克里斯托法诺 阿洛里Allori, Cristofano(1577年10月17日—1621年4月1日),意大利画家。
Cristofano Allori(1577年10月17日- 1621年4月1日)是一个意大利肖像画家的佛罗伦萨矫揉造作者学校。Allori出生在弗洛伦斯收到了他的第一堂课,绘画从他的父亲,亚历山德罗Allori,但越来越不满意后者的硬解剖图和冷的颜色,他进入工作室的格雷戈里奥帕加尼已故的领导人之一,他是佛罗伦萨学校,寻求统一的丰富的着色威尼斯人与佛罗伦萨绘画。[1]Allori似乎也在工作Cigoli.
他的照片他们坚持自然和美味和技术完美的执行。他的技能是通过几本他的事实柯勒乔由柯勒乔的作品被认为是重复自己。他的极端严格限制他的作品的数量。几个例子在佛罗伦萨和其他地方。
他最著名的作品,在他自己的一天,现在,与荷罗孚尼的负责人朱迪思。它存在于由Allori至少两个版本,其中主要版本也许是在英国吗皇家收藏日期为1613年,各种再现。1620年的版本宫殿彼蒂在佛罗伦萨最著名和有几个工作室和其他副本的手。根据混淆传记菲利波Baldinucci的模型朱迪思以前是他的情妇,美丽的“La Mazzafirra”,也代表他是谁抹大拉的负责人荷罗孚尼是一个自画像,女仆是La Mazzafirra的母亲。
Cristofano Allori (17 October 1577 – 1 April 1621) was an Italian portrait painter of the late Florentine Mannerist school. Allori was born at Florence and received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani, who was one of the leaders of the late Florentine school, which sought to unite the rich coloring of the Venetians with the Florentine attention to drawing.[1] Allori also appears to have worked under Cigoli.
His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His technical skill is shown by the fact that several copies he made of Correggio's works were thought to be duplicates by Correggio himself. His extreme fastidiousness limited the number of his works. Several examples are to be seen at Florence and elsewhere.
His most famous work, in his own day and now, is Judith with the Head of Holofernes. It exists in at least two versions by Allori, of which the prime version is perhaps that in the British Royal Collection, dated 1613, with various pentimenti. A version of 1620 in the Palazzo Pitti in Florence is the best known and there are several copies by studio and other hands. According to the near-contemporary biography by Filippo Baldinucci, the model for the Judith was his former mistress, the beautiful "La Mazzafirra", who is also represented in his Magdalene, the head of Holofernes is a self-portrait, and the maid is "La Mazzafirra"'s mother.[2]
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