弗兰克.杜韦内克Frank Duveneck(1848年10月9日——1919年1月3日)是美国图和肖像画家。
Duveneck出生在卡温顿,肯塔基州德国移民的儿子Bernhard德克尔。德克死于霍乱疫情弗兰克才一年,他的遗孀约瑟夫Duveneck再婚。十五岁的弗兰克已经开始研究艺术的监护下当地的画家约翰·施密特,被教会decorator的德国公司的学徒。尽管卡温顿长大,Duveneck德国社区的一部分俄亥俄州辛辛那提,就在俄亥俄河。然而,由于他的天主教信仰和德国的遗产,他是一个局外人辛辛那提的艺术社区而言。1869年,他去了国外学习威廉·冯·迪耶和威廉Leibl在皇家学院慕尼黑,在那里他学到了黑暗,现实和直接的绘画风格。他后来成为一个年轻的美国painters-others威廉•梅里特追,约翰·亨利Twachtman,威利斯西维尔亚当斯和沃尔特Shirlaw——在1870年代,推翻了传统的哈德逊河学校并开始一个新艺术运动的特点是油漆应用程序的一个更大的自由。
他的工作,起初忽略在卡温顿,引起了极大的关注,在1875年波士顿艺术俱乐部,和学生涌向他德国和意大利,他长期访问。亨利•詹姆斯称他为“未知的天才”,27岁的他是一个著名的艺术家。Duveneck开了一所学校在慕尼黑,1878年,和村里的轮询巴伐利亚。他的学生,被称为“Duveneck男孩”,包括约翰•Twachtman奥托巴彻,朱利叶斯Rolshoven,约翰·怀特亚历山大.
1886年,Duveneck结婚对他的一个学生亨利•詹姆斯成就,喜爱冒险的波士顿伊丽莎白Boott。他们住在别墅卡斯特拉尼弗洛伦斯(她已经提出)两年了。她产生了一个儿子,弗兰克Boott Duveneck。她在巴黎死于肺炎。Duveneck崩溃了。从意大利返回美国后,他给了一些关注雕塑模仿一个不错的纪念他的妻子,现在在米兰Evangelico agli Allori在佛罗伦萨。尽管这个活动,伊丽莎白的死亡标志着他的生产力放缓;一个富有的人,他选择过一种相对默默无闻的生活。他住在卡温顿直到1919年去世,任教辛辛那提艺术学院,一些学生的注意吗Ida Holterhoff霍洛威学院,约翰Christen约翰森,让凯伦,爱德华·查尔斯Volkert,拉塞尔赖特赫尔曼和贝西韦塞尔。
他经常在夏天格洛斯特马萨诸塞州参观他的儿子和绘画练习。
在他最著名的作品是夫人和风扇(1873)和吹口哨男孩(1872),这两个显示Duveneck债务的黑暗调色板和削减绘画弗朗斯·哈尔斯。他的工作时可以看到大都会艺术博物馆在纽约,国家美术馆的艺术在华盛顿特区,美术博物馆在波士顿,辛辛那提艺术博物馆,里奇蒙德艺术博物馆,肯特县图书馆在肯塔基州,卡温顿教堂的假设也在卡温顿弗朗西丝·雷曼Loeb艺术中心在纽约波基普西。一幅肖像,蓬乱的头发的年轻人(街头顽童),现在史密森尼美国艺术博物馆,以前的集合库尔特·冯内古特.1905年,他当选了国家设计学院作为一个准会员,并于1906年成为一个完整的院士。
Duveneck埋在神的母亲墓地,在卡温顿.
一个真人大小的青铜雕像描绘Duveneck持有斑块与妻子的照片在它站在一个小公园的交集派克在卡温顿和华盛顿的街道,肯塔基州。
Duveneck was born in Covington, Kentucky, the son of German immigrant Bernhard Decker. Decker died in a cholera epidemic when Frank was only a year old and his widow remarried Joseph Duveneck. By the age of fifteen Frank had begun the study of art under the tutelage of a local painter, Johann Schmitt, and had been apprenticed to a German firm of church decorators. While having grown up in Covington, Duveneck was a part of the German community in Cincinnati, Ohio, just across the Ohio River. However, due to his Catholic beliefs and German heritage, he was an outsider as far as the artistic community of Cincinnati was concerned In 1869, he went abroad to study with Wilhelm von Diez and Wilhelm Leibl at the Royal Academy of Munich, where he learned a dark, realistic and direct style of painting. He subsequently became one of the young American painters—others were William Merritt Chase, John Henry Twachtman, Willis Seaver Adams and Walter Shirlaw—who in the 1870s overturned the traditions of the Hudson River School and started a new art movement characterized by a greater freedom of paint application.
His work, at first ignored in Covington, attracted great attention when shown at the Boston Art Club in 1875, and pupils flocked to him in Germany and Italy, where he made long visits. Henry James called him "the unsuspected genius" and at the age of 27 he was a celebrated artist. In 1878, Duveneck opened a school in Munich, and in the village of Polling in Bavaria. His students, known as the "Duveneck Boys", included John Twachtman,Otto Bacher, Julius Rolshoven, and John White Alexander.
In 1886, Duveneck married one of his students who was much admired by Henry James, Boston-born Elizabeth Boott. They lived in Villa Castellani in Florence (where she had been raised) for two years. She produced a son, Frank Boott Duveneck. She died in Paris of pneumonia. Duveneck was devastated. After returning from Italy to America, he gave some attention to sculpture, and modelled a fine monument to his wife, now in the Cimitero Evangelico agli Allori in Florence. Despite this activity, Elizabeth's death marked a slowing in his productivity; a wealthy man, he chose to lead a life of relative obscurity. He lived in Covington until his death in 1919 and taught at the Art Academy of Cincinnati,where some pupils of note were Ida Holterhoff Holloway, John Christen Johansen, M. Jean McLane, Edward Charles Volkert, Russel Wright, and Herman and Bessie Wessel.
He often spent summers in Gloucester, Massachusetts visiting his son and painting en plein air.
Among his most famous paintings are Lady with Fan (1873) and The Whistling Boy (1872), both of which reveal Duveneck's debt to the dark palette and slashing brushwork of Frans Hals. His work can be seen at the Metropolitan Museum of Art in New York City, the National Gallery of Art in Washington, DC, the Museum of Fine Arts in Boston, the Cincinnati Art Museum, theRichmond Art Museum,the Kenton County Library in Covington, Ky, and the Cathedral Basilica of the Assumption, also in Covington and the Frances Lehman Loeb Art Center in Poughkeepsie, NY. A portrait, Young Man with Tousled Hair (the Street Urchin), now in the Smithsonian American Art Museum, was previously in the collection of Kurt Vonnegut. In 1905 he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1906.
Duveneck is buried at the Mother of God Cemetery, in Covington.
A life-size bronze statue depicting Duveneck holding a plaque with his wife's picture on it stands in a small park at the intersection of Pike and Washington streets in Covington, Kentucky.
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