安东尼奥Ermolao Paoletti(1834年5月8日,威尼斯——1912年12月13日在威尼斯)是一个意大利画家,主要是威尼斯类型场景,回忆市井妇女和儿童的生活,以及神圣的教堂的壁画作品威尼托.

安东尼奥的父亲,Ermolao Paoletti威尼斯是一个著名的学者和作家。他写了很多引用广阔的指导其架构、纪念碑、艺术作品和习俗。他还写过一本字典威尼斯方言。他是一个雕刻师和画家,是一位教授学院di美女Arti在威尼斯。 

安东尼奥在学院的学生参加旁派马里诺Molmenti,sulptor的同事安东尼奥Dal Zotto和亚美尼亚画家和雕刻家埃德加夏英.

他显示在各种展览,包括米兰在1872年,他在那里显示Ecco va il红酒内尔展览馆;在1884年的都灵的展览:鲜花的神圣的处女和Fa卡罗阿尔nonno !;在1884年Promotrice Popolana Venicena;il pesce addenti;1885年,il venditore di pesce。 

在他的许多壁画是主要的装饰画描绘的麦当娜的念珠和圣安东尼圣Materno(1863)的教区教堂Melara公司. 像他的父亲,安东尼奥也成为学院教授。

Antonio Ermolao Paoletti (May 8, 1834 in Venice – December 13, 1912 in Venice) was an Italian painter, mainly of Venetian genre scenes, recalling Bamboccianti life of children and women, as well as sacred fresco work for churches in the Veneto.

Antonio's father, Ermolao Paoletti, was a well known scholar and writer of Venice. He wrote a much cited expansive guide to its architecture, monuments, artistic works, and customs. He also wrote a dictionary of Venetian dialect. He was an engraver and painter, and was a professor at the Accademia di Belle Arti in Venice. 

Antonio attended course in the Accademia as a pupil of Pompeo Marino Molmenti, and as a colleague of the sulptor Antonio Dal Zotto and the Armenian painter and engraver Edgar Chahine.

He displayed in various exhibitions, including Milan in 1872, where he displayed Ecco come va il vino nelle messe; at the 1884 Exhibition of Turin: Flowers for the Holy Virgin and Fa' caro al nonno!; at the 1884 Promotrice Popolana Venicena; il pesce addenti; and in 1885, Il venditore di pesce. 

Among his many frescoes is the main altarpiece depicting the Madonna of the Rosary with St Anthony and St Materno (1863) for the parish church of Melara.^[3] Like his father, Antonio also became a professor at the Accademia.