雅格布·阿米格尼作品

他出生在那不勒斯或威尼斯。Amigoni最初画神话和宗教场景;但随着他的顾客向北扩张,他开始生产很多客厅在感官描述神疲倦或游戏。他的风格的影响朱塞佩Nogari。在他的学生中有查尔斯·约瑟夫·Flipart,米开朗基罗Morlaiter,Pietro安东尼奥Novelli,约瑟夫·瓦格纳,安东尼奥·祖奇.

从1717年开始,他和工作记录巴伐利亚在城堡的宁芬堡陶器(1719);城堡的Schleissheim(1725 - 1729);和本笃会修道院的的Ottobeuren。他在1726年回到了威尼斯。他挂在巴黎的传讯Pisani别墅在箍。从1730年到1739年他在工作英格兰,在Pown房子,沼泽公园Wolterton大厅在考文特花园的剧院。从那里,他帮助说服卡纳莱托前往英格兰充裕的赞助,告诉他。

从他的旅行巴黎1736年,他会见了庆祝被阉的男歌手Farinelli。后来在马德里,他描绘了一幅自画像歌手和随从。^[2]他也遇到了这幅画弗朗索瓦Lemoyne和布歇.

1739年,他回到了意大利,也许那不勒斯和肯定Montecassino在修道院的存在两个画布(第二次世界大战期间毁)。直到1747年,他前往威尼斯漆西吉斯蒙德Streit,Casa皱叶甘蓝和其他城市的建筑。1747年,他离开了意大利,在马德里。在那里,他成为宫廷画师费迪南德VI西班牙和圣费尔南多皇家学院的主任。他死于马德里。

雅格布·阿米格尼作品

He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi.^[1]

Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725–1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisaniat Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park Wolterton Hall and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available.

From his travel to Paris in 1736, he met the celebrated castrato Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage.^[2] He also encountered the painting of François Lemoyne and Boucher.

In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.