercial affairs, and began paying some attention to mosaic work, but it seems that, after completing one mosaic, the Annunciation over the door of the Annunziata Basilica, patience failed him for continuing such minute labours. In his old age Ridolfo was greatly disabled by gout. He appears to have been of a kindly, easy-going character, much regarded by his friends and patrons.
Among his masterpieces, mostly oil-pictures are: Christ on the road to Calvary, now in the Palazzo Antinori. An Annunciationin the Abbey of Montoliveto near Florence, Leonardesque in style. In 1504, he completed the Coronation of the Virgin.[1] He painted a Nativity and a predella in the Oratory of the Bigallo, Florence, with five panels, representing the Nativity and other subjects. In 1514, on the ceiling of the chapel of St Bernard in the Palazzo Pubblico, Florence, Ghirlandaio painted a fresco of the Trinity, with heads of the twelve apostles and other accessories, and the Annunciation. He also painted anAssumption of the Virgin, who bestows her girdle on St Thomas, in the choir loft of Prato cathedral.
Around the same date, he painted a picture showing his highest skill, replete with expression, vigorous life, and firm accomplished pictorial method, St Zenobius Resuscitating a Child and a Translation of the remains of St Zenobius. He also painted a Virgin and various saints at San Pietro Maggiore of Pistoia. In 1521, the Pietà, at Sant'Agostino, Colle di Val d'Elsa, life-sized. Towards 1526, the Assumption,containing a self-portrait. Ghirlandaio painted a portrait of a youngCosimo I de' Medici, future Grand-Duke. In 1543, a series of frescoes in the monastery of Santa Maria degli Angeli. In theNational Gallery, London is The Procession to Calvary. His Portrait of a Man with a Pink is in the Dunedin Public Art Gallery. An Adoration by the Shepherds attributed to Ghirlandaio is displayed at the Snite Museum of Art at Notre Dame University in South Bend, Indiana.
A great number of altar-pieces were executed by Ghirlandaio, with the assistance of his favorite pupil, Michele Tosini (who due to his mentor acquired the name Michele di Ridolfo). Other of his pupils were Mariano Grazidei of Pescia Carlo Portelli of Loro in the Valdarno, and Baccio Gotti who moved to France,.
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