安东尼奥·皮萨内洛出生于维罗纳，活跃于帕多瓦和威尼斯。他把"威尼斯--哥特样式"绘画所具有的那种鲜明、甜美的风格发展到了顶点。

皮萨内洛年轻时曾和帕多瓦的绘画大师秦蒂利共同绘制过威尼斯总督宫的壁画，后来又接受秦蒂利死后留在罗马未完成的壁画制作。他用多年的经历为圣达拉斯达亚教堂作壁画《圣凯奥尼斯传》，在壁画创作中显示了他全部的智慧、体现出了他的艺术风格。画面上金、银、青等色彩的穿插使用，使整个壁画绚烂多彩。画中人物形体的塑造和中世纪骑士风度的刻画，显示出他已经超越了哥特样式的樊篱，具有独特的艺术风貌。

《埃斯特王族的公主像》

作为15世纪上半期威尼斯画派的代表画家皮萨内洛在绘画题材上已开始描绘现实生活中的人物形象，在技法上逐渐脱离哥特样式，重视色彩的运用。

这幅公主侧面肖像描绘得十分工整细腻，尚存哥特遗风，强调装饰美感，画家已关注人物面貌的个性表现，无论是人物刻画还是笔触色彩的处理，都显示出一种过渡风格。

Antonio Pisanello was born in Verona, active in Padova and Venice. He developed the bright and sweet style of "Venice Gothic style" painting to the top.
Pisanello was a young man and Padova painting master Qin Tilly drew together governor of Venice murals, and later accepted in Rome after the death of Qin Tilly unfinished mural. With his years of experience as a holy church "St Aceh Dallas murals Kaiao nice biography", in the fresco shows all his wisdom, reflects his artistic style. Screen gold, silver, green and other colors interspersed use, so that the entire mural colorful. The painting depicts the body shape and medieval chivalry, showing that he has gone beyond the barriers of Gothic style, with its unique artistic features.
"Esther Royal Princess"
During the first half of fifteenth Century as the representative of the Venice school painter Pisanello in painting themes have begun to describe the real life characters in technique gradually from the Gothic style, the emphasis on the use of colors.
The princess side portrait very neatly and delicate, surviving Gothic legacy, emphasizing the decorative beauty, personality painter has concerned characters appearance, whether dealing with the characters and strokes of color, showing a kind of transitional style.